Name: Yo bailo by Vojnici olovnih nogu
Duration: 4 min 51 s
Description: Tatjana Garin Borović (glas), Željko Serdarević (instrumenti). Snimka glasa: Tomislav Unušić.

TUŽNE UŠI (1983.) - snimljeno u 24-kanalnom studiju Nenada Vilovića u Splitu u postavi:

Dinko Fazinić (glas), Saša Kesić (gitare, gitarski synth), Mladen Đikić (casio), Dalibor Kuzmanić (bubnjevi), Ivo Šiškov (bass), Željko Serdarević (orgulje).

TUŽNE UŠI Ti me uči (remastered)

TOP TEN

My Sex

Elektricni Orgazam - Elektricni Orgazam

Tatjana Garin Borović (glas), Željko Serdarević (instrumenti). Snimka glasa: Tomislav Unušić.

Yo bailo

Printer

The Human League - Being Boiled

Zvuk i Vizija

Element 80

DEEWEE032 
Listen to the new single 'Retrogrado' from Phillipi & Rodrigo
Pre-order the LP on vinyl or download here: https://awal.lnk.to/PacienciaAlbum

‘Paciencia’ is the Brazilian duo’s 9-track debut album, recorded, produced and mixed at Studio DEEWEE. Boasting songs about the cosmos, relationships, nostalgia and signs of the Zodiac. The longplayer follows Phillipi & Rodrigo’s single of the same name; released in November 2018 and will be available from 22nd February on all formats. 

Described by David and Stephen as sounding “like Stereolab in 2019 singing in Portuguese while a Batucada band performs at a Brazilian beach techno party”, ‘Paciencia’ (album) begins with ‘Magnetico’, a languid, dubby start, that opens proceedings before the upbeat, organ-heavy psychedelic pop of ‘Retrogrado’ (the new single). The melancholic ‘Minas’ (complete with beautiful piano, strings, and birdsong), is the first straight dance cut on the album, a torch song, sung, like the rest of the album, in Portuguese. 

Previous single, ‘Mantra’, is included as a digital exclusive, as is the equally acclaimed ‘Karma’. ‘Barberella’ and ‘Rotina’ show the depth and width to Phillipi & Rodrigo’s sound, before the album shifts gear with the slow techno groove of ‘Face’, and ‘Paciencia’ (single) closes the album with 5 minutes of hynoptic brilliance. 

Recorded, produced and mixed at DEEWEE
Art Direction: Ill-Studio.

Follow Phillipi & Rodrigo
IG: https://www.instagram.com/phillipiandrodrigo/
SP: https://open.spotify.com/artist/6XaCe40GiIt7ujxQvfmvsp?si=C_uxofBvRuWstlhTgh6JdA

Paciencia

Retrogrado

PRE-ORDER 12"+DIGI LP

PHILLIPI & RODRGO 'RETROGRADO' DEEWEE032

DOWNLOAD
https://this-is-the-bridge.bandcamp.com/album/lost-without-a-trace

Music and lyrics: Richard Anderson. 
Vocals, additional remix and production: Iv/An
Artwork: Nieuw NDG (adapted from 'The New Brutalism, Part Two')

The original track, 'Lost Without a Trace', can be found on 'The New Brutalism, Part Two' available here:
https://this-is-the-bridge.bandcamp.com/album/the-new-brutalism-part-two

Lost Without a Trace (Reconstruction)

Prvo Lice Množine / JRK

Iv/An - J.R.K.

SOFT RIOT "CHIN UP"
Release date : 27 April 2020
Digital / CD / Cassette
(This playlist is a selection of tracks from the album)

UP UNTIL THE RELEASE DATE OF 27 APRIL 2020 YOU CAN BUY THE DIGITAL VERSION OF THIS ALBUM FOR ONLY £1.00 at https://softriot.bandcamp.com/album/chin-up

Chin Up is the eighth album by Soft Riot and a unique one in the Glasgow-based Canadian artist's catalogue. Written mostly at the same time along with the material pressed onto his latest album, When Push Comes To Shove (Possession Records, Nov 2019) — it’s a very different sound, tying in more on a different trajectory of the artist’s output that includes 2014’s soundtrack styled album Some More Terror or even Soft Riot’s initial release, 2011’s No Longer Stranger.

Chin Up contains 11 tracks of what might be loosely described as “ambient synth pop” with a running time of almost an hour. It is in a way a mirror release to When Push Comes To Shove as both records share the same approach to composition, sound design and production techniques but with different results. When Push Comes To Shove, being a milepost in Soft Riot’s main timeline of experimental, auteur synth pop, provides the extrovert side of JJD’s artistic output — an active listen that sounds suitable in a club or other energetic environment. Chin Up is a reflective mirror to these qualities; being the darker introvert counterpart, in a more sporadic, alternative timeline — a passive listen more suitable for the depths of the night after the everything has closed, alone in your apartment.

It’s a very personal release, written in the late night hours as an escape from the trappings of things like culture, scenes, political calamity, information overload, existential dread and the confines of what is considered synthesizer pop music. Its genesis is rooted in a feeling of endless grey malaise, especially in the record’s long and labyrinthine feel — but then taking that initial idea and expanding its colour. There’s a fine balance that’s carefully engineered throughout the record; a balance between creeping dead, melancholy and a sense of finding a moment to rest and internal resolve.

The result is a record full of large cavernous spaces where all of the instruments are placed with careful distance in that space. It’s synth pop shifted into new bearings, where styles of ambience, drone and soundtrack-influenced ideas make themselves the foremost presence.

"It's a chance to rest, reflect and to let my mind wander into spaces devoid of people. To me it’s a very emotional record, although in way that only some people will get."

Much like Chin Up’s partner album, When Push Comes To Shove, Soft Riot carries on his concept of déjà vu, inserting purposefully places music and lyrical objects with the tracks that have been used before.

Further vocal contributions come from Croatian synthpop artist Iv/An (Tonn Recordings) as well as Adam Usi, from Augsburg DE (Young & Cold Records).

Yo bailo

Vojnici olovnih nogu

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