T-REX PSX SAMPLE CHALLENGE (TOHA RECORDS)

There's something off about this T-Rex, but I can't put my EYE on it.

BIG thanks to @naoki-breaks to including me in the contest!

You can find the rest of the entries here: https://soundcloud.com/naoki-breaks/sets/t-rex-psx-sample-challenge?si=c3c5ee4b52ce4ec595e09cc2dc7f4e54&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

SOUNDCLOUD: https://soundcloud.com/azurenova
YOUTUBE: https://www.youtube.com/c/AzureNova/featured
TWITTER: https://twitter.com/AzureNovaOST
BANDCAMP: https://azureillustrations.bandcamp.com/

T-REKT (PSX T-REX SAMPLE CHALLENGE)

sheer terror “PSX T-REX SAMPLE CHALLENGE”

PSX T-REX SAMPLE CHALLENGE (TOHA RECORDS)

t-trex amen breakdown

Genome Tyrant [PSX T-REX SAMPLE CHALLENGE]

Maw of Oblivion [PSX T-REX SAMPLE CHALLENGE]

stop hate

dino_2

🚨 PSX T-REX SAMPLE CHALLENGE 🚨

Yo fam, yesterday I visited my bro @gwahams  and he threw me straight back more than 20 years into the past 🤯 He showed me that legendary PSX tech demo where you could control the T-Rex!!

I legit lost my mind seeing that dinosaur again 🦖 but what hit me even harder was remembering that music! 🔥 Right away we thought: this NEEDS to become a sample challenge.

Here’s the deal:
🎵 Any style goes — breakcore, trap, phonk, jersey club, dnb, jungle, plugg, rage… WHATEVER you want!
🎵 The ONLY rule is: sample the music from the video I’m linking here.
🎵 Post your track (private) on SoundCloud with:
 - The cover image I’m dropping below
 - Title: "PSX T-REX SAMPLE CHALLENGE"

⏰ Deadline: next Friday (one week from now).
🎧 If everyone’s down, we’ll do a listening session in VC next Friday to hear all the tracks together!

Let’s make this one epic — can’t wait to hear how you all flip this prehistoric banger 🦖🔥

Part of KOMPUTING POWER V3 on Komputing Recs:
https://on.soundcloud.com/ctadiO1QHl42tzzGx4

Copped a ragga accapella pack and tried to make a oldschool raggacore jungle track

also used kicks from a frenchcore pack to make the kicks extra punchy :deval:

the mix is super muddy but just imagine it's been popped in the microwave

Microwave Beam Emitting Apparatus

Cooked this up real quick yesterday, dropping it today cuz it just feels right as it is and I don't wanna fuck it up 😵‍💫
No overthinking, no endless tweaking... Just 100% vibes! 🌊

pic by @nendo.collector on Instagram

Hidden

Reuploaded because it got down for stupid copyrights reasons, and I didn't wanna wait for days for Soudcloud to accept it again, so here we are...
+ to be completely honest I took some extra time to finish it properly cuz I didn't have the time to make it good at first(produced it last minute in a rush only for the challenge but it deserved better imo)

PSX MANTA SAMPLE CHALLENGE (REUPLOAD)

w/ @nevertaje
w/ @nevertaje
w/ @nevertaje

karera wa mada naite iru

Liiperlicker

A storm is a musical composition in itself. Taking inspiration from this week's Disquiet Junto project, I created improvised music to accompany Bruno Auzet's (@user-876924050) excellent field-recording, enhancing the inherent emotions and sounds of the original.

You can find the field recording on Freesound at freesound.org/people/bruno.auzet/sounds/713953/ under a Creative Commons 0 licence. My thanks go to Bruno Auzet for providing this wonderful recording.

The photograph was taken in Cornwall, not in Brittany - around 40 years ago.

More on the 721st weekly Disquiet Junto project, Well Weathered — The Assignment: Play along with a storm — at https://disquiet.com/0721/.

L'Automne en Bretagne  (Disquiet0721)

www.instagram.com/markuslipsoe

blurer is a peripheral study exploring ways to perceive our surroundings beyond any focal point. The poetic text where the winds are coming from, invites contributing artists and musicians to collectively explore a world that has become unfamiliar yet again. Inspired by the moment Alice tumbles into Wonderland, it asks what it means to unlearn, relearn, and navigate within a world anew. Like Alice, this conceptual mixtape delves into places, things, and feelings that have been overlooked, ignored or seen as a backdrop. The text, tracks, and sounds of this compilation take us on an explorative journey—not to arrive somewhere, but to sense that what lies within the blur has always already been in the here:now.
(Lisa Walder, 2025)

Most music is used as a form of abstract translation. To unblur the personal, we abstract it and transform and transport it through familiar sounds. Through abstraction, the motives are essentialized to their core. In this, minimalism becomes a prioritisation. A blur can be more flexible. The reduction of elements could be optimistic or protective.
What this release does is observe the peripheral, to look for emotionality or personality within it, but also to create atmospheres that appear peripheral, yet are again included in the general blur.
When hearing the sounds of blurer, the focus of the compositions fluctuates and directs the listener’s perception to certain points within, not only to hear what seems essential but also to draw closer attention to the peripheral. Throughout the whole release, the procedures are very different. Some moments are vivid, almost narrative. There are deconstructed references to find, in both energetic and quiet forms. Occasionally, we pass by rearing, foggy drone walls or prancing, twirling, or scurrying melodies carried around, on synths or guitar strings. Blurer seems to harbor atmospheres of comfort in the cold, loops of spiraling memories or expressions of disorientation, that scamper around on the acoustic foundation created by the 19 artists.
(Elia Brülhart, 2025) 

Assembled by Periphery Serpentine
Commissioned Text by Lisa Walder
Mastered & Cut by Isabel Schröer
Artwork & Design by Dimitri Erhard

supported by GGG Kulturkick Basel-Stadt
ryser005 © 2025

blurer

safe

Global Boiler Repair - safe

Founding member of Toha Records
Management @ BANKIZZ - Free Net Label (https://on.soundcloud.com/f9ZSgPmV8ovjesVVf3)

Maw of Oblivion [PSX T-REX SAMPLE CHALLENGE]

VioletGray

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