pas mal quoi!!! on sent bien l'amélioration :-) !!

Antonymous & Biophotons - Uncertainty Principle

Arte Dei Suonatori 
Dominik Połoński (cello)


Brut

It’s time for sixth edition of Mo:Dem Festival and in year 2017. the biggest novelty is our new concept with three musical stages. Here we present you the sounds of The Hive. In the past editions this stage was called Main. We consider that today it's totally inappropriate to divide musical genres on 'main' and 'alternative'. However new name doesn't change the fact that The Hive is the nucleus of Mo:Dem Festival. The place where nature, art, creativity, technology and the spirits of the forest meet to create ultimate dance space. The Hive will host wide range of top quality underground psychedelic artists from around the world delivering some of the finest sounds of the past and present, and showcasing some of the new fresh and unheard sounds of the future. In this podcast we present you Diksha.

Diksha @ FB: https://goo.gl/sAj0jz
Diksha @ SC: https://goo.gl/X7euA4

More info here: http://modemfestival.com

MO:DEM FESTIVAL 6'th EDITION
24.07.2017. - 30.07.2017.

DIKSHA | Mo:Dem Festival 2017 _ The Hive Artists _ Podcast #005

@De_Grandi "94120 Groove" EP

Out now : degrandi.bandcamp.com/album/94120-groove-ep

Written & produced by @De_Grandi
Mastered by Jeremy Cox
Artwork by Lomé 77

PRDX003 - Paradoxe Club
www.paradoxeclub.fr

94120 Groove EP

De Grandi - Plans (Drum Mix)

East Man is a new project from Anthoney Hart and its material predates his previous work as Basic Rhythm. His unique take on grime reduces the sound to its steely fundamentals, bringing in influences from dancehall, drum and bass and techno to gird the voices of the MCs he works with. His own name for this hardcore continuum mongrel is 'Hi Tek'.

Anthoney struck a friendship with the academic and theorist Paul Gilroy, who wrote the album introduction below, after starting personal research on representations of working class and mixed race families. He asked Paul for some help after coming across his work via Stuart Hall, Paul's mentor. Their discussions and friendship developed, and it dawned on Anthoney that his research and the East Man album had some synergy, so he asked Paul to write a piece conveying that. 

 - - -

London’s young people have been seen as a problem by governments for many generations now. Their distinctive street cultures stretch back into the nineteenth century when, just like today, a stylish public presence signified danger to respectable people. At that time, Britain’s class conflicts were being re-made amidst all the glorious fruits of a global empire. Divisions like class and sex had different shapes and tempos that hardly resemble the machinery of our increasingly networked and unequal world. Religion, racism and nationalism were all important, but work, exploitation and poverty supplied the fiery core of politricks.

These days, Britain’s imperial wealth and prestige are long gone. Today’s young people are excluded and marginalized, confined and criminalized, yet they remain at the heart of the vital, energetic best of our city. Their energy and imagination drive London’s convivial culture. They duck and dive just like their predecessors. They hustle, they suffer and they survive. Even where knives are common, most of the problems that come up get resolved without murderous violence. The defining experience of their precarious situation is more likely to be fear or anxiety than warfare between gangs. Their violence is more likely to turn inwards on to their loved ones and family members. There are many forms of self harm and self medication.

Yet the space in which those youthful lives unfold has contracted. The scale on which life is lived has shrunk. Moving around can be expensive. Surveillance is constant. Dignity and certainty are difficult to find and hold on to. It can be hard to feel comfortable outside the spaces and places you know best. Those familiar circuits are marked out by the roadside shrines of dead flowers that show just how vulnerable you can quickly become.

We have been losing London to Babylon but we are busy making a new place. The edges of the city have become fertile. The weeds grow up explosively between palisaded concrete boxes and the litter-strewn greenery. This is not zones 1 and 2 where houses and flats are capital rather than buildings to live in. The music that comes out of that edgy world isn’t what it was a generation ago, but it’s still fundamental--necessary for life.

These shocking sounds can be a part of healing and repair while staying faithful to the pressures that forged them. Musicians can’t make a living from their creativity, but their listeners can’t understand this historical moment unless they get to grips with its local rules, meanings and poetry. This is not America. Even without words, this music speaks for itself and tells a story. It calls out to be understood while seeking ways to escape interpretation.

We are always more than either this or that. We are more than either black or white. 

Paul Gilroy 2017.

Red, White & Zero

East Man & Darkos Strife - Look & Listen

Get those snouts out.

Follow me on Spotify for a free MP3: https://www.toneden.io/frequentaudio/post/pumple-snout

Donate on Bancamp for a WAV: https://frequentaudio.bandcamp.com/track/pumple-snout

Artwork by Mariah Daviesson

Follow to Download

Pumple Snout

new compilation Nerves Of Time vol.4
available digitally

mastering by Stazma
artwork by shift.

https://soundcloud.com/stazma-the-junglechrist

Nerves of Time vol.4

Stazma - Compu1

V.A.Twisted Vision III - Hadra Records
Sychotria vs Ataro - Contact Learning

Track List
1. The Crystaliser
DIRTY SAFFI
2. Law Of Physics
SOUTHWILD
3. Altitude
TWEAKERS
4. Holographic
SHOTU & MANU
5. Hex Comet
VERTICAL
6. Kamalampi
ARJUNA & FURIOUS & ZUMI
7. Contact Learning
SYCHOTRIA & ATARO
8. Indigo Dance
IANUARIA
9. Enter The Void
SYNTHETIC CHAOS vs CHRIS RICH
10. The Proposal
CUBIC SPLINE

Almost

VisionaryEffect

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