for Plum

FR :

une pièce en trois parties, mêlant synthèse modulaire et phonographies naturalistes.

simulacre, mimétisme, apprivoisement, charme, sortilège, et mystère ont été les principales notions qui en ont guidé la composition.

EN :

a three parts piece, mixing modular synthesis and field recordings.

simulacrum, mimicry, taming, charm, spell, and mystery was the main notions who guided the compostion process.

Deux Renards (2013)

I am happy to share this recording of my work for women's chorus (SSAA), one of three settings of texts by female mystics. St. Teresa of Ávila (1515 - 1582) was one of the great figures of the Catholic church: mystic, author and reformer. Her brief but powerful meditation has been revered for centuries. The wonderful recording is by Rocky Mountain Chamber Choir Virtual Singers. The other works in the set are Come Closer (Chameli Ardagh) and In the Flowing Light of the Godhead (Mechthild of Magdeburg). They were composed for intermediate/advanced choirs and are available for purchase (print or download) at www.jwpepper.com. Please contact me if your chorus would have an interest in performing one or more of them. For more information about my work visit www.johnnewellmusic.com. Best wishes to all!

Nada Te Turbe (for chorus SSAA a cappella)

Ensemble vocal Les Métaboles
Direction Léo Warynski
Extrait du CD "Mysterious Nativity", sortie en novembre 2014
Enregistré à la chapelle du lycée Saint-Louis (Paris)

Mysterious Nativity

A. Pärt, Magnificat

Ensemble Contemporain de Montréal (ECM+)
Véronique Lacroix, cond.

dialogue sur d'infimes souvenirs (2002)

Ensemble L’instant donné; Majdouline Zerari, Mezzo-Soprano.
Salle Colonne, Paris
Novembre 2019

Rien n'était encore réel Frag01

violelila

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