stones, pythons & wolves.
gypsies, turtles, wild angels & whitefields.
sabbath, last herd.
pandas, strangers, cats & lollipops.
zounds, honey, flux & scars..
some of the 45s i've loved most & played most.
blues, bubblegum, beats & wizards.
inc. French, Canadian & Swedish psych.
dirty 45s brought to life, bought for busfare & all sourced locally.
monolithic, monophonic, rockers.
psych rock, garage rock, punk rock.
dirty loud mono
warm n fuzzy
enjoy.

vibration obscure

"on it like a comet"
"lush"
"proppa.. you probably won't know how to like it"
"bumpin it n loving it"
"liked n shared"
"this is really rather good"
"revolutions rocks like a mother"
"fucked up fuzzed out surprise sunrise of psychedelic sound"
 "loud sexy & dirty"

dirty rockers done dirt cheap

revolutions

what is soul? i don't know

songs of love, loss & longing. real music from real people. 'purely belta.'  

indie 45s from u.s 60/70s on venture, twilight, today, stax, soulville, scorpio, majesty, 
glades, chess, anla & the rest.  

american gypsies, black ivory, collector frenzy, '40 acres & a mule' 

for jon, jaime +1, rupert bear, derek, johnny red, figs kids, fuzzy warbles crew, byker-heaton motown appreciation society, 
all the dealers that fed my fix, the djs that traded records, the producers that gave props, everyone who just enjoyed, 
danced & didn't ask for tracklists/samples/requests, & finally, for that one girl on my mind.    

vibration obscure

"true soul"
"new favourite"
"defo soul & feeling"
"soul dusted"
"this is real"
"this is great"
"killer"
"you're never in when i ring"
"before i was born"
"solid gold grooves"

'different strokes for different folks', sophisticated sissies, sir cliff's xtian psych, 'love love love love love', 
wales' best soul singer, mack rice, nu people, sound experience, don pierce, chester randle & instant whips.

love soul dust

as a collector i've created/curated soundtracks for art exhibitions, contemporary dance & fashion shows (in addition to playing records in bars, cafes, clubs & outdoor parties). my personal preference is to take old records & try to make something new. it's a rather humbling experience to select second-hand records: all too often the dead dreams & failed aspirations of previous artists. vinyl itself is an obscure & obsolete media, yet sourcing them locally sustains local economy, provides positive transactions, often doubles the value of the small investment & occasionally leads to social contact that seems priceless. there are plenty of people already playing the game of consuming the latest rave reviews & selecting whatever this month's fashionable sub-genre happens to be. they do it well. i choose to do it differently. hopefully you'll enjoy listening to the mixes.

VO: 7s

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