HAIKU MUSIC CHALLENGE

naviarhaiku537

Deep in the mountains -
falling into my heart
autumn streams

Shinkei (1406-75) was a renowned renga poet and critic, best known for his two-part work "Sasamegoto" (Murmured Conversations). To find out more about this interesting and largely unknown poet-priest, I recommend reading Heart's Flower - The Life and Poetry of Shinkei by Esperanza Ramirez-Christensen.

Haiku by Shinkei
Picture by Zoe

Submission deadline: 24th April 2024

TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku536)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

Falling Into My Heart

Falling Into My Heart (naviarhaiku537)

Music supporter for underrated talented artists
I am not weird, I am just neurodivergent person...

@voidbornhorde
@rawpinkbmp
@flat-stone
@zuheodosha
@jalastram
@kabomani
@solanmusic
@nobioyet
@0x4B

- Virtual Instruments
- Audacity
- FL Studio 20
- Cubase LE AI Elements 6
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- Adobe Photoshop CS2
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- JVC HA-RX330-E
- Native Instruments
- AKG Headphone
- SONY SRS-D25
- Samsung S10Edge
- Xiaomi Redmi 9C
- WaveEditor Record & Edit Audio (Sound-Base Audio, LLC)

https://freesound.org/people/jalastram/

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

Jesús Lastra aka Voidborn Horde, is a Venezuelan ambient electronic music composer born in 1986. Since 2002, He starts this musical journey by exploring experimental sounds, influenced by ambient music and soundscapes that evoke vast and ethereal imaginary worlds. Under the alias Voidborn Horde, he has developed an unique style with electronic elements and ambient textures, finding a kind of "false enviroment sounds" to give the listener an immersive and dreamlike experience. His music is characterized by its ability to evoke neutral deep emotions and meditative states of patience, making him a reference in the ambient music scene.

@rawpinkbmp
@flat-stone
@zuheodosha
@jalastram
@kabomani
@solanmusic
@nobioyetmusic
@nobioyet
@0x4B

Software

- FL Studio
- Audacity
- Virtual Instruments
- Cubase LE AI Elements 6
- Adobe Photoshop CS2
- WaveEditor Record & Edit Audio (Sound-Base Audio, LLC)

Hardware

- Vieta Pro Way 4
- MSI GF63 Thin 11UC
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- JVC HA-RX330-E Headphone
- AKG Headphone
- SONY SRS-D25
- Samsung S10 Edge
- Xiaomi Redmi 9C
- Xiaomi Redmi 14C

https://freesound.org/people/jalastram/

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

A drummer and a thief

25 years of drumming experience, interested in on-line projects to collaborate.
Percussion, electronic drum programming, acoustic drums.

Thank you for stopping by and having a listen to some HUMAN MADE music!  Please connect with me on Facebook and subscribe to my YouTube channel!  Links are below.
LATEST NEWS:
My latest music album is out now on Kalamine Records called Polar Ember:  You can find it here:
https://kalaminerecords.bandcamp.com/album/polar-ember

Also on all major streaming services like Spotify, Apple Music, and Amazon Music as well:
https://open.spotify.com/album/0jTEJocJ6xogziCy3iFFxS?si=5LrAF6njT9ePLMuYTUzDpg

A recent review from Moon Phase Radio is here:
https://moonphaseradio.com/entries/new-ambient-music/pre-polar-seclusion

A recent review from Weatnu Records:
  'Branches from the start becomes inspiring to the ears.  Berlin school is becoming more accepted in an electronic world of sound.  The music is professional and the mix of clear ambient and dark pads help the production shine.  There is sure to be more music heard from Pre Polar in the future.'

Recently added to this cool mix:
https://on.soundcloud.com/Rf6ScChegAth2uZZ6

Recent collaboration with my friend Chad Hoffman from Royal Crocodiles has resulted in some tracks under the name of Cassette Museum.  You can find these tracks on YouTube here:

https://youtube.com/@cassettemuseum?si=dZ5H-PGLUc8mEqAa

If you enjoy listening to my music, please show your appreciation by checking out the Kalamine Records website and purchasing my albums on Bandcamp!
The few bucks goes to help Kalamine keep the label and website going.
Here is the site info:
https://kalaminerecords.bandcamp.com/album/twilight-soma
Or:
http://prepolar.bandcamp.com/

We would appreciate your support of independent music very much! 

You can find Pre Polar on Spotify, Soundcloud, YouTube, Amazon Music, and other major streaming services.

Previous tracks has been picked up by several bloggers and Spotify playlist curators.  
A recent review from Acid Ted Blog:
Here’s The Distant Survivors, the opening track to album Crystal Monuments. The album is as much chill as it is ambient. But it’s perhaps best seen as chilly, rather than chill. 
The Distant Survivors is a slow piece full of open spaces. It’s described as both “Endless grey skies. Dim sunlight. Seeping cold…” and “An overflight of a distant fjord where unexpected people are found.” This makes it sound austere and a bit unwelcoming. It’s not really like that at all. 
The synths have a rounded warmth and welcome. It’s a track that enjoys places to roam. Views to be seen. Things that are far off. It takes its time to unfold. It’s a beatless wander through snowdrifts. Crystalline. 

Recently, I created a page on Gumroad for selling my sample packs.  You can find them here:
Sci Fi - Cinematic Sample Pack Volume 1
https://gum.co/PWmwZ
Sci Fi - Cinematic Sample Pack Volume 2
https://gum.co/OVVpF

Contact for Collabs, wav files for your mix, Custom Sound Design and Booking :
ohvonbraun@yahoo.com

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

The soul that will always be misunderstood.

Our world is full of unfairness and I hate it, because I am noone... I am mental ill for others... and I cant change it...

I am only honest to people, but they don't wanna hear truth because it is pain.

Noone is perfect you need accept it.

DnB/remixes profile: https://soundcloud.com/patros15-vol-2
Drone/Impro profile: https://soundcloud.com/patros15-vol-3