Deadline: 20th March 2024

All submissions to Haiku 531:

https://www.naviarrecords.com/naviarhaiku532-wordless/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com

haiku #532: Wordless / all day long / the shadow of a butterfly

This track is an asynchronous collaboration with @torstengoerke in the Disquiet Junto Project (details see below): Torsten Goerke published the wonderful guitar track https://soundcloud.com/torstengoerke/jolanaparticleverb-disquiet0636, and now I improvised on the Hohner Organetta to his beautiful chords.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Printemps Fleuri [with Torsten Goerke] (Disquiet0637)

HAIKU MUSIC CHALLENGE

Naviarhaiku 532

Wordless
all day long
the shadow of a butterfly
 
Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.

Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Haiku by Hosai Ozaki

Picture by sumingliu youyou

Submission deadline: 20th March 2024

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku532)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

The Shadow of a Butterfly

The Shadow Of A Butterfly (naviarhaiku532)

This track was created for the Naviar Haiku group.
532
https://www.naviarrecords.com/naviarhaiku532-wordless/

2024-03-14

Wordless (Naviarhaiku 532)

I downloaded the track by encym - https://soundcloud.com/encym/neat_disorder_disquiet0636 - then added an electronic microtonal sequence created in Pure Data.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Diluted Disorder - with encym (disquiet0637)

A live quasi-serialist electronic composition created in Pure Data.

Butterfly Shadow (naviarhaiku532)

Wordless
all day long
the shadow of a butterfly
 
Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.

Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Haiku by Hosai Ozaki

wordless [naviarhaiku532]

For the second third of what will become a trio, I improvised over the neat track: https://soundcloud.com/encym/neat_disorder_disquiet0636?si=b9ddc52764ed4a2aa016f867b517e4fc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing by @encym

The right side was made with a meaty and glassy combo instrument using Pigments and Falcon. 
Following the approach of the original track on the left, I made a sparse arrangement, with plenty of air and spectrum for future collaborators.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

encym & undermulden - Picks & String 2 of 3 (disquiet0637)

17Mar24

My naviarhaiku532 track;
https://naviarlab.tumblr.com/post/744852842387537920/naviarhaiku532-wordless
:D

Wordless [naviarhaiku532]

NAVIARHAIKU532 – WORDLESS

Wordless
all day long
the shadow of a butterfly    by Hosai Ozaki

Moravia Reeds
Solo saxophones using phase-aligned samples

https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/14437/


Risset rhythm - Shepard tone sampler
looper with barber's pole effect

https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/15229/

pS_gLitch
pitch-speed glitching

https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/5417/

WordlessButStutterer (naviarhaiku531)

Programmed and played live with Novation Circuit OG (Factory Soundpack) and recorded direct into Audacity with minimal post effects.

Truth is a Bubble [ naviarhaiku533 ]

Original posted for #disquiet0637 by SinnySounds2 https://soundcloud.com/sinnysounds2 https://soundcloud.com/sinnysounds2/melancholic-2phoria-collab-with-rabmusiclab-disquiet0637 

This in turn used an original posted for #disquiet0636 by RabMusicLab https://soundcloud.com/rabmusiclab 
https://soundcloud.com/rabmusiclab/melancholic-euphoria 

Dubbed & mixed 23 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

For my (center) part here, I used a Danelectro 12-string guitar, Ableton Live 12, Ableton effects - Gated Delay & Echo, Arturia effects - Efx Fragments & Dist Tube-Culture.

Music distributed under CC BY-NC-SA 3.0 DEED

Artwork: Edit and additions to disquiet’s original using Adobe Photoshop 2024 and Q’MIC-Qt.

------

This original version of "Melted Phosphoria" was submitted as part of Disquiet Junto Project 0638: Center (3 of 3). The Assignment: Complete a trio begun by two other musicians.

More on the Disquiet Junto at: http://disquiet.com/junto/

Subscribe to project announcements here: http://tinyletter.com/disquiet-junto

More on the 638th weekly Disquiet Junto project at https://disquiet.com/2024/03/21/disquiet-junto-project-0638-right-3-of-3/

Melted Phosphoria (disquiet0638) by RabMusicLab, SinnySounds2 & Jimmy Lem

This track symbolises the practice of tai chi and qigong to let the qi flow. Small, repeated movements help to focus on the flow.

This track was inspired by this week's Disquiet Junto project:
More on the 648th weekly Disquiet Junto project, Shadow Boxing — The Assignment: Employ shadow boxing as a musical metaphor — at https://disquiet.com/0648/

Flow Of Qi  (Disquiet0648)

Ovheda - ALL BY YOURSELF X31

Voidlight

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

DARK AMBIENT - IN STASIS

Jesús Lastra aka Voidborn Horde, is a Venezuelan ambient electronic music composer born in 1986. Since 2002, He starts this musical journey by exploring experimental sounds, influenced by ambient music and soundscapes that evoke vast and ethereal imaginary worlds. Under the alias Voidborn Horde, he has developed an unique style with electronic elements and ambient textures, finding a kind of "false enviroment sounds" to give the listener an immersive and dreamlike experience. His music is characterized by its ability to evoke neutral deep emotions and meditative states of patience, making him a reference in the ambient music scene.

@rawpinkbmp
@flat-stone
@zuheodosha
@jalastram
@kabomani
@solanmusic
@nobioyetmusic
@nobioyet
@0x4B

Software

- FL Studio
- Audacity
- Virtual Instruments
- Cubase LE AI Elements 6
- Adobe Photoshop CS2
- WaveEditor Record & Edit Audio (Sound-Base Audio, LLC)

Hardware

- Vieta Pro Way 4
- MSI GF63 Thin 11UC
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- JVC HA-RX330-E Headphone
- AKG Headphone
- SONY SRS-D25
- Samsung S10 Edge
- Xiaomi Redmi 9C
- Xiaomi Redmi 14C

https://freesound.org/people/jalastram/

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

The Shadow Of A Butterfly (naviarhaiku532)

Voidborn Horde

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