Name: Mandram vantha (Mouna Raagam) by Harmonize Projekt by Vinod Mezhukil in Carnatic
Duration: 5 min 1 s
Description: Rosebowl is a concept channel for the youth. Available only on the Asianet Network in Kerala.

Carnatic

At the Theatres is Karthick Iyer Live's first ever vocal based track. This song is about a day in the life of some people who go to the theatre to watch a play. This play explores relationships between a man and woman leaving the audience with an imprint of the similar situations they face in their lives everyday.  

http://www.karthickiyer.com

Karthick Iyer Live’s 1st album "IndoSoul - Looking Within To Look Beyond" is now available on
OK Listen: https://www.oklisten.com/album/indosoul
iTunes: http://hyperurl.co/IndoSoul
Amazon: http://hyperurl.co/IndosoulAmazon

Composed and written by Karthick Iyer

Vocals, violin - Karthick Iyer
Lead Guitar - Vikram Vivekanand
Bass Guitar - Naveen Napier
Percussion/drums - Allwyn Paul
Mridangam - Sumesh Narayan

Recorded at Aura Studios, Chennai
Mixed by Bob Phukan(Aura Studios)
Mastered by Andy Bartow

For enquiries:
Email:  karthickiyer.music@gmail.com
Mobile Number: +91 77009 08966
Facebook - https://www.facebook.com/karthickiyerlive
Twitter - https://www.twitter.com/karthickiyer

At the Theatres - IndoSoul by Karthick Iyer Live

Pramadavanam

Nostalgia Karaoke

Music Mojo - Poove Sempoove By Haricharan - Kappa TV

A live recording of the Nada Aradhana - an offering of sound - performed at the Dhyanalinga as part of the Consecration Day celebrations.

Nada in Sanskrit means “sound” and Aradhana signifies “devotional offering”. Nada Aradhana is an intuitive synthesis of vocals and instruments performed twice daily in the Dhyanalinga at the Isha Yoga Center in Coimbatore.

An enchanting mix of singing bowls and assorted natural musical instruments in conjunction with voices, Nada Aradhana is a live offering that enables listeners to slip effortlessly into a receptive mode, making them available to the energies and Grace of the Dhyanalinga, and allowing them to experience deep states of meditation.

Follow us:

Facebook: www.facebook.com/soundsofisha/
Twitter: www.twitter.com/soundsofisha
Youtube: www.youtube.com/soundsofisha
Gaana: isha.co/Gaana
Saavn: isha.co/Saavn
Itunes: isha.co/Itunes

Download 

Nada Aradhana - Flute Raas

Listen to full song here: https://www.youtube.com/watch?v=NSc-sGN2NSE
Download full song here:  https://www.ishashoppe.com/downloads/portfolio/jana-gana-mana-instrumental/

“The unique characteristic of this nation has always been that we are seekers of truth and liberation. Mukti is the highest goal.” – ‎Sadhguru‬

An instrumental rendition of the National Anthem – our tribute to all those who have dedicated their lives to the country.

Jana Gana Mana - Instrumental Ringtone

AUM Nama Sivaya

Nagumomu - Classical Carnatic Fusion

Rosebowl is a concept channel for the youth. Available only on the Asianet Network in Kerala.

Mandram vantha (Mouna Raagam) by Harmonize Projekt

Nirvana Shatakam (1 hr)

Chidambareshvara Stotram

Bilvashtakam

Shiva Stotram

Now available on :
iTunes : https://itun.es/in/KkCIkb
Google Play Music : https://play.google.com/music/m/Ashewzagys2pcr7jzma4lpbmsxa?t=Indosoul_by_Karthick_Iyer

Prelude in Bilahari is IndoSoul's take on the Indian classical song Paridana Meechite, originally composed by Patnam Subramaniya Iyer in the 19th century. This violin and piano duet performed by Karthick Iyer and Dondieu Divin brings together the rich tradition of Indian and Western classical music with the violin melody in Raga Bilahari interwoven with Bach inspired lines on the piano.

Audio Credits:

Violin : Karthick Iyer
Piano : Dondieu Divin
Original song composed by : Shri Patnam Subramanya Iyer
Arranged by Dondieu Divin
Recorded and mixed by Biju James(VGP Studios, Chennai) 
Mastered by Madhu Viswanathan

Follow Karthick On:

Email: karthickiyer.music@gmail.com
Mobile Number: +91 77009 08966
Website - www.karthickiyer.com
Facebook - https://www.facebook.com/karthickiyer...
Twitter - https://www.twitter.com/karthickiyer
Sound cloud- https://soundcloud.com/karthickiyer
YouTube - https://www.youtube.com/user/Thekarth...
Instagram - https://www.instagram.com/karthick_iyer/

Prelude in Bilahari | IndoSoul by Karthick Iyer | Dondieu Divin

Nadha in Sanskrit means “sound” and Aradhana signifies “worship” or “devotional offering”. Nadha Aradhana is an intuitive synthesis of vocals and instruments performed twice daily in the Dhyanalinga Multi-Religious Shrine at the Isha Yoga Center in Coimbatore.

An enchanting and deeply healing mix of singing bowls and assorted natural musical instruments in conjuction with voices, Nadha Aradhana is a live offering that enables listeners to slip effortlessly into a receptive mode, making them available to the divine energies and Grace of the Dhyanalinga, and allowing them to experience deep states of meditation.

Every Nadha Aradhana is an unfailingly moving experience. Emerging as it does from a state of deep interiority, it is an expression of the performers’ reverence and love – a response to the powerful presence of the Dhyanalinga. The soothing tone of the singing bowls sets the tone, inviting listeners to delight in an arabesque of pure sounds, unmediated by sahitya or lyrical content. Singers of Indian, Arabic, and Western styles combine with the bamboo flute, guitar, sitar, or veena to create a soaring oblation of sacred sound. As the music draws to a close, an intense and passionate sequence of Indian percussion takes over, its lingering echoes enabling listeners to experience the imminent silence that follows in a way they never have before.

Nadha Aradhana is performed in the Dhyanalinga Temple daily from 11.50 am to 12:10 pm and from 5:50 pm to 6:10 pm – timings that are recognized as sandhya kalas, or phases when nature itself undergoes a deep transition, and are known to be especially conducive for one to experience dhyana or meditation.

Mandram vantha (Mouna Raagam) by Harmonize Projekt

Vinod Mezhukil

Recent comments

Richard Daniel

Elanthiraiyan Jaganathan

Vings

Related tracks