Вау! В наушниках совсем другое дело, представляется столб голубого света который из центра вселенной бьет, хочется войти в цент него чтобы захилиться, но от восторга оцепенел и просто смотришь!

Inaccessible Area

D.B.O

In a summer night in Morvan, a duet of two tawny owls with great green bush crickets and wood crickets.

Tawny owls duet in summer - recorded in Morvan (France) w/ Gregoire Chauvot

Thousand of sand fleas (talitrus saltator) were eating a large jellyfish on the beach at Oleron island (France). We put 2 hydrophones inside to listen. We can hear the fleas jumping around but also the waves from the inside perspective of the jellyfish.

Recorded with 2 Aquarian H2a on a Mixpre 6-II with Grégoire Chauvot at Oleron island in 2022.

Thousand of fleas eating a jellyfish - w/ Grégoire Chauvot

Metallschmelze

A Lesson In Metaphysics

from the album 'On Leaving' on Touch, UK (TO124)

dedicated to Steve Roden (1964-2023)

For over a quarter of a century, sound artist and composer Richard Chartier has interrogated an ever deepening thread of minimalist sound that meshes questions of stasis, pulse and timbre. The results of this work is some of the most quietly intense compositions of this century. His is a music of subtle variation, unwavering concentration, and also patience. This five part work created between 2020 and 2022 is dedicated to his friend and fellow sound artist Steve Roden.

"I first became friends with Steve Roden (and later his wife, Sari) back in 1998 when my first album 'direct.incidental.consequential' was released. He was one of the first group of artists to whom I sent the album. Almost instantly he had been there on the other side of the phone (or email) and ever since.

His way of listening and attention to details (no matter how small) was inspirational — the clarity and complexity of his understated and only seemingly simple compositions, engaging. Underneath it all, 'the less’ truly opened your ears to 'the more.' Steve saw and heard everything between the noise, no matter how faint.

Some of the last times I was able to see Steve were right before the pandemic. The effects of his advancing Alzheimers were present, still somewhat subtle, but increasing. I am still regretful that we were unable to spend more time together prior to his succumbing to his condition’s cruel effects. Another regret is not engaging in the collaboration we had both talked about for YEARS. 'We should really start on that sometime soon' Steve and I would say with each passing year.

I worked on the compositions included on this album as Steve gradually slipped away from communication. He was not in my life like he had been before. During this time it became apparent that these pieces were for Steve. A reflection of his ability to find beauty in the most minute details. Even when finally reviewing the final masters after his passing, I tried to think about how Steve would listen.

What would Steve hear in the details? His effect on this album is strong... the accumulation of influence and inspiration. This album feels organic and warm and was developed during a time when his absence in my life increased. That warmth is reflective of the nature of who Steve was himself, his friendship, and his visual & sound work.

on listening... on loss... on leaving...

As Steve and I mutually suggested... for quiet amplification or headphone listening.

On Leaving

Variance.1

technically this is how i originally produced the song. "morning anxiety" is actually the slowed version 0:

morning anxiety (sped Up)

READ > inverted-audio.com/premiere-rafael-anton-irisarri-reprisal

Marking its 10 Year Anniversary, NYC-based record label Black Knoll reissues 'A Fragile Geography', the landmark ambient album from American producer Rafael Anton Irisarri - a spectral cartography of loss and reconstruction forged in the aftermath of devastation...Among its six windswept movements, 'Reprisal' is our pick. Feeling like a monochrome drift of processed resonance, the piece unfolds like a ghostly transmission filtered through decaying tape. Celestial resonances blur into low-end rumbles, choirs flicker beneath distant bells, drifting away memories of a past life. This is ambient music at its most human, like a slow dissolve into psychology's dimmest corners, where geography is no longer a place, but a feeling.

@irisarri
@black-knoll-studio

Rafael Anton Irisarri - Reprisal [Black Knoll]

Some incidental background information about the weather event recorded in this recording: https://www.weatherzone.com.au/news/rare-tornado-warning-in-adelaide-as-storms-powerful-winds-slam-sa/1890841.

2025.08.29 A Stormy Night and Dawn. Late Winter.

A drop rig recording from my favorite forest pond in Nåsten. The call of the (young?) Black Woodpecker was somewhat reminiscent of a handbrake on a wet rim. In the end of the recording the song (?) of a Long-tailed Tit can be heard as well.

Högbyhatt, Uppsala. September 1, 2025.
Zoom F3 + Clippy EM272 separated 1 m apart

A squeaky handbrake? No, a Black Woodpecker drinking

Sound designer and musician
https://linktr.ee/void_sound

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