FLUT x vlan.radio 2025

Gumshoe - February '25 (Mix)

This podcast is a spiritual journey, bringing together tracks from diverse origins, eras, and musical worlds. Blending sounds that range from Dub, Ambient, New Age, Ethereal, Abstract, and Acid Jazz, it aims to showcase musical spheres beyond the club-oriented sounds we usually associate with Abajour. It also reflects a parallel project called ‘Desira Noroi‘, and an event series in Paris called 'Trip Tease' dedicated to opening up and exploring a broader musical spectrum.

Abajour: instagram.com/abajour_bp?igsh=MTBtNWFhOGIzcDN3MQ==

Desira Noroi: instagram.com/desira_noroi_dj?igsh=MTJ0bHVxZmQ4aDVrMA==

Tracklist:

Cheval Fou - La fin de la vie, le début de la Survivance (1994 - Legend music - FR)
Dali Muru & The Polyphonic Swarm - My Boar (2021 - Stroom - BE)
Vangelis O. Papathanassiou - We Were All Uprooted (1973 - Vertigo - GR)
Gabrielle Roth & The Mirrors - Tsunami (2001 - Raven - US)
MDCIII - Miniature II (2018 - W.E.R.F. - BE)
Richard Horowitz & Sussan Deyhim - Desert Equations (For Brion Gysin) (1986 - Music Box - GR)
Toshinori Kondo - Dub Deep Inside (2021 - JET SET - JPN)
Dream Dolphin - Tour 5 Modern Blue Asia (2003 - FOA Records - JPN)
Klaus Schulze & Rainer Bloss - Racing (1984 - Inteam GmBH - GE)
Nurse With Wound - Yagga Blues (1995 - United Dairies - UK)
YL Hooi - Strobe Lite (2021 - Efficient Space - AU)
Angel's Breath - Velvet (1994 - Imago - YU)
Coil - Broccoli (1999 - Chalice - UK)
Anadol ‎– Ay Çürüdü (2019 - Kinship - GE)
New Composers & Pete Namlook - In Memory of Magnitola (2001 - Elektrus - RU)
Abdur Razzaq & Rafiyq - The Night of Power (1983 - Green Essence Records - US)

H.A.N.D. MIX 072 :  Abajour Aka Desira Noroi

The dampness of the wind, the airwaves.

https://www.instagram.com/scott_zacharias
https://soundcloud.com/scottzacharias



Scott Zacharias @ The Lot Radio 03-14-2025

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-1st-april-2025

Pender Street Steppers w/ Kozue  010425

#dub #downtempo #cosmic #house #leftfield #vlanradio #liveset #live 

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Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/MA7.

Video-Stream

ddwy - 25/04/25

"Knee MIX" Nr.06 FROM Andras

Old friends and hapless mavericks Ivan Smagghe and Nathan Gregory Wilkins present a fortnightly window into their ramshackle musical world. A show with absolutely no rules (as they'd only break them). We love the unmixable, old & new. We are oddballs and we love you. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/channeling/episodes/channeling-6th-may-2025

Channeling w/ Ivan Smagghe & Nathan Gregory Wilkins 060525

Next up at Edwin Music channel is Berlin-based producer and DJ @benediktfrey and his close friend @menqui with whom he co-runs the label R.i.O.

For EDWIN MUSIC CHANNEL, he joined forces with his friend Menqui, who is overseeing the administration for the R.i.O. label, is part of the Berlin-based Muting The Noise Record Store and Distribution crew, runs a radio show for Cashmere Radio and plays regular in all those small, but delicate Berlin bars and little dancefloor venues. Together they prepared an epic mix, created live and direct in Menqui’s living room, featuring all sorts of music from pop, Trip-Hop, and Hip-hop to free-tripping electronic grooves. Check the groove and read below what Benedikt Frey and Menqui told us about their history, work, label, and future plans.

Follow the link for the full interview: https://edwineuro.pe/mix137

N° 137 – R.i.O – Benedikt Frey / Menqui

#synthpop #electronic #leftfield #house #vlanradio #liveset #live

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Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/MA7.

TANJA TURNER - 16/05/25

#house #breaks #vlanradio #liveset #live

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Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/MA7.

MALOUNADOU - 16/05/25

#ambient #dnb #hyperpop #vlanradio #liveset #live

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Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/MA7.

C1AERI - 16/05/25

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Unknown Mobile & CFCF - A Windless March Ouest
Slow Attack Ensemble - November, 1st in Detroit
Bill Nelson - Buddha Head
Love apple, Lou ragland - I’ve Gotta Move 
Robin Trower - I’m Out to Get You
Jeffrey Silverstein - Sunny Jean
Life Without Buildings - Envoys
Rock Band - Bizzy
ML Buch - Pan Over the Hill
Sean Murray and Shawn K. Clement - Anything
Milou Moon - Circles 
Dan Lacksman - Love You Every Day
Fleetwood Mac - Hypnotized
Ryuichi Sakamoto - Risky
Pink Industry - What You Couldn’t Give
Mathematiques Modernes - Jungle Hurt
Cold End - Metropolitan Jungle
Billy Idol - Adam in Chains
Jack J - Down the Line
Don Cherry - Universal Mother
Kofi - Curious
Ali Omar - On Release (feat. Gina Mitchell)
Kyoko Koizumi - No No No (Dub Mix)
Hidemi Ishikawa - Love Comes Quickly ～霧の都の異邦人～
My Bloody Valentine - Soon


| GOOD MORNING SKYLAB | w/ Simon 23.05.25

#house #techhouse #deeptech #vlanradio #liveset #live

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Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/MA7.

NESS T - 23/05/25

#house #disco #vlanradio #liveset #live

Follow us here or go to our website:
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Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/MA7.

VABRIZZLE - 23/05/25

The Only Messiah Is Electronic (Live With The Ruling Class Mix)

The FLUCC Transmitter (FLUT) is part of the extensions of activities within the FLUCC Cultural Anchor Center based in Vienna. FLUT serves as a platform for established and emerging community radios, providing space for workshops, DJ livestreams, sound art, and other primarily audio-based forms of outreach.

Regular Shows being streamed within Flucc:
🔊 https://soundcloud.com/callshopradio X https://soundcloud.com/spumanterecords
🔊 https://soundcloud.com/vlanradio

VLAN is a non commercial platform for musicians and DJs based in Vienna, Austria.

ddwy - 25/04/25

vlan.radio

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