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A playlist of avant-garde, indie, and alternative music.

Avant-garde

STIMMUNG by Karlheinz Stockhausen performed live @ OPENING Festival 2014


STIMMUNG by Karlheinz Stockhausen

Karlheinz Stockhausen (1928-2007)
Klavierstück IX (1960)

Hayk Melikyan, piano
www.haykmelikyan.com

Karlheinz Stockhausen: Klavierstück IX

Geier, Krähe und das Vorspiel zum Dissens
for Violin
Sara Cubarsi, Violin

All efforts led to the negation of consensus.
The violin tells a story: the vulture and the crow.
There was no need to rush.
They feel the scalpel and know in which direction the bow will move.

[Design by Mani Kashian © 2023]

Geier, Krähe und das Vorspiel zum Dissens

Roaming in a Wood is a song for a quartet comprising two violins, a cello, and a flute. The theme, which glides from the strings to the flute, invokes a feeling of continuous bewilderment in an unknown realm.

Buy the song

Roaming in a wood

CEPRY

A symphonic composition by Kordian Piwowarski
Cepry is a part of the Symfonia Tatrica project.
More information soon.

composed, arranged and produced by Kordian Piwowarski

featuring:
Berlin Philharmonic Orchestra and Tallin Chamber Choir 
recorded at Teldex Scoring Stage 
VST by Orchestral Tools

Mixed by Mania Studio
01.2025

all rights reserved Kordian Piwowarski

SYMFONIA TATRICA - CEPRY

Tablaturas espaciales (2014)
Concert-Installation for 11 players, performing on 55 microtonally-tuned guitars 				distributed in a large space.
Commissioned by the DAAD Artists in Berlin Program for the Mikromusik Festival.
Ensemble led by Seth Josel.
Live recording.

Tablaturas espaciales (2014) 3 Fragments

en el miedo

marcelo rilla

Proyecto Aves Errantes

EUM-Facultad de Artes, Noviembre de 2007 

Coro del Proyecto Aves Errantes:

Malena Rivarola, Vladimir Guicheff, Juan Martín López, Lucía Pérez, Valentina Pecora, Felipe Badaro, Leticia Vidal, Nicolás García da Rosa, Javier Alfonso, José Vieites, Julia Nudelmann, Joaquín Valletta, Estevan Moreira, Irene Kamaid, Alice Méndez, Mónica Manta, María Alba Boga, Gabriel Muníz, Florentina Pérez, Natalia Ramos, Valentina Gadea, Lucía Leite, Leonardo Fiorelli, Ernesto Barrios, Ulrich Schrader, Gabriel Pedocchi, Valentín Abitante, Johanna Rivera, Marcelo Rilla, Felipe Ortíz, Sofía Scheps, Damián Gularte.

en el miedo

DEDICADA A PECHITOS ECUESTRES
PARA GUITARRA A SEIS MANOS

Quedate

white eyes erased (2014/2015)
for Keyboard and Drumset

Ernst Surberg, Keyboard
Roland Neffe, Drumset 
(ensemble mosaik)
--
live recording from concert July 11th 2016 at Tzlil Me'udcan Festival Tel Aviv, Israel
--
the duo is drawn from the large ensemble piece "white wide eyes" (2014) for 23 instruments and electronics, the rest is "erased"...
--
picture/painting: Elisabeth Naomi Reuter "Der Hungerkünstler"

White Eyes Erased (2014/2015) ensemble mosaik

Estreno en concierto del Núcleo Música Nueva de Montevideo, 29/10/2015 en Sala Zavala Muniz.

Agustín Texeira (piano de hilos)

Sobre la idea de algún día quedar atados

It begins to tell,
'round midnight, midnight.
I do pretty well, till after sundown,
Suppertime I'm feeling sad;
But it really gets bad,
'round midnight.
Memories always start 'round midnight
Haven't got the heart to stand those memories,
When my heart is still with you,
And old midnight knows it, too.
When a quarrel we had needs mending,
Does it mean that our love is ending.
Darling I need you, lately I find
You're out of my heart,
And I'm out of my mind.
Let our hearts take wings'
'round midnight, midnight
Let the angels sing,
for your returning.
Till our love is safe and sound.
And old midnight.......................

Round Midnight (Thelonious Monk - arr. Maminova)

Performed 19 February 2017 in Graz, Austria. (Saxophone: Diego Garcia-Pliego Percussion: Ramon Gardella Piano: Carlos E. López)
Abstrakt is part of a bigger piece with the title Anillation, planned to be finished in July of 2017.

Abstrakt, for Saxophone, Percussion and Piano (2016)

Guit. Vladimir Guicheff Bogacz

(Grabación en vivo)

Canticum (1968), Leo Brouwer

Fragmento del concierto"La Máquina del tiempo",  realizado en 1984 en el Teatro Millington Drake de Montevideo, Uruguay
Eduardo Mateo, guitarra, voz
TRAVESÍA: Guitarras y voces (Mariana Ingold, Flavia Ripa, Estela Magnone)
Alberto Magnone: teclados
Jaime Roos: bajo
Gustavo Etchenique: batería
Walter Haedo: percusión
Gastón Contenti: trompeta y fliscorno
Sonido de sala: Romancho Berro
Grabación: Julio Pelossi

Unknown album (18/02/2017 01:43:24 p.m.)

La Máquina del tiempo, 1984

for 6 players, TamTam and Live-Electronics

Karlheinz Stockhausen - Mikrophonie 1 (1964) - Tutti157 Auschnitt

marcha (2015) 
opera for solo flutes in 10 images
after a poem of Boris Pasternak

Helen Bledsoe, flutes
Watch performance: https://www.youtube.com/watch?v=myIjZiogm0A

С высоты одного,
Обеспамятев,
Бросился сольный
Женский альт.
Подхватили.
Когда же и он отрыдал,
Смолкло все.
Стало слышно,
Как колет мороз колокольни.
Вихри сахарной пыли,
Свистя,
Пронеслись по рядам.

desde un balcón,
frenético,
voló un solo
de contralto
y lo siguieron.
Pero al fin del lamento
todo enmudeció. Se oyeron
las heladas aristas de los campanarios.
Torbellinos de azúcar,
silbando,
taladraban las filas.

Aus der Höhe des einem (Balkons)
Wirr,
stützte weibliches
Altsolo
man setzte ein.
Als es ebenso verheulte
wurde alles leise.
Man hört,
wie der Glockenturmfrost sticht.
Die Wirbel des Zuckerstaubes,
pfeifend,
verbreiteten sich in den Reihen.

fragment of The Year 1905, by Boris Pasternak. 
Traducción al español: Augusto Vidal und Carlos Barral. 
Deutsch Übersetzung: Irina Skuratovska
С высоты одного,
Обеспамятев,
Бросился сольный
Женский альт.
Подхватили.
Когда же и он отрыдал,
Смолкло все.
Стало слышно,
Как колет мороз колокольни.
Вихри сахарной пыли,
Свистя,
Пронеслись по рядам.

desde un balcón,
frenético,
voló un solo
de contralto
y lo siguieron.
Pero al fin del lamento
todo enmudeció. Se oyeron
las heladas aristas de los campanarios.
Torbellinos de azúcar,
silbando,
taladraban las filas.

Aus der Höhe des einem (Balkons)
Wirr,
stützte weibliches
Altsolo
man setzte ein.
Als es ebenso verheulte
wurde alles leise.
Man hört,
wie der Glockenturmfrost sticht.
Die Wirbel des Zuckerstaubes,
pfeifend,
verbreiteten sich in den Reihen.

fragment of The Year 1905, by Boris Pasternak. 
Traducción al español: Augusto Vidal und Carlos Barral. 
Deutsch Übersetzung: Irina Skuratovska

Vladimir Guicheff Bogacz - Marcha for solo flute

As a composer, guitarist, and poet, Giuseppe Bonaccorso is firmly attached to atonal, avant-garde, and highly experimental music. A countercultural artist, he works out his music through original compositional processes never tied to mainstream culture.
#Guitar #Composition #AvantGarde

VLADIMIR GUICHEFF BOGACZ (MONTEVIDEO, 1986)

Vladimir Guicheff Bogacz was born in 1986 in Montevideo, Uruguay. Composer, guitarist and improviser. In 2005, he entered the Escuela Universitaria de Música (EUM – University School of Music). He majored in both guitar and composition. His Professors were Osvaldo Budón and Luis Jure on composition (instrumental and electronic), and Mario Paysée on guitar. In addition, he has studied tango guitar with Julio Cobelli. He has attended several courses and master classes led by national and international professors. 
In 2011, he won the first prize during the 1º Bienal de Composición y Arreglo coral “Acordelur” with a choral piece. 
He has also been part of multiple artistic collectives, particularly the various projects presented by the “Traspuesto De Un Estudio Para Un Retrato Común”, working side by side with several artists from other disciplines. 
Since 2009, he has worked in the EUM as an assistant teacher in the departments of Composition and Instrumentation. In 2012, he achieved both Bachelor degrees in composition and guitar. In 2016, he achieved a Master of Music on Instrumental Music in Cologne, Germany (Hochschule für Musik und Tanz, Köln), with Professor Johannes Schöllhorn as tutor. In 2019, he achieved a postgraduate diploma (Konzertexam) also in Cologne, with Brigitta Muntendorf as tutor.
He also founded in 2014 the trio “333”, for improvised music in Cologne, and in the same city since 2017 is founder member of the Kolletkiv3:6Koeln, ensemble for new music.
In 2014 he won the first Trabant composition competition organized by the Ensemble Phoenix Basel. 
In 2016, he won the second National Music Prize of Uruguay with an ensemble piece.
In workshops or concerts he could work out some of his pieces with ensembles like Ensemble Phoenix Basel, Ensemble Garage, Manufaktur für Aktuelle Musik, Spółdzielnia Muzyczna, Ensemble S201, Ensemble uBu, Ensemble SurPlus, Musikfabrik, Ensemble Modern and Trio Catch.
His pieces were performed in Germany, Uruguay, Argentina, Poland, Italy, Hungary, Greece and Switzerland.

Canticum (1968), Leo Brouwer

Vladimir Guicheff Bogacz

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