Eco di Kolongala (2012) – 8 channel acousmatic composition

The sound material used to compose this piece is basically a recording of Olaf Tzschoppe´s piece “Kolongala”.
“Eco di kolongala” is a transcription of what happens in the imagination of the listener when he/she is listening the original piece. The listener focuses his/her ears in some sounds or sections of the piece, perhaps leave behind the other sounds. He/she perhaps repeats the sound events internally, recomposing and rethinking the piece in a mix with his/her feelings, tastes and desires. All these musical ideas are amplified and spatialized around him/herself.

Eco di Kolongala  - acousmatic music for 8 loudspeakers

The piece focuses on the diference between spaces designed by the objects movements and the ones traced out in memory. I tried to figure out in which way the trajectory of percussive sounds, in an open space, can be manipulated until it becomes a flash, a sign of light in the mind of th listener. Sounds are slightly elaborated in order to keep a strong connection with the source. 

This track is a stereo version. Unfortunately the composed spatialization of the sounds in the original version can not be heard in this version. 

This piece was performed: 
16 Acousmatique International Festival, L´Espace du son - Bruxelles
18 Bienal de Música Brasileira contemporanea - Rio de Janeiro
ANimALOGICA 2 Bologna Synth Meeting - Bologna
Musikwissenschaftliches Institut de Universität zu Köln - Musik der Gegenwart - Köln
La Terra Fertile - Conservatorio di musica "Luigi Canepa"

Que som è esse? - acousmatic music for 8 loudspeakers

Flâneur (2011) 
-	8 channel acousmatic composition

“Flâneur” is a piece in which the listener can experience two sonorous situations: one that tends to remind a real or imaginary sound world; and another that the listener perceives a microscopic world spinning and jumping around himself with magnifying lenses.  The interactions of these two are presented as an imagined tale, where the listener wanders among these sound worlds in its own way, as a “Flânuer”. 


Flâneur  - acousmatic music for 8-ch sound-surround

(((Der beste Weg, um diese Aufnahme zu hören ist, mit Kopfhörern - mit in-ear Mikrofone aufgenommen)))

Konzert 4: - PGNM Festival
Sonntag, 23. November 2014, 11.00 Uhr, Konzertsaal der Hochschule für Künste, Bremen

Vinicius Giusti Ressoa (2012/2013)
für Klavier und Live-Elektronik

Klavier: Lydia Hammerbacher
Klangeregie: Vinicius Giusti
Aufnahme: Riccardo Castagnola - 

Ressoa ist ein Stück für präpariertes Klavier und Live-Elektronik. Die Präparaten besteht aus einer Interaktion zwischen Zimbeln und Klaviersaiten. Die sich aus dieser Kombination ergebenden Klänge werden von Mikrophonen eingefangen und durch die Live-Elektronik weiter verarbeitet. Die Elektronik verstärkt die innere Micro-Klangwelt des Klaviers und Teile davon werden in Raum und Zeit umverteilt und erzeugen somit neue Konstellationen von Klängen um das Publikum herum. Das Stück besteht aus siegen Momenten. Jeder Moment repräsentiert eine Kombination von präparierten Klängen und elektronischer Manipulation. Der Pianist improvisiert in vielen von ihnen, wann und wie er die präparierten Klänge spielt und interagiert dabei mit der Elektronik. Die offenen Parameter, die improvisierten Teile, die Variablen der Präparation un der Live-Elektronik mit den eingehen zufälligen Parametern machen die Präsentation dieses Stückes zu einem Ritual, das niemals gleich sein kann. Es ist ein einzigartiger Moment, in dem der Hörer diese besondere Konstellation von Klängen wegfahren kann.


Ressoa - for prepared piano and live-electronics in an 8-channel sound-surround

Acousmatic piece for 8ch surround sound (Stereo version)

The sound material used for this composition is based off of field recordings made by Igor Germano Pavezi. The material was created by exploring the sonic environment surrounding his home, and were recorded using a portable recorder and two microphones with freedom of movement in any direction. The piece aims to develop a relationship between two different sonic worlds. The first will recreate the same listening environment that surrounds Pavezi’s home for an audience, while the second represents what was happening in Pavezi's mind throughout the process, as he discovers the variety of sound realities that surround his home.

Abirú

Abirú - Acousmatic piece for 8ch surround sound (Stereo version)

OGIERMANN & GIUSTI
HADT_SPAZIO

In the series of HADT- pieces the single source of an in itself feedbacking AKAI cassette-recorder (heard over a Marshall-Rehearsal-Amp and a Mixer) is put in connection with different effects or performance-constellations. The results are monophonic bands up to polyphonic structures of instable repetitions, reminding of near animalic sources. The aim of the series is to develop a bunch of nearly autonomous systems with instable, always changing and by this unforseenable results

Until now had been realized: HADT, HADT_NOISE, HADT_FD, HADT_SEISMO
A recording of HADT can be heard here: https://soundcloud.com/ogiermann/hadt-for-three-players-on-cassette-recorders-2014 (played by Ensemble KLANK and recorded by Radio Bremen)

In HADT_SPAZIO the feedbacking source is connected with a live-processing system developed by the composer and musician Vinicius Giusti. The sound source is transformed by processes of fragmentation or condensation in time and redistributed in the space in a multichannel diffusion system.

Some of the first results had been recorded in a session in the Atelier Fehrfeld, Bremen, Germany in March 2017.

Bremen - February - 2017

Binaural stereo version - use a headphone.

Ogiermann & Giusti - HADT_SPAZIO - Electronic Tape multi-channel Improvisation - Binaural Version

Vinicius Giusti è nato nel 1980 a Pato Branco (Brasile). Dal 2000 a 2006 ha studiato composizione con il Prof. Mauricio Dottori in Curitiba-Paraná e poi musica elettronica con il Prof. Francesco Giomi e il Prof. Lelio Camilleri al Conservatorio G. B. Martini di Bologna. Dal 2010, ha studiato con il Prof. Jörg Birkenkötter, Prof. Kilian Schwoon e la Prof. Younghi Pagh-Paan presso l'Hochschule für Künste di Brema.
Vinicius Giusti è co-fondatore e membro del "Ensemble EntreCompositores" in Brasile, che organizza regolarmente il festival, "Biennale Musica Oggi" a Curitiba. É anche, co-fondatore e membro del "Myotis Kollektiv" un gruppo di musicisti, che privilegia l’integrazione dell’improvvisazione e dell’elettronica dal vivo nel campo della musica contemporanea.

Vinicius Giusti

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