PRESSURE

new shyt

https://djgirl1.bandcamp.com/album/fuck-all-that-noise

https://djgirl1.bandcamp.com/album/fuck-all-that-noise

https://djgirl1.bandcamp.com/album/fuck-all-that-noise
https://djgirl1.bandcamp.com/album/fuck-all-that-noise
https://djgirl1.bandcamp.com/album/fuck-all-that-noise
https://djgirl1.bandcamp.com/album/fuck-all-that-noise

Acid Acrobatics

Gohan returns with this ethereal speedster, captivating our attention and bringing us away suspended between the abyss and the Solar System.

After 9 years and 17 releases later, Banlieue presents ‘Labour Of Love’, its last VA compilation which gathers 13 artists from the label and friends and out March 12th.

Labor Of Love VA

Pre-order on Bandcamp

PREMIERE - Gohan - Unbearable (BR016)

Modest Mouse - Convenient Parking (DJ Speedsick Chain Reaction Edit)

In the stream of fucking delirium, burning reality, digging through the Twitter feed, with bare nerves, I sit down in a small message box. A little boy, full of fear and resentment. I am turned inside out, afraid of my own shadow, unable to open my eyes.

Wake up, try to save the child. Force to come to your senses, invent life. Study books, reveal secrets, stir up the past, watch nightmares. Ask the wise man, try to find answers. Power is not enough, love is needed.

Conflict.
Fear.
A curtain.

Defeated him. He bled his head, but he won. Alone, on the edge of the universe, a poor, scared child, completely alone. In an attempt to stay alive, ask the doctors. Sad to watch. Break hearts one by one. Listen to a thunderstorm, catch lightning with a camera. Send to her. Breathe in moist air.

Then there is only the Void.


Lovers will not survive, I will survive.




В потоке ебучего бреда, жгучей реальности, копаясь в ленте твиттера, с оголенными нервами в маленькое окошечко сообщения сажусь Я. Маленький мальчик, полный страха и обид. Вывернутый наизнанку, боящийся собственной тени, не в силах открыть глаза Я. Навсегда желая остаться в темноте, в материнской утробе,  из небытия в небытие Я. Не хочу ничего знать и чувствовать, проматывать дни один за одним Я.  

Проснуться, пытаться спасти дитя. Заставить придти в себя, придумать жизнь. Штудировать книги, вскрывать тайны, ворошить прошлое, смотреть кошмары. Вопрошать мудреца, стараться найти ответы. Силы мало, нужна любовь.

Конфликт.
Страх.
Занавес.

Победил его. Разбил голову в кровь, но победил. Один, на краю вселеной, бедный запуганный ребёнок, абсолютно один. В попытках остаться в живых просить врачей. Грустно смотреть. Разбивать сердце одно за другим. Слушать грозу, ловить камерой молнии. Отсылать Ей. Вдыхать влажный воздух. 

Дальше только Пустота.


Выживут не любовники, выживу Я.

Небытие

Listen to "brk" by Lou Nime taken from "bə'kəm" out on 5th April via xenonyms

The bəˈkəm EP is a simple description of any evolutionary process, whether physical or mental, split into three phases: breaking, processing, and improvement. The phases are connected and intertwined, mirroring how communication is seen to unfold in a similar manner. The tracks were made using FM synthesis and processing of ambient recordings with custom software developed by the artist, which turns written words into sound patterns.

Links:
Lou Nime
https://soundcloud.com/lou-nime
https://www.instagram.com/lou.nime
https://www.facebook.com/lounimemusic
xenonyms
https://soundcloud.com/xenonymsss
https://xenonyms.bandcamp.com
https://www.instagram.com/xenonymsss

bə'kəm

bandcamp

[Premiere] Lou Nime - brk (xenonyms)

lluvia erótica

Listen to "Tenet" by Cult Priest taken from "Cult Priest" (self-titled) EP out on 3rd May via Ear Flux

Pre-order: https://earfluxrecords.bandcamp.com/album/cult-priest

"Somehow it pierced swiftly yet confusingly, like how we found Cult Priest from the rabbit hole of Soundcloud. With her six electro-based track that giving pure raw, ignorant energy and unconformably bliss”

Cult Priest debuting her EP under our Ear Flux is a mark, That this girl truly sparked an occult thrills. Drawing from her recollections of motion pictures she amazed, scenes by scenes are reconstructed in disorder; we can hear lots of parts that were chosen weirdly visual but minimalistic. We can relate how she managed to produce these records like how she crafted a graphic.

This EP starts with “Tenet” on mysterious scenery, dramatic sound palettes. Followed by eerie, tense tracks like “Incantation” and “Purge”. Bringing some trancy, avant-garde pop in “Abbreviation”, while “Ante Mortem” allows more time to breathe through its long pad and syncopated rhythm. Cult Priest closes her proselytization with a modern d'n'b-infused track in “Exile”.

Links:
Cult Priest
https://soundcloud.com/widityana-ayu-fardhila
https://www.instagram.com/widityana
Ear Flux Records
https://soundcloud.com/earflux-records
https://earfluxrecords.bandcamp.com
https://www.instagram.com/earfluxrecs

CULT PRIEST

pre-order / bandcamp

[Premiere] Cult Priest - Tenet (Ear Flux)

special intro is 2012 me singing my fav song from Onedirection in my Nintendo DS  hihihi enjoy xx

B3byulightupmyw0rld

ELVA SKYN - Higher (prod. Berno)

Producing and DJing under a nom-de-plume, Chilean born, @Paul-Marmota, makes truly global club music. He started producing at 17, using FruityLoops to build his first beats, whilst living on the rural outskirts of suburban Santiago with his grandparents.

For Paul Marmota, music and family are one in the same. Having constantly grown up around music, an impression was left on a young Paul in major ways. Marmota attributes this largely to his grandparents’ influence; his grandfather had a large collection of science fiction novels and jazz and soul records on cassette, exposing a young Paul Marmota to so many varied and worldly influences whilst his grandmother was an art professor who would make beautiful collages that decorated their home. Her approach, to collage a mixture of different and eclectic images, influenced Paul in his style of production wherein he mixes a diverse array of ideas.

Paul Marmota’s music is an impressive amalgamation of Latin and Western electronic sounds refracted through a science-fiction lens, seemingly drawing from the past, present, and future simultaneously which makes it impossible to tie down in any one period of time.

Paul Marmota’s DJ sets weave his influences intricately together with his productions and home-made edits, creating a global patchwork that would be guaranteed to raise the body temperature of any dancefloor.

Often opting for a more minimalist approach, Marmota’s music is characterised by vivid melodies peppered with impeccably precise percussion - ‘Adaptacion’ works in an album context whilst remaining super functional in the club, built with a DJs perspective in mind.

Not tied to a single approach, the album can not be easily pigeonholed into any one genre as Marmota’s music consistently reappropriates traditional Latin sounds and samples to fit into a global club context.

Tracks like ‘sS’ and ‘Gio’ re-use and recycle elements from Dembow, including the percussive sound palette, whilst altering it’s context to fit modern dance floors. Some of the other songs on ‘Adaptacion’ such as ‘Maleanteo’, ‘Resonancia’, ‘Hum’, ‘Duro’ and ‘Signal’ were produced on affordable, second-hand hardware purchased in the middle of Mexico City - including a Yamaha dX7, a Roland xp-80 keyboard and drum machines such as the Yamaha Rm1x, Boss DR-660 and a Korg Electribe. The strength in these tracks lies in the principle that limitation is your best friend in creation, using 1980s consumer electronics in ways they have not been used before.

Since relocating from Santiago, Chile to Mexico City in 2010, Paul Marmota has been heavily cross-pollinating club sounds. ‘Adaptacion’ is a collection of some of his recent works, delving into many diverse corners of the club music spectrum. Drawing from a variety of Latin musical influences such as Dembow, Tribal Prehispanico, Musica Andina, Flamenco and other worldly sounds such as Algerian Rai and Afrobeats, Paul mixes these disparate styles together with elements of Industrial music, Bubbling, Techno, and Rap resulting in a remarkably reinvigorating reaction to modern-electronic-club music.

Paul Marmota is one of the most-visible and highly-regarded producers in Mexico’s underground music scene, all this whilst having been an essential member of Mexico’s renowned NAAFI DJ collective come record label, up until his recent departure from the group. Additionally, Paul Marmota is known for his productions for the the likes of many incredible Latino artists including; Tomasa Del Real, Badgyal, Mc Bin Laden, Yogafire & Fantasy, MC Buseta, Khaled, Kaidy Cain, Yung Beef, El Mini, Fute Billete, James Manuel, Audrinix and Zonora Point.

‘Adapatacion’ from Paul Marmota bridges the gap between modern-club-music and Latin America’s rich, indigenous musical heritage with ease, whilst playfully washing the collective dance canvas clean.

Credits

All tracks written, produced & mixed by Paul Marmota
All tracks mastered by J-Cush
Artwork by Hector LLanquín

Adaptacion

Paul Marmota - Resonancia

I know it’s a good song if it made me cry

Небытие

kochewww

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