swallowed by that dark curious unnerving love! real unique lead synth sound and fresh buzzing atmosphere!

Awesome heavy track good job Vlad.😎👌🎶

Enigmatic atmosphere, a lament, a last breath... Superb !!! ❤️Love, 🕊️Peace, 🙏Respect

https://northfield-lenox.com

Start of a new Cloktacs Album..

Provincial Road

Dark Love

I go to visit this track and thank you toward all which he/she stops and heard. Please listen in headphones.
A connection of the blood. A bond. 
I feel that the connection of the blood has nothing to do with loving people. 
What decides the relationship with another person?
All people want you to connect by this earth. No, all the things existing in all space.

Echo on the Blood

Simple Times Ahead

all instruments, master & mix by Moneky Blood Lowdown @monkeybloodlowdown
lyrics & vocals by Mariam Zohra D : Myrh

WILD WORLD
______________
What you gonna do
when your day is done
where you gonna sulk
or continue where you left off

its a wild wild world out there
a wild world out there
its a wild world out there
out there out there - mama remember my name

its a cold cold cold
cold wild world
hey eh hey eh heh

a wild world out there
a wild world out there

I can't save you, you can't save me
but I'm gonna try I'm gonna try
hehi!

The Consolers

Wild World | The Consolers

Extract of a much longer track available for free download on Bandcamp https://rumblincynthrampo.bandcamp.com/track/meddwl-slefrod-m-r

Meddwl slefrod môr (Extract)

Marco Lucchi : electric organ and tape

9 febbraio 2023

questa è la mia personale interpretazione del "Four organs" di Steve Reich .. non la considero una versione definitiva, ma giusto un primo approccio, un tentativo .. se qualcuno è interessato a condividere con me il piacere di lavorare su quel bellissimo pezzo mi faccia sapere .. sono ben accetti sia rielaborazioni che parti vocali o strumentali da aggiungere .. su Bandcamp, in forma di 'bonus track', trovate anche il brano originale
https://marcolucchi.bandcamp.com/album/notre-dame

***

Four Organs is composed exclusively of the gradual augmentation (lengthening) of individual tones within a single (dominant 11th) chord. The tones within the chord gradually extend out like a sort of horizontal bar graph in time. As the chord stretches out, slowly resolving to the tonic A and then gradually changing back to the dominant E, a sort of slow-motion music is created. The maracas lay down a steady time grid of even eighth-notes throughout, enabling the performers to play together while mentally counting up to as much as 256 beats on a given cycle of sustained tones.


Four Organs is the only piece I am aware of that is composed exclusively of the gradual augmentation of individual tones within a single chord. From the beginning to the end there are no changes of pitch or timbre; all changes are rhythmic and simply consist of gradually increasing durations. This process of augmentation was suggested by the enormous elongation of individual tenor notes in Organum as composed by Perotin and others in the twelfth and thirteenth centuries in Paris at Notre Dame Cathedral. Tenor notes that in the original chant may have been equivalent to our quarter- or half-notes can take several pages of tied whole-notes when augmented by Perotin or Leonin.


Four Organs was composed in January 1970. It was first performed at the Guggenheim Museum in New York City by myself and members of my own ensemble later that same year. It also turned out to be one of my first pieces to be heard by a large concert-going public when Michael Tilson Thomas invited me to perform it with him and members of the Boston Symphony Orchestra in Boston in 1971 and at Carnegie Hall in 1973, where it provoked a riot.


—Steve Reich

Dark Love

VLADIMIR 2

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