Berlin - live 12 July 2023

Berlin's very own Marie Midori delivers an enchanting soundscape to welcome the new Warming season. 

Being an active member of the Berlin-scene since 2014, the local talent is known for her versatile and creative cross genre style. With this mix she takes us on a journey through atmospheric soundscapes and melodies full of warmth.

Follow @mariemidori

Warming S05E01 Marie Midori

This week REEF resident ESPOSITO steps up in our Rhythmic Culture podcast, delivering an excellent warm-up for their event at Berghain this weekend. Not only is he the production manager and mastering engineer of Darwin's SPE:C label, he also released his record 'Framing Void' on that same label in 2022. His style crosses a range of sounds from his infamous atmospheric, tension building, ambient warm-ups to subwoofer wrecking bass and techno sets on the main floor. 

Over the course of 60-minutes we get treated with a fresh sound for anyone wanting to dip into the dub and bass side of the universe, as he slowly weaves his way from half tempo heavyweight sounds into thrilling drum 'n bass. Don't forget to catch him at the REEF party this Friday.

@esposito-2834

RC:135 ESPOSITO

VOITAX MIX 078 | ACIDFINKY

trading sections back'n'forth for 2hrs with @sunnysibar on @refugeworldwide.

Privacy Radio feat. Sansibar - Refuge Worldwide - November 7 2023

- Recorded live at ://about blank in August 2023 -

Philipp Otterbach has been a pillar of Warning's creative development. While our friendship goes back to before the project even started, he has been shaping the sound of Warning as a resident since day one. 

He was regularly be relied upon to set the vibe at opening slots or to twist the remaining brain cells of lucky ravers at late hours. Those who are familiar with his catalogue of productions are well aware of the deepnees and multi-layered emotions he provokes as an artist. 

BUT for our last party at ://about blank we decided to unleash another side of the Otter. Surprising to some, but hypnotising the masses in the main room at peak time was something that sounded as natural as the delicate mind trips he provides on other occasions. Full throttle on the Otterbahn with a wild selection of psychedelic techno, electro and trance, he mixed a captivating two and a half hour high energy journey, which we are happy to present to you in its preserved form as the 105th Warning mix.

Follow
https://soundcloud.com/philipp-otterbach

Warning #105 Philipp Otterbach

Recording of NVST's set at Dekmantel Selectors 2023.

TASCAM DR-40

NVST at Dekmantel Selectors 2023

Copenhagen's posterboy @kaspermarott closing set of Kune Festival, a 5 day affair, on a moody, rainy, but beautifully euphoric morning on an island off Copenhagen last July. (This is an excerpt, the set went for 5+ hours.. endless joy).

<3

ani/live Thirty Four: Kasper Marott @ Kune Festival, DK

@dj_samwise

For extended Q&A... please visit our website ----> pipipi.life <----

Introduce yourself? Pronouns? Where do you currently reside? 

Hi! My name is Sam aka Samwise. I’m a selector/DJ, A&R, curator, promoter, and eternal raver. My pronouns are He/Him. I’m currently based in Los Angeles, but spend a considerable amount of time in London as well.

Describe your DJ set up in full detail?

My home setup consists of 2x Technics 1200 MKII turntables (internally grounded) as I like to have the freedom to play both vinyl and digital records, an Allen & Heath XONE 92 mixer (sorry to my V10 bbs but team XONE 100p), and 2x Pioneer XDJ-700 cdjs (I prefer having older CDJs for my home setup because they do nothing for you (technically speaking) and force you to play by ear. Ideal for practicing + warm ups.

3 adjectives that start with the same letter to describe your vibe?

Serendipitous
Sanguine
Sassy

Favorite movie and why? 

Darron Aronofsky’s Requiem for a Dream. I love bold, esoteric, analytical films with a dark and preferably psychological tinge. Aronofsky is the best of the best at this in my view, and this film remains his most poignant work. 


Listen to the moment at 45 min mark in your PI mix… describe how it makes you feel? 

This moment makes me feel solid, rooted, and hopeful. For me, recording mixes is a cathartic and therapeutic process that largely reflects an experience that I’ve gone through. This particular mix is really important to me on a personal level because I recorded it shortly after I uncovered a deeply rooted childhood trauma. The progression of the mix echoes the process of integrating this trauma into my life – in other words, realizing the way this has informed my way of living/behaving and how to move forward with the knowledge that it happened. The 45 min mark is the point at which I am able to shift away from being introspective and somber, and towards a newfound ability to be hopeful and rooted again.

What would you like to see in the future for the dance community? 

I’d love to see more musical diversity and openness from DJs, promoters, and attendees alike. I think we made a lot of progress breaking down musical boundaries post-Covid, but we still have a long way towards destroying musical pretentiousness. Dance music is about connection and togetherness in all forms, period!

Samwise - -247˚

Rinse FM Podcast

Fever AM with Mor Elian & Rhyw - 23 December 2023

Rinse France Podcast

Hewan Aman Dub Delights VI - 04 Janvier 2024

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VOITAX MIX 078 | ACIDFINKY

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