More on this 582nd weekly Disquiet Junto project, X Techno (The Assignment: Make a new subgenre), at: https://disquiet.com/0582/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0582-x-techno/

Crepitus Tekno (disquiet0582)

This tune made with only KORG Gadget iPhone.

Sunset 2023

21Dec23

My naviarhaiku520 track;
https://naviarlab.tumblr.com/post/737233531017773056/naviarhaiku520-winter-sky
:D

Winter sky, distant dreams [naviarhaiku520]

JAMUARY 24 - Day 8

25-01-24 פתחי וזמרי בעם

trailer miusic using my new "toy", @cinesamples musio libraries.

january 25th 2024
sample libraries by dd
photo by rob simmons


https://llllllll.co/t/disquiet-junto-project-0630-creative-sufficiency/

Orchestralscapes (Trailer) - disquiet0630

Jupiter 6 patch midi from Ableton. layered. & post processing with various effects phasing etc...

Jupiter - 6 Phased Noise Pulse For Disquiet0636

I used two duets from the Disquiet Junto 637 project (see below): „Is still on the line“ by Andreas Kitzmann and 33per (https://soundcloud.com/33per/is-still-on-the-line-duet-with-andreas-kitzmann-disquiet0638) and „Take5“ by Actor Network and tunelight (https://soundcloud.com/tunelight/disquiet0637-2of3-take5-w-actor-network). So I ended up with four collaborators - thank you, Gentlemen! 

First step was Full Blotter, Giorgio Sanchristoforo’s new granulator, to get some pads from the material. Luckily the software treated the tracks as two mono lanes, so I ended up with four distinct pads. 

To get a pulse, I sped up the lovely clicky bassline from Take 5. EQ’ing and getting the levels right did take ages. 

Well, what else? Happy Easter, of course!

***
Disquiet Junto Project 0639: Path Ways (4 of 3)
The Assignment: Rework musical trios using the constituent parts — one of two ways.

Step 1: In the previous project, we completed musical trios. Project 0638 was the third of three consecutive projects. In the first one, 0636, musicians recorded solos. In the second, 0637, musicians took those 0636 tracks, nudged them to the left side of the stereo spectrum, and then added their own music to the right, forming duets with a hole in the middle. In project 0638, other musicians introduced a third track down the center of the 0637 recordings, completing the trios. You can revisit the music via the blog posts disquiet.com/0636, disquiet.com/0637, and disquiet.com/0638, and you can follow the forking paths through the related Google Drive spreadsheet.

Step 2: The goal of this project is to rework the material that accumulated over the course of the previous three projects. There are two main ways to go about this. One is to simply choose one or more tracks and remix, combine, mash-up, or otherwise transform them. The other is to move on to Step 3.

Step 3: Choose one 0636 track, a solo, that yielded more than one 0638 trio. (These are highlighted in light blue, or maybe it’s teal, in the leftmost column of the spreadsheet.) Trace the various routes that 0636 track took. Perhaps it also led to some 0637 tracks that never went any further. Perhaps there are various 0638 versions based on varied 0637 versions. In any case, record a piece of music that lets the listener experience the branching paths that the original 0636 track took over the course of the three phases of the trios project sequence. Clearly you will be using a linear form to represent variations, so how to achieve that will require some compositional ingenuity. But you’re up to the task.

Tasks Upon Completion:

Label: Include either “disquiet0639remix” (if you follow the loose rules of Step 2) or “disquiet0639paths” (if you follow the more specific rules of Step 3) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track (but if you post more than one, clarify which is the “main” rendition).

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0639-path-ways-4-of-3/

Newsletter: https://juntoletter.disquiet.com/

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

Tour Two One

Four Two One [disquiet639]

Pre-dawn inertia
Where do I go
From here?

Marco is the founder of Naviar Records.

Haiku by Marco Sebastiano Alessi

Picture by Dameli Zhantas

Submission deadline: 3rd April 2024

 
TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku534)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

¿Where Do I Go From Here? (naviarhaiku534)

An electronic composition, original sounds created in Pure Data - both a response to the haiku & an elegy for John Hinks.

Wide-Arching - for John Hinks (naviarhaiku536)

Pelagic

Voidborn Horde is an ambient project by Jesús Lastra

@rawpinkbmp
@flat-stone
@zuheodosha
@jalastram
@kabomani
@solanmusic
@nobioyetmusic
@nobioyet
@0x4B

- Virtual Instruments
- Audacity
- FL Studio 20
- Cubase LE AI Elements 6
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- Adobe Photoshop CS2
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- JVC HA-RX330-E
- Native Instruments
- AKG Headphone
- SONY SRS-D25
- Samsung S10Edge
- Xiaomi Redmi 9C
- WaveEditor Record & Edit Audio (Sound-Base Audio, LLC)

https://freesound.org/people/jalastram/

¿Where Do I Go From Here? (naviarhaiku534)

Voidborn Horde

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