Organ Solo 1

The Viscount Domus P33 is the brand new two-manual organ with positive style cabinet and the new generation 30-notes pedalboard, particularly suitable for circumscribed venues such as houses or small churches, compact but very powerful. This organ is made of high-quality laminate wood (light or dark oak finish) and wood-covered keyboard, crafted with incredible attention to details.

Domus P33 incorporate several new features in terms of usability and sound. Equipped with the new Viscount digital amplifier, it also grants the maximum efficiency in terms of energy saving. Domus P33, like all the organs of the Domus line, incorporates the amplification system with two woofers with the possibility of audio management via editor: everything has been developed to make Domus P33 the most powerful positive two-manual entry-level organ.

Powerful, Positive, Versatile.


🔎Would you like to know more?
Discover more at ➡ https://www.viscountinstruments.com/musical-instruments/physis_plus_classic_organs/domus/

#viscount #pipeorgan #physisplus

N.B. The soundtrack is J.L.Krebs "Was Gott tut, das ist wohlgetan". Played with a PhysisPlus Barock pipe set.

J.L.Krebs Was Gott Tut Das Ist Wohlgetan - Viscount Classic Organ P33

Viscount is happy to introduce Domus 4 and S-4, two compact digital organs equipped with Physis Plus technology. These models will offer flexible possibilities in terms of sounds libraries, a very useful editor to easily voice your organ and a new reliable reverb true stereo system.

 🔎Simple, Powerful and Versatile.


Would you like to know more?

Discover more at ➡  https://www.viscountinstruments.com/instrument/domus-4-s4/

#viscount #pipeorgan #physisplus

N.B. The soundtrack has been played with a PhysisPlus Barock pipe set.

Viscount Physis Plus Domus 4 & S4

Music by Gordon Young -  Prelude In Classic Style,  played by Stefano Guaiana with a Viscount Domus organ.

The composition has been played with a PhysisPlus Symphonic pipe set.

G. Young - Prelude In Classic Style | Viscount Domus

Music by Johann Philipp Kirnberger (1721-1783) - Choral Prelude “Lobe den Herren, den mächtigen König” 
Organist: Maestro. Stefano Guaiana 
Organ: Viscount Physis Plus Domus P33 (EU standard layout - Baroque pipe set) 

This short Chorale Prelude on "Lobe den Herren, den mächtigen König" is entirely played on the Great with a single  Blockflöte 4' stop. We are sure the listener will appreciate, in an extremely clear manner, how Physis Plus recreates and recalculates the sounds in real time each time a key is pressed. The instability of the airflow over the upper lip during the attack transient, creates variable resonances and aeolian tones which are always 'new' and “alive”. This phenomenon that happens in a real organ every time the air goes through a pipe, gives an extraordinary beauty and naturalness to the attack chiff which only the modelling technology can digitally reproduce. Physis Plus takes each organ pipe from a physical-spatial dimension to a modelling-computational one, while maintaining its behaviour and character. 

About the composer: 
Kirnberger, Johann Philipp is a German musician, composer and theorist, student of J. S. Bach. He worked as a teacher in Poland, playing a significant role in the intellectual and cultural exchange between Germany and Poland in the mid-18th century. In 1751 Kirnberger became violinist and chapel master at the court of Frederick II of Prussia. He composed sacred, vocal and instrumental music and was one of the most significant figures in the development of 18th century harmonic theory: his most famous theoretical work is "Die Kunst des reinen Satzes in der Musik" (The Art of Strict Composition in Music, 1774, 1779).

J. P. Kirnberger - Choral Prelude “Lobe den Herren, den mächtigen König”

This song was played entirely by different musicians with different styles, bound togheter by the Legend One keyboard sounds.

The Legend ONE is the ultimate portable all-in-one keyboard created by Viscount International. Based on the powerful Legend Soul Engine, it features 3 additional sound zones for a total of 4 sound sections: Organ, Sound 1, Sound 2, Pedals.
The new alternative sounds are easy to use thanks to the twin Sound 1 and Sound 2 sections, which also includes beautiful new Acoustic and Electric Pianos, Synths, Strings and much more!  Two models are available:The Legend ONE 61 has the waterfall keyboard and weighs only 10kg (22 lbs) while the Legend ONE 73 has a “semiweighted” waterfall keyboard and weighs only 11,5 kg (25 lbs). 
We paid the highest attention to the design, using only solid wood and metal, to produce a long-lasting organ dedicated to all kinds of stages.

Legend ONE | Ambiented

Organ | 16' with 2nd Harm Perc

Organ | PB2

Organ | Slow Blues

Acoustic Piano | American Grand

Organ | Great is Thy

Organ | Linda's Way

Organ | Shout

Organ | Amazing Grace

Enzo's Funk | Legend One Demo Song

Atmo Split Preset

Clavi D6 Preset

CP Piano Preset

Organ | Crunch Organ Preset

Fm Piano Preset

Acoustic Piano | JP Piano Preset

Electric Piano | Rd Suite '73 Preset

Organ | Rock Rotary Preset

Soulfull Split Preset

The Fantasy in F minor, KV 608, for organ is a renowned composition by Wolfgang Amadeus Mozart, written on commission from Count Deym. The piece was intended to be performed on a musical clock located in Laudon's mausoleum.
Structured in three main sections—Allegro, Andante, Allegro—the fantasy opens with a majestic and solemn passage in organo pleno, internally divided into three parts. The Andante introduces a striking contrast, developing a series of variations on a delicate theme infused with Mozart’s signature style. As the Allegro section returns, the piece builds towards a striking and dynamic finale, brimming with vitality and virtuosity.
Thanks to its remarkable expressive depth and richness, this Fantasy is regarded as one of the most beloved and frequently performed works in Mozart’s organ repertoire.

Mozart - Fantasie KV 608 | Viscount Maestro

The partita Sei gegrüßet, Jesu gütig is one of the most significant organ compositions by Johann Sebastian Bach. The melody of the eponymous chorale was also used for O Jesu du edle Gabe, and since the latter consists of eleven stanzas, there is a strong correspondence between the text and the musical language in the variations associated with each stanza. The composition comprises eleven variations, each distinguished by unique rhetorical, rhythmic, and tone color variations that strongly define its expressive character. Due to its remarkable richness and depth, this piece can be considered the equivalent of the Goldberg Variations for the organ.

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