Name: T(h)rill by Vincenzo Scorza
Duration: 5 min 11 s
Description: Composed at the "G. B. Martini" Conservatory, in Bologna.

Fantastic! Been a year since your last upload, it's great to hear new work from you.

https://soundcloud.com/francescopapaleo
Download: https://whypeopledance.bandcamp.com/track/unsorted-identity
YouTube: https://youtu.be/PqDzSL98x0Y

Francesco Papaleo has yet to find his alias because he sleeps only once every two days, being too busy producing unsorted sounds out of copper and silicon.

Wandering around airports and train stations, Francesco has collected ideas that can fit on a buggy laptop and portable, not-really-fancy, machines.

Artwork: Kalamun [www.kalamun.net]

Unsorted Identity

Download

BC DOWNLOAD: Francesco Papaleo - Unsorted Identity [whypeopledance]

We also worked on an ep of remix, committing 5 of the album tracks to prestigious producers (all great musicians and friends), reworking ourselves two tracks, and adding in the ep also two more pieces of the serie called “Sisma”

02 "Ghost Town" (Vinx Scorza Remix)

Exclusive on Beatport:
http://www.beatport.com/track/moewen-moewen-adler-mix/6097908

Jens-Uwe Beyer Moewen (Adler Mix)

Experimental Sounds - "RAGNI & INSETTI" modular patch


This sound experimentation was created entirely with a small modular system (MakeNoise D.P.O & Erbe-Verb / Moog Mother32 / Mutable Instruments Clouds) at the "SanFlow" home studio in May 2016.

The idea was to create timbres that, together with others, must give the idea of ​​being in the middle of a swarm of spiders and insects.

There is no score or technical realization of the piece in this case. 
These 2 minutes are just the result of an experiment lasting a couple of nights...

This sound experience was released on an experimental music EP of the "Discomfort Dispatch" project in 2016 (Bologna - Italy).

Spider Patch - Ragni & Insetti

Perché Non Scappiamo Ancora

music I love. from west to east. from remote times to 2017.
#ecstaticcomputation

Caterina Barbieri x NTS

Taken from Stroboscopic Artefacts' first compilation, Flowers From The Ashes: Contemporary Italian Electronic Music, out April 13th, 2018 on 2x12" / CD / Digital.

Order: https://stroboscopicartefacts.com/shop/flowers-from-the-ashes-salp006-sacd009/



Flowers From The Ashes is the latest multi-artist project to bear the acclaimed Stroboscopic Artefacts imprimatur. There is a sensibility of decadence and corroded grandeur etched within its four album sides, reminding us that historically “decadent” times have nonetheless resulted in some of the boldest acts of individual and collective creativity. Like the "floral" theme that has remained a consistent feature of S.A.’s graphic presentation, the music here equally presents fragility and intensity in a way that really drives home this visual metaphor for good, while still holding out the promise that similar creations will be seeded in the near future.

Though many of the artists involved have set of residence outside of their native Italy, all contribute here to make a captivating portrait of a shared spirit and cultural memory. The album opens with 'Errori', deceptively fragile sonic ornaments crafted and suspended in space by Blackest Ever Black artist Silvia Kastel. This is followed closely by the mellifluous, warming glow of percussionist Andrea Belfi’s 'Spitting & Skytouching', and then by the resolute electric bass patterns and luminous fog of 'Lux et Sonus', from Eeri label head Marco Shuttle. Hospital Productions alumnus Ninos du Brasil open the B-side with a similarly dense, amorphous construction built from tribalistic chants and rhythmic patterns, to be followed by Mannequin label boss Alessandro Adriani’s 'You Will Not Be There For The End', showcasing his distinctive take on the "paranoiac breakdance" aesthetic of classic EBM. S.A. veteran Chevel rounds out the first record in the program by interlacing several percolating synth lines together into a richly conversational piece.

The journey continues with 'Starving The Mind', an undulating mini-epic from S.A. founder Lucy that is animated by his signature balance of seductiveness and concentration. The bright, biting acid synth tones of 'PRV-HH3-X', by Lory D, then takes a sharp right turn into an invisible metropolis ruled by reflective high fashion and hidden intrigue. The imposing architecture of 'Virgo Rebellion', designed by modular synth futurist Caterina Barbieri, acts as an excellent companion piece, and sets up the closing '4G' from Spazio Disponibile co-founder Neel - a crepuscular serenade that accurately sums up much of the foregoing activity.


All tracks (w)&(p) by Silvia Kastel, Andrea Belfi, Marco Shuttle, Ninos Du Brasil, Alessandro Adriani, Chevel, Lucy, Lory D, Caterina Barbieri & Neel.
Graphic concept by Ignazio Mortellaro [OA].
℗ & © Stroboscopic Artefacts 2018.
Cat. No SALP006 / SACD009 - all rights reserved.
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Order

D1 - Caterina Barbieri - Virgo Rebellion [SALP006/SACD009]

A work of self-discovery trough limitations and restrains. A short EP made with love, hard work and a little modular synthesizer.
credits

Sicurezza

Composed at the "G. B. Martini" Conservatory, in Bologna.

T(h)rill

The Downward Spiral Instrumental Demos in one track  with some additional mastering. Ruiner and Big Man with a Gun are missing with a Demo for Dead Souls in place of Ruiner. 
I do not own this music. For educational purposes in sound design insight into one of the most sonically appealing albums of all time. 

T(h)rill

Vincenzo Scorza

Recent comments

Sleeping On Lotus Ashes

Related tracks