Retrowave 13

A     161

Energy (182)

Famous

Beaux moments

Energy (188)

Energy (190)

great_2024-11-10

Voici une pièce que j'ai faite il y a un certain moment avec Gary Courtland-Miles (Anomon).  Il m'a demandé si je pouvais ajouter des orchestrations sur une de ses magnifiques pièces de piano.  Sur le thème de l'Amour et l'importance de sa place dans nos vies.

Here's a piece I did some time ago with Gary Courtland-Miles (Anomon).  He asked me if I could add orchestrations on one of his beautiful and heartfelt piano pieces.  This is all about Love and the importance of it in our lives.

https://soundcloud.com/gary-courtland-miles

It's Something Like This - with Anomon

A recording of C÷M performing ‘Forgotten Conversations’ at the Empty Space, Salford (25th September 2021) as part of the show "From Where? To Here".  For video see https://youtu.be/S55q6Gqge1I
Forgotten conversations: Recordings of voices reciting the phonetic alphabet, scrambled and reimagined.  Bubbles of turbulent communication; Incorporating The Curve: musings on past, present and future; It takes all your nerve to flatten the area under the curve.

C: myself
M: Jon Ogara (@allopenelectrics)
(see https://craigwinstanley.online/from-where-to-here/ for further information)
For a review of the show, see https://thegmreviewer.com/2021/09/18/c-div-m-from-where-to-here/

Forgotten Conversations (performed live by C÷M)

Photo credit: Julie Falk (CC BY-NC 2.0), found on Flickr

Vapor Trails

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!_____

It is obvious that we are going to run out of resources in many areas, humans are asking too much of our poor, depleting planet, but what is going to be sorely lacking and is essential to life is WATER!

🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space

❤️Love, 🕊️Peace, 🙏Respect

The Water War

My new song with piano, electric piano, bass, drums, koto, synths and vocals! 😊🎶❤️🎹🎤

Thank you to my lovely bf Sander for this gorgeous master. @wane-of-summer 😊❤️

PERMISSION

The great philosophical question: Why is not nothing? Can the answer be found in this track? Perhaps... you have to listen carefully! ...otherwise you can also dance well on it. Howsoever: enjoy it !!!

Created and conducted by Kapellmeister Krause

Why Is Not Nothing?

"Dino Steps" (edit: Mastered with iZotope Ozone on 25 September, 2023)

Here is a song which - despite it being played in minor key - was originally meant to tell a story of a celebration! You see, I recently got a chance to get a new electric piano sound library and especially a new lovely Dyno Rhodes sound which I so dearly love and which I believe to have been listening to all my life on countless of records and songs. So, I sat down, started to play and here is the end result. The sound, beauty and expressiveness of Dyno-My-Piano modification of Rhodes electric piano never ceazes to amaze me. You can play almost anything with it. The name of the song "Dino Steps" was partly related to that "Dyno" sound but also came to be as a reminder of the known fact that sometimes in life a step that seems small can be or mean a giant step. Finally, the name also came to be as a wish from a certain private party (that is, a certain natural person:) who happens to love dinosaurs.

The song was played by me using my old Korg SGProX digital stage piano as a midi keyboard and the Yamaha Montage 8 as a audio interface. The main electric piano sound here is the lovely Dyno Rhodes sound from the wonderful Dyno Expansion of the Neo-Soul Keys Studio 2 by Gospel Musicians (cf. Dyno-My-Piano), added with some MKS-20 type of keyboard sounds (UVI Key Suite Digital) and the Scarbee EP-88S. Then there is the iconic Marcato Strings sound from the UVI Emulation II+ (cf. Emu Emulator). The drums are the Native Instruments Abbey Road 1980s Drummer (with a layered Linndrum snare and a layered 808 type of kick). Then I have a Moog type of bass sound (UVI Ultramini, Arturia Mini-V) and the pad/horns from the UVI "PX memories" (cf. Memorymoog). 

The wonderful lead sound is a lead sound from the DX7 (Syn-Lead1h, converted to Yamaha Montage by Hideo Harada, Kamoda Music).

Dino Steps

MODERN TIMES feat. IPG1 & Paploviante
IPG1: Vocals
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm
Paploviante: E Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Arrangement and Production

Modern Times feat. IPG1 & Paploviante

https://open.spotify.com/album/7AUEfFuE9i0VdueKMeoUHg?si=mOR0SEAERZOsuEgJSTzoow
Снова ищу, снова тебя в темноте
Снова вижу, тебя в глубине...
I'm looking for you again, again in the dark
Again I see you in the depths...

Глубина

Глубина (feat. Tears of Lilith, Terra Sapiens)

A tale of love and longing, a place you yearn to return to, a person you ache to see again.

Home

Home - Instrumental

Home feat. Eli X - Instrumental

Feel the heat of the dance floor with the brand new, fresh and groovy track "Synthscothèque"!

Full maxi-single available on Bandcamp

Synthscothèque

Artificial Intelligence

Good Times for a Change

Good Impression

Here is my new chillsynth single which will be part of my upcoming album on Neon Retro Records I expect to release in autumn.

https://awitw.bandcamp.com/track/thinking-of-you

Music, Mix, Mastering & Artwork by AWITW
------------------------------------------------
linktr.ee/AWITW

Thinking Of You

Spotify: https://open.spotify.com/track/3LZhN8rnmVOjTebb2YhqTa
YouTube: https://www.youtube.com/watch?v=cberxRBYDmA

Pixel Waves

Hello my friends! Today I would like to share with you my third collaboration with an immensely talented Franck C Production (aka Franck Charles). Please listen to Franck’s majestic cinematic and orchestral music here: @franck-charles-676082884

I am tremendously grateful to Franck for his transforming my humble piano composition into such an 
impressive orchestral creation of powerful emotion, gloriousness and timeless beauty. As always, it has been a great honour and joy for me to collaborate with Franck.

We genuinely hope you will enjoy our music, and thank you so much for your listening and support!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: Franck Charles

As It Comes (Ft. Franck Charles)

After the surprise success of Scrimshire's autumn-celebrating EP in 2021, the prolific producer and label manager has written a new set of songs that expand the concept record into a full length album. 

Introducing this new release is the gentle, picked guitars of Hazel. A piece that draws so many of Scrimshire's influences together from lo-fi folk to cinematic jazz and beyond. An atmospheric and dream-like journey into the autumn world Scrimshire clearly loves so much. 

The full length album will be released in October, featuring the Guy Garvey favourite Hornbeam.

Hazel

Scrimshire - Hazel

"Starting Over" (demo v2)

Made and played by me on August 16 and September 12, 2024, using sounds e.g. from Yamaha Montage 8 (TX816 Electric Piano), Keyscape (Roland MKS-20 EP sound), Arturia Jup-8 V and UVI SonicPass (Emulator II, Marcato Strings sound).

Edited a little on September 12, 2024 (changed melody a bit & added and modified some chords, added some chorus etc.). Mastered with Ozone 11 on September 12, 2024.

I'm also working on an instrumentalized version. Also, this song could maybe use some lyrics, and it is still something I have to look into. All comments would be more than welcome, especially regarding the melody (it seems that good melodies are pretty challenging to develop).

As two sources of inspiration here I could name Luis Miguel's versions of the songs "Toda una vida" (by the great Osvaldo Farrés) and "Ese momento" (by the great Armando Manzanero).

Starting Over (v2)

Firstly I would like to say, all those suffering with Psoriatic arthritis .. I TOTALLY GET IT !!!!  I had my first flare up a few months back and it stopped me dead in my tracks !!!! . I could'nt open a tin of beans never mind play anything. Luckily I got my shot (which made me feel like I was 20 again) which lasted long enough for the medication to kick in and now things seem to have calmed down a great deal. fingers crossed !!!
I started tracking this one about 4 months ago but never got it finished. FINALLY its finished I hope you all enjoy it. Just somthing easy going to get started again.

Once again thank you to all for all your great support.

Music,composition,arrangement,mix and production :- Pablo

The Enchanted Lake

Pathetic Song

Whispering Pines

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Youtube

Embrace

Modmod

reflecting the mental landscape.

https://youtu.be/c1u7QfdETZw

reflect

Dope MC's Ft. Dynamo P

Our first and likely only cover is by 9 Inch Nails.

Hand That Feeds ( 9 Inch Nails )Cover- ROUGHMIXX WIP 082724 12

In The Times Of Yangquin

Jack by Jeamland & joerxworx

Words and Music by Roger Whittlesey. Christy Bluhm sings lead and background vocals. Sharon Egan sings background vocals in the bridge. Noel Barrett plays bass. John Mason plays guitar. Dan Friedman plays saxophone. Whittlesey produced all other sounds. ©2024.

Dear Reader, 

It was a great pleasure, after presenting an early version of this song (which I had sung) to Christy Bluhm, to learn that she wanted to sing it. There was no hesitation on my part. I immediately muted every note I sang and gave it over to her. Christy sings beautifully on this song, and I cannot imagine the song in any form but with her gorgeous voice interpreting the melody. 

From there, we got Noel Barrett involved, and he laid down such a cool bass track. His fills throughout are masterful with tasteful touches. Rock-solid time—great ideas! That's Noel.

Next we asked John Mason, a brilliant technical guitarist, to join us, and he did exactly what the track called for—he played rhythm guitar. His tasty picking in the verses created a forward movement that urged the song along, and his strumming of the chords in the chorus acted as a canvas for Christy to paint a melody over. 

Several weeks ago, Sharon Egan, a talented vocalist from Northeast Pennsylvania added some lovely vocal lines in the bridge of the song, which Christy then harmonized over. 

Our last move was to get saxophonist Dan Friedman involved. Dan has played on several of my songs in the past and he always brings with him a unique approach that is soulful and tinged with a jazz sensibility. He knows what to play and for this song he sought out the spaces in such a beautiful way. 

Ultimately, we have a song in which a group of great musicians wove their parts to create a tapestry of sound that provides surprises along the way and moments that you are eager to return to on ensuing listens. 

This was a true collaboration. At no point was there direction from me, except to say, "Do what you do!" And they did!

All My Best, 

Roger Whiittlesey
August 2024

Nothing Left

This song contains NO samples from James Bond soundtracks, movies etc.. and that's not me...i's MUCH more handsome.

K-elle Double O-minus 6 n'a Half - Licenced to Chill- Rainy Night In Tokyo.

I`ve Seen Things You People Wouldn`t Believe

Flavours Of Joy

Live Reflexion#015

Forms

Les machines à fumée se transforment intérieurement, et vaporisent désormais de l’eau déminéralisée.
-
On entend qui bruissent les fourrés : une créature approche, ses grosses mains jouent avec des bretelles. D’esprit ne le conçoit-elle peut-être pas comme tout entier le sien, mais le corps de cette créature déborde : des poches de graisse l’enflent, des poils font des lianes, des fourmis le picorent.
-
Encore une créature qui penche du tronc. Son second pas balance le premier pour qu’elle maintienne l’axe de sa marche.

***

credits

catalogue : muzakorderEP0014

recording(s) : fhauna

mastering : Cyril Meysson

---
https://fhauna.bandcamp.com/album/strange-silence-to-dance-apart

strange silence to dance apart

palatatee

[P]alatatee

Recording sessions from 25-10-2024 - 04-11-2024.
presets, mixing, processing and editing: Pier WILL.

"They say that monsters don't exist (that's what they tell children) and yet the older we get the more the number of monsters increases..."
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

All Around Me  -!-

-!-  All Around Me  -!-

JIM ANDERS _ Jugend

Feel the Sun!

Self-learned piano and keyboard player. Have also played violin, some drums and bass etc.

I came here to play!

Contact: vintageklavier88(at)gmail(.)com

Starting Over (v2)

VintageKlavier1980s