Really effective and evocative of the subject, and a really good mockup too man.

A series of orchestral pieces I recently composed, with a typical Hollywood-style orchestral sound.

Orchestral/Epic

The Marianas Trench is the deepest part of the earth underneath the western pacific ocean. This piece creates a narrative of exploration and dark discovery.

Marianas Trench

Cycle is written for a trio of Violin, Harp and Double Bass. Each instrument can create an effects process for another instrument. The bass effects the violin with a spectral drone plugin when it plays low enough, the violin puts delay on the harp when it plays high enough, and the harp put an octave doubler below on the bass when it is instructed to trigger a foot pedal. Each instrumentalist has the option to jump between two staves of music at any time within the piece but may cause an effect on the next performer. This concept gives the performers control over their performance environment. The performers on the recording are Kate Agostino on violin, Anna Quiroga on harp, and Owen Nicalaou on bass

Cycle

License via MusicVine

Amber Day

GAME OF ASSASSINS - The Devil's Students

If you would like to license this track or hire me for your project, please visit my website: http://www.zhaoshencomposer.com/

©2016 Zhao Shen

Enigma (Dark, Mysterious)

Beatbox, lead vocals, back vocals, bass, keyboards: Rosa Mussin
Samples from Mr. Roland and Mr. Braga

Produced by Rosa Mussin, Andrea "Cian Blastić" Blasetig
Recorded @SQSQ_Studio
Atracoustic Studio
Photo by Annalisa Conte


Same Things

Chiara Di Gleria - Vocals and Composition
Vincenzo Di Francesco - Piano and Mix

On A Sunny Day (Song For M.)- feat. Vincenzo Di Francesco

Short cue composed for the admission to the Royal College of Music master program in Composition for Screen.
Music imagined for a trailer of an epic dystopian sci-fi film about space travels.

Picture credits: Deviant Art https://qauz.deviantart.com/art/Calm-Space-670760025

Trailer Music - RCM Year 1

Caught in a Montage

An orchestral cue that I wrote on the images of the 2004 film The Polar Express. Video available upon request.

Orchestral sections recorded live on June 10th 2018 at the Royal College of Music, London.
Music composed, conducted and mixed by me.

The Polar Express

This piece was composed as a re-scoring of the official trailer for the film "Star Wars: The Last Jedi".
The music was recorded live at the Royal College of Music in February 2019 and conducted by Matt Dunkley (Mission: Impossible - Fallout, Inception, The Dark Knight, Moulin Rouge).

Music composed, orchestrated and engineered by me.

The Last Jedi

A short cue composed on a scene of the drama "The Passion", a BBC and HBO coproduction on the final days of Jesus of Nazareth. The cue is part of my final project for the Composition for Screen course at Royal College of Music.

Composed, mix and mastered by Vincenzo Di Francesco
Produced by Ed Beesley
Recorded at the Belle Shenkman Studio in May 2019

Like Never Before - RCM Year 2

A short orchestral piece composed for the animation "Fat Ass Harold" by Frozia Khalifé (Central Saint Martin London, MA in Character Animation).
The music was recorded live at the Royal College of Music in June 2019 and conducted by Christofer Quentin.

Check out the animation here: https://vimeo.com/341838778

Music composed, orchestrated and engineered by me.

Fat Ass Harold

Our first EP, Anemoi, is now available on Spotify
https://spoti.fi/2WyF1Yo

Alessandro Cherici - Melodica, Mandolin, Voice
Vincenzo Di Francesco - Percussions, Voice
Matteo Pinna - Guitar, Voice

© Anemoi 2020

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"Sing all your love songs
You lost sailor
Sing till you hear your voice crack

Sing what you won’t say
Nothing will change
No one will listen, sing all the same

Sing all your sad songs
Lonely pirate
Music is all you have left

Sing till you feel that
You’re forgiven
Sing, because time won’t ever turn back"

Anemoi

GBSMU7901204

Sing (Anemoi)

Composer, film scorer and pianist.

Business and Licensing: info@vincenzodifrancesco.com

Music has always been at the centre of my life. I've been playing piano since I was a little kid, and even before that I can't remember a time when I wasn't mesmerised by radios and instruments and anything that produced sounds. I graduated in Jazz Piano at the italian conservatoy "J. Tomadini" and in Composition for Screen at the Royal College of Music in London.
I love soundtracks and movies. I've been composing music for visual media since 2011, working in collaboration with many directors (Andrea Martelli, Marco Fabbro, Giacomo Trevisan, Gianmarco Formica, Michelle Brand, Florian Thess, Frozia Khalife, Rath Chun). I have worked on several productions, from documentaries to short movies, web-series and commercials.

The Polar Express

VincenzoDiFrancesco

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Rob Jaret

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