Lyrics:
I done dragged my way through the mud
But now I fly high heart pure as a dove
Every move made thats a dub
Chaotic God still full of love

Bitch I'm over it
Persecution for my strength and melodic gifts
But now I wear the coldness on my wrist
Evil eye cast back with petulance
(Yuh, yuh)
This ain't a glow up bitch 
It's fate it's heart and I've worked for it 
Lord knows I'm paying back every cent
Till every soul knows opulence 

Don't you dare forget that I'm heavensent
We reppin all white like a reverend
And I ride these beats like I'm blessing them
And I ride these beats like I'm

Oh God with a curved trunk
The large body whose aura is like a light of many suns
Please make my work obstacle-free forever
Please guide me through each and every endeavor
Be the light which you ache see
It ain't about your pedigree 
This is all just a mantra to me
This is all just a mantra to me

You glare and judge
I'm different though
I ain't really fucking with no stupid folk
You glare and judge
I'm different though
I ain't really fucking with no stupid folk

I done dragged my way through the mud
But now I fly high heart pure as a dove
Every move made thats a dub
Chaotic God still full of love

Bitch I'm over it
Persecution for my strength and melodic gifts
But now I wear the coldness on my wrist
Evil eye cast back with petulance
(Yuh, yuh)
This ain't a glow up bitch 
It's fate it's heart and I've worked for it 
Lord knows I'm paying back every cent
Till every soul knows opulence

MANTRA (Prod. MINTYSODA)

Bass music collab with https://soundcloud.com/joymakermusic

SpongeBass SquareWaves

Hash Slinging Slasher (feat. Patrick Dunn)

bandcamp

Hash Slinging Slasher (w/ Joymaker)

Footwork Freqs

In the history of dance music, certain times and places have been essential to the evolution of the culture. New York in the 1970s bringing the rise of disco. Chicago in the late 80s with the invention of house music.
Now Gold Bear, the DJ and producer out of California’s Bay Area, is adding Paris in the 1920s to that list with his new EP, 20s Paris, out now on Feral One Records.
So how does someone producing music in 2023 make 1920s Paris matter to dance music? Well, history buffs know that Paris in the 1920s wasn’t just a creative center for one artform. It was the central hub that defined the artistic trends around the world.
Artists like F. Scott Fitzgerald, Ernest Hemingway, and Gertrude Stein descended on the French capital, spent their evenings smoking and drinking together, then left with some of their most legendary works to date.
Whether 20s Paris will be Gold Bear’s most legendary work remains to be seen, but within these two tracks, he captured that same creative spirit.
The EPs title track opens with a sense of wonder. No drums. Just atmospheric eclecticism. Whether the track will shape into house or hip hop or D&B; it’s not immediately clear until a four-on-the-floor kick lights the path ahead.
That path leads not to a steaming nightclub with lasers flashing at a jackhammers pace (neither lasers nor jackhammers existed in the 1920s) but instead to a moody lounge where creators of all kinds can gather and ideate together as chill, moody beats and pads coalesce in the background.
Then when everyone’s had their fill of sitting and talking, it’s time to rave it up to the second track, “Nasty.” Deep, heavy grooves. Big, towering kicks. A bumping, throbbing bass line. This track lives up to its namesake and more.

Cover Art: Denis William (BR)

https://www.feralonerecords.com
https://linktr.ee/feralonerecords

20s Paris

Gold Bear - 20s Paris

Apulia Beat presents Elements 1 an annual series of multi-artists compilations, which includes artists already present on the label, such as Roberto Corvino, Raven (IT) and Røte.

Elements 1

Roberto Corvino, Røte - Heavy Land (APBELEM001)

Vocal/Acapella Credits:

Provided to YouTube by Universal Music Group

I'm Back · Eminem

The Marshall Mathers LP

℗ 2000 Aftermath Entertainment/Interscope Records

Released on: 2000-05-23
Lyricist: Marshall Mathers

call him slim shady

na ja, wie immer macht mir die Politik Sorgen. Klimabedingte Maßnahmen entfallen,  wichtige Handlungskonzepte fehlen, irgendwie meiner Meinung nach ist dort gerade Fasching olaf ole olaf ole
Satiremusik by Fun-CY......
die Narren sind los..... und ich bin einer der Obernarren...., doch nach dem Aschermittwoch bin ich dann wieder naormal.... liebe Politiker, ich hoffe das ihr es ebenso schafft, ICH DANKE Euch, denn Germany braucht eine Politik die wirklich für die  Zukunft der dort leben Bürger und Bürgerinnen sorgt und nicht nur für kurze Diridaribedürfnisse der Reichen, schönen Gruß an die FDP.

Faschingspolitik

JOUSKA, a word of Polish origin, refers to the compulsive conversation that we have in our minds when we analyze something, when we are stuck with an argument, we even hold an internal dialogue with ourselves and this conversation is repeated continuously until a solution is found. This sometimes unconscious act is part of the creative process.. Well that. Guitar lines supported by percussion and coral  harmonies. I hope you like it

JOUSKA

In a State of Hologram

My New Tropical World -_- Mix By DJ M.VEIN 2023

A Fonte
(Andrei Danilo  1997)


Cm                                    D7      
Diz, que não vai mais deixar

                                B°  E7
O meu sonho morrer, morrer

Cm                             D7      
Diz, que todo nosso amor

                            Em/Bm/Bb°/F#7/Bm   
Não foi só brincadeira



2x {G9  / G9(5-)}

G9                           G9(5-)
Se o mundo não nos permitiu

                C7(13)  D7 G9       D7 (4)      
Nos entregarmos nesta paixão    

                       G9                      G9 (5-)
                       Foi sentir o teu calor

                             C7(13)  D7 Bm7(5-)   E7
                       E o nosso fogo não se apagou      


C   B7                Em  G7
Anjo, vem me beijar...

C      B7     Em   G7
tocar, acariciar

C     B7               Em                          G       A7
Anjo, que me conduz, onde está você?   (Você!)

                                                Am           D7  Db7
Quem me conduz a Deus, à Fonte do Amor




 F6                                               F9                               F6(9)
{Mas sei que vai, vai, se não foi vai ser, tão bom, é te querer

 Em                    G7(9)                    Em7(9)                 G7
 Longe de todo sofrer, amar é mais prazer, nossa razão de ser,

 D                        D7                  D7(9)               D7(13)
 Para com essa mania, de curtir ferida e exaltar a dor

 G7+                      A7(5+)               Am                   D7  Db7
 Abraça nosso sentimento, o desejo intenso de fazer amor}

{bis} 

*Na 2ª vez:

 G7+                      A7(5+)               Am                   D7(13)
 Abraça nosso sentimento, o desejo intenso de fazer amor...


G9                           G9(5-)
Se o mundo não nos permitiu...

A Fonte (14/10/2004)

just trying to put some great vibes out there

call him slim shady

bing kid

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