Figment

Allude

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/-gZUCv0M3iA

Glimpse 948

Glimpse 948 (May 4 2024)

Listen / Purchase: https://lnk.to/sleepstations

From the Mouth of the Sun (aka Aaron Martin & Dag Rosenqvist) return with ‘Sleep Stations,’ an EP of six new songs, out May 18th, 2018 on Lost Tribe Sound. ’Sleep Stations’ rests comfortably alongside 2017’s ‘Hymn Binding’ their third full-length album and their original score for Joshua Z. Weinstein’s feature film, ‘Menashe.’ With ‘Sleep Stations’ the duo assures us that their exquisite palette of classical leaning, electro-acoustics reaped from their previous albums still leaves much to be explored.

Footage taken from NASA/JPL/University of Arizona

Sleep Stations

Reaching When Nothing Is There

Buy EP

From the Mouth of the Sun - Reaching When Nothing Is There (from Sleep Stations EP)

The expanded double CD re-issue of The Licence To Interpret Dreams will be released late August / early September 2018. The original multitracks have been refreshed to give a new life to the album. Alongside this there is an additional CD, which features remixes by Marconi Union, Hummingbird, The Humble Bee, Tape Loop Orchestra, Peter Jørgensen, Ben Chatwin, Ian Hawgood, Aaron Martin, Olan Mill, Bill Seaman, Field Rotation, Antonymes and Clem Leek. The remixes are very special and the whole thing has been lovingly remastered by James Plotkin.

This very limited album comes out on the wonderful Fluid Audio imprint and will include a 24 page perfect bound book housed in a heavyweight card sleeve.

Here's a sneak preview, the Antonymes remix which takes elements from several tracks on the original album.

Lost In Waves Of Light

Produced and composed by Voga and Alaskan Tapes
Recorded by Dennis Patterson
Piano by Voga
Guitar by Alaskan Tapes
Viola by Laurence Schaufele
Cello by Raphael Weinroth-Browne
Mixing by Voga and Alaskan Tapes
Mastering by Taylor Deupree
Artwork by Aaron Rinas

Wavery (feat. Alaskan Tapes)

Pulse

Released for Piano Day as a part of Recollections, Vol.  2 by Sonder House.

Recollections, Vol 2

Cantabile

Download

Cantabile (Piano Day 2019)

from 'Glam Tear Stain' [CD|LP|DIGITAL]
Denovali Records · den322
available on all formats at http://denovali.com/davidnorland

David Norland is an Emmy-nominated English composer living and working in Los Angeles. Most recently he composed the score to the current HBO film “My Dinner With Herve” (HBO 2018) starring Peter Dinklage and Jamie Dornan.

His work with Emmy-winning director Sacha Gervasi includes the award-winning documentary "Anvil! The Story Of Anvil", (which won the IDA Best Feature award, an Emmy award, the Indie Spirit Best Doc award, and numerous other best doc awards around the world) as well as the score for “November Criminals” (Sony 2017) starring Chloe Moretz and Ansel Elgort. David Norland was also the music supervisor for the movie "Hitchcock" featuring Anthony Hopkins, Helen Mirren & Scarlett Johansson.

Since 2010 he has composed much of the music for US broadcasting giant ABC’s primetime news documentaries. His work for ABC is broadcast in the US and around the world on a daily basis.

Having been a chorister from an early age, singing daily in Westminster Abbey, and a boy treble in The Elizabethan Consort of Voices, a touring choral group of the time, he also composes choral music. His electronic band Solar Twins was signed by Madonna to Maverick Records, and rode high on the US dance charts, and his record writing, production and mixing work with Jamaican legends Sly and Robbie has been nominated for a Grammy.

"Glam Tear Stain" is the first real solo full length of David Norland. It combines electronic influences, elements of his film scoring work and more intimate, minimalistic piano and string arrangements.

"The music I want to make has changed over time - from imitation baroque pieces as an 11 year old chorister, through guitar pop with my first teenage bands, experimental sonic works with my first rudimentary recording equipment in my early 20s, through electronics, drum and bass, and reggae, leading finally to piano, choral, and string music informed by my film scoring work.”

"Glam Tear Stain" is simple melodic and tonal music for for piano and strings, filtered through the electronic, spatial, and experimental lens of Norland's earlier musical endeavors - and on a personal level was made over a time of profound sadness, change, and acceptance. It’s more unapologetically emotional than other music in the broad neoclassical field, and often stranger, too, drawing from influences as diverse as Future Sound Of London and 16th century English choral music.

"Glam Tear Stain" is the first album of a series of further solo works that David Norland will be releasing via Denovali over the next years.

Glam Tear Stain

David Norland - Agate Or Barium

Taken from the album 'Coalescence of Form'.
Release date: February 20, 2020 on Hidden Vibes.

Hidden Vibes on web:
hiddenvibes.bandcamp.com
www.facebook.com/hidevibes

Visionary Hours - Time Keeps Me In Her Shadow

Select your favorite platform: https://ampl.ink/Tangible

"This bucolic and cyclical piece, based on electronic-organic sounds, aims to evoke the strength and purity of the tangible – the experience of hugging, touching wet soil, or getting gently wet from a fine drizzle, arms open and looking up at the sky”

“Tangible was composed towards the end of the Covid lockdown. It’s inspired by personal reflection about real and virtual experiences; society has been forced to evolve in terms of how we relate to each other, and to spend a large amount of time staring at screens. However, as the poet Pedro Salinas reminds us: “You always live in your actions. With the tips of your fingers you press the world, you tear off auroras, triumphs, colors, joys: it's your music. Life is what you touch”. 
In this way, the album aims to evoke the strength and purity of the tangible – the experience of hugging, touching wet soil, or getting gently wet from a fine drizzle, arms open and looking up at the sky” B.S


“Right from the start, Bruno Sanfilippo’s Tangible is a blissful, serene dream. The record’s songs blossom gently, like an autumn sunrise, and convey a profound sense of joy and euphoria. Combining piano, strings, and minimalist electronica, there’s real beauty here too; fragile piano lines woven with soaring strings and soft synth washes. Yet Bruno doesn’t merely evoke deep emotions – his work is playful in places, imbued with a little mischief. It’s what gives Tangible its heart and humanity. Sinking into these twelve tracks is wondrously life-affirming, and confirms Sanfilippo as one of the best, most soulful pianists and composers in the world” Derek Robertson, freelance journalist and music writer: Guardian, Independent, NME, VICE, Timeout, The Quietus, The Face.

Recorded by Bruno at Onix II Studio · Barcelona · spring 2020
Analog Mastered by Ian Hawgood
Cover photo and layout CD by Ximena Contreras
Music Video by Aleix Font
Violin in ‘Amapola’ by Laura Masotto
Cello in ‘Amber Light’ by Antonio Cortesi
© ℗ ad21 · under exclusive license to Believe

www.bruno-sanfilippo.com

Wavery (feat. Alaskan Tapes)

Voga

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