"Bloodline" represents an interplay of chaos against peace and optimism—something rooted deep in Serbian history. The track opens with chaotic psytrance and acid synth sequences, beneath which the echoes of a people are buried. As the breakdown arrives, these echoes grow louder, breaking through the chaos until the track erupts into a playful melody inspired by Serbian etno music—capturing the optimistic nature of a culture that persists regardless of obstacles or struggle.

DL: https://hypeddit.com/velcmusic/bloodlinefreedl

Bloodline [Free DL]

KEEP THINKING

The machine loops the rhythm —
and with it, the copy of meaning.
Call it a remix, a replica, a reproduction...
Whatever re- happens to a thing,
it may alter its whatness, even its suchness,
but never its source.

Yes — Ceci n’est pas une pipe.
But its owner is still Antonio Vivaldi.

This track is not a revival.
It’s not homage.
It is the machinery mourning the original —
on a dance floor made of iron and echo.

but it is Vivaldi

Gore Tech & End.User - Atlantic Warfare EP - Out Now 

Buy Digital: https://goo.gl/pdqMvR
Buy Vinyl: https://goo.gl/ehgF4A


PRSPCT RVLT’s 12th release is a sonic statement of intent. Politically charged, high­octane punk­themed drum and bass music created by the collective power­house that is Gore Tech and End.User. This EP cold­welds the rough edges of darkened Drum & Bass and Jungle together with total disregard for the rules. Born from End.User’s legendary technical and jarring drum­work and processing combined with Gore Tech’s driving machine­like sonic grooves. Bolstered by the allied forces of UK based veterans Dolphin and The Teknoist whom teamed up to remix the track Tear Gas. Berlin based visual designer Ciners created a visual manifesto in the shape of a music video for the original mix of ‘Tear Gas’ featured on the B­Side to add a motion graphic element to release, along with Tom Hamel’s macabre style of illustration for the sleeve. Mastered by the French resistance of Stazma the Junglechrist in Lyon.

A1 ­​Gore Tech & End.User ­ Atlantic Warfare
A2 ­​Gore Tech & End.User ­ Dope Sick Witch

B1 ­​Gore Tech ­ Tear Gas (Original Mix)
B2 G​ore Tech Tear Gas (Dolphin & The Teknoist Remix)


Gore Tech - Tear Gas (Original Mix)- PRSPCT RVLT 012 - Out Now!

My entry for the @anthony-baldino Twelve Twenty Two remix contest, hosted by @methlab-recordings. Unfortunately my entry did not win, but I had a lot of fun making this track. 

Congratulations to @romanowitch, whose track I had the privilege of listening to before the winners were announced. It is absolutely fantastic and I look forward to its official release.

Anthony Baldino - Twelve Twenty Two (Man From Sol re-glitch)[Free Download]

20200502

soundcloud.com/otherr111/

music.mozyk.net/album/mozyk020-floating-stones

Floating Stones

MOZYK020

Otherr - Sibyl

Hyperglitch is an emerging genre that is informed by glitch, idm and experimental music that came before it, but is distinct from them. It uses new techniques, explores new concepts, and has a new aesthetic. “Hyper” in this sense doesn’t mean more, or faster, or louder, it’s meant in the “hypertext” way; as in: deeper and more interconnected. Hyperglitch is the evolution of glitch. It’s what happens when a generation of artists grow up surrounded by glitch, entrenched in the digital world. Their fluency and usage/exploitation of glitch has deeper roots and is more natural and nuanced than someone born outside of this environment. 

My hope is that by helping to define the genre through this series, it will help other artists within the subgenre to find each other, and help us all develop our work and leave the past behind (or at least the parts that are holding us back). I also hope that by casting a wide net it will dissuade others from creating a formula for the genre and freezing it in time (although I’m sure some of that is inevitable). I also want to stress that Hyperglitch is new. Some of the ideas have been circulating for years, some even as far back as the early 2000’s, but their current formulation and the combinations employed by these artists are something I have never heard before (even though I have been imagining the emergence of something similar for a long time). I hope this series will illuminate the thread that I think connects these artists, and will hopefully inspire other artists to join in and create their own Hyperglitch music. 

The first album in the series is Reason by Seskamol. It is an incredibly cinematic album that intercuts dissociative ambiences with harsh, fast and hyper-detailed percussive sections. Seskamol’s understanding of rhythm and percussion seems to have moved past the need for any groove or pulse, but instead of using the pallets of electro-acoustic music, or breakcore, he mangles the two with new and more refined techniques. Similar to the raw expressions of noise music or blast beats, but reinventing them through the drum programming of breakcore with modern sound design. The result is what I imagine it would be like to wake up in a post apocalyptic wasteland, an eerie calm and then the blasts of music from an aggressive and violent time before the collapse bombarding you from a radio passing through stations, or the blasting stereo system of a renegade gang vehicle passing you. The album oscillates through feelings of desperate anger and the disabling apathy of a particularly strong depression. By passing through it with Seskamol, we know we aren’t alone. 

- Woulg ( www.woulg.com )
-------------------------------------------------------------------------------------------------
seskamol - destiny - [audio.visual.music.video.] - [2020] 
4K - youtu.be/rTgDlQe1_NM 

www.seskamol.com 
soundcloud.com/seskamol/ 
youtube.com/seskamol/ 
instagram.com/seskamol/ 
vimeo.com/seskamol/ 
patreon.com/seskamol/ 

www.glitch.cool

Unsuccessful

semaphore

nightbloom

Out now!!! on Concrete Collage on Cassette and Digital!
https://fxbip.bandcamp.com/album/choke-2

released February 24, 2021

Music and artwork by fxbip
Mastering by Julien "Stazma" Guillot at Electric Voyage Studio
Cassette layout by Ohmwerk

semaphore

void signal

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