FRANKIE J - The Red Dread House Head - 2

welcome to my new space ship!
HOUSE MUSIC IS BEAUTIFULLLLL
here are my selection for dancers ... music lovers.... enjoy your trip ....

never feel enough to thank to these amazing prodocers ....

1. KB, C.Lab, Audiology - Nkamogele (Original Mix) 
2. China Charmeleon - Umshado (Original Mix) 
3. Cuebur, Vikter Duplaix - I See You 
4 .Ron Trent - Downtown Muse 
5. Kassian, Laroye - Apollo feat. Laroye (Original Mix) 
5. Joey Anderson - Opened Gate 
6 .Hallex M - Natural Feat. Barbie Mak 
7 .Reggie Dokes - Moments In Blackness 
8. Fred Everything - Good Morning 
9 .Rocco Rodamaal - P3 Jazz (Peacey's Down Town Dub) 一
10. Guinu - Eletromandinga (Diogo Strausz Remix) 
11. Russell Taylor, Zepherin Saint - Come Morning (Zepherin Saint Tribe Vocal Mix)
12. Reggie Dokes - Over 
13. Reel People, Mica Paris, Laroye - I Want To Thank You (Laroye Remix)
14. Waajeed -  Lift Me Up 
15 .Lazarusman, Nutty Nys - Here We Are (Nutty Nys Remix)

# deep house

Deep Sound River 2 ║ Opened Gate to Blackness ║2022.11.17 house mix

A1.Thee Analysis-Joey Anderson

bandcamp: https://sohaso.bandcamp.com/album/nacreous
clone: https://clone.nl/item75664.html

https://soundcloud.com/shoall - Nacreous (NOWHERE05)

12“ Vinyl / Digital (10-05-2024)
Artwork by Bas Dobbelaer
Worldwide distribution: Clone

Deep, trippy and hypnotic. That pretty much sums up the new Nacreous-EP by Shoal on the Dutch imprint NOWHERE. The title refers to a certain glow or color that mother-of-pearl radiates. Shoal is the alter ego of Utrecht-resident Kenny Dean Kneefel. When you have a name that sounds like a famous stuntman, you are probably prepared to take more risks.

And indeed that's exactly what this producer from the lowlands does on Nacreous. Shoal's four track EP combines hallucinant grooves with delicate sound design. Like on Bygone Drums, where ominous distant sounds from a nearby factory creep between the shadows. The same can be said of the title track, a tribalistic tune with a delicate dark undertone.

Never Endings is more uplifting, with its dubbed out basslines and crispy hi-hats. Dubtechno that reminds us of both Monolake and Fluxion. Closing track Morning Float is indeed that, a trip in a blue tank filled with warm water, where you are comforted by beautiful strings and sounds of nature.

Shoal - Nacreous

Shoal - Bygone Drums

New SEMANTICA Compilation is about to bright and reflect on already well known directions explored by Svreca’s imprint. Despite the label efforts to hide from any sonic etiquette, still existing a core which will be the SEMANTICA sound identity for a time. 'Iridescent' twist and modulate this heritage which moves gradually from ambient / electronics to techno and set the release directly to S++ category into the SEMANTICA catalogue.

Vera Logdanidi - Euphoria

Standing on the mountainside you can see the entire landscape. Shaded gullies in the valley, branches moving with the wind and in the distance lines converging with the vault, the clouds stacked high and pierced by beams of light. Intricate details can be found when you stop for a moment and be still. Mirrors face one another, an infinite world.

Heatwave, the new record from Melbourne duo OK EG, is an exploration of techno’s deepest layers. Tracks like “Radial” pulse with bass-heavy grooves, while “Heatwave” melts into lysergic bliss—each sound folding in on itself, revealing new dimensions. Mirrored by the mind bending artwork, Heatwave is a trip through refracted techno at it’s most intricate.

Written & Produced by https://soundcloud.com/okegmusic
Mastered by Stefan Betke at Scape Mastering
Pressed at AFG Record Manufacturing
Distributed by Ready Made Distribution
Label Curation & Artwork Design by Jacopo Severitano aka https://soundcloud.com/severja

Heawave

Heatwave

Buy 12"

OK EG - Inversion

Invisible Switch

Nabta Playa

.VRIL’s first EP for Kynant Records explores his trademark style of euphoric dub techno, whilst also diving deeper with spoken-word pieces in collaboration with two critical thinkers in the world of soundsystem culture and experimental music: Edward George and Isis Semaj-Hall AKA Riddim Writer. Acclaimed Dutch techno artist Steve Rachmad also dons his Parallel 9 alias for a remix. 

Written & Produced by .VRIL
Additional Production on B2 by Steve Rachmad
Vocals on A3 by Edward George
Vocals on B3 by Isis Semaj-Hall
Artwork by Irakli Kedia, Layout by Grant Gibson 
Distributed by N.E.W.S

A1 VRIL - Crystal Cell Energy

Pensa Poetico

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club's Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play. Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals. 
 
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub-infused UK garage house track anyone in the world can easily describe in the course of a second.
 
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk. 
 
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo's sets in the club.
 
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to "The Prince of Techno" Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
 
The 12" was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12" format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.

LNS & DJ Sotofett - Gearbox

Atomic moog - U GOT IT

On June 27, 2025, a long-dormant signal reactivates from Hamburg's hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.

Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn't invoked through distortion alone, but through method; in the album's breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).

Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro's danceability, acid house's corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.

In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants "things to fit together properly, but on another level, I really want them to make sense together." That principle animates R4: The album's form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.

From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it's clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.

Every Cloud Collision

Voiski

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