Nerves is the solo debut by Tesk and the first release on Ana Ott. It will be published on December 2.

www.anaott.com

After early – mostly improvised – recording work between Drone and Free Jazz (among others also with Sören Sörensen and Panzerdivision Copacabana), Tesk is the new solo debut of Edis Ludwig. This sounds like abstract ambient, it sounds like noise, and live it turns into a rhythmic world rich of pictorial language.

Tesk - Nerves (Tape Preview Side A)

This track is part of the 12" album 'Libido".

www.anaott.bandcamp.com

Blemishes are Thomas Lumley (tenor sax, Leeds), Constantin Herzog (contrabass) and Niklas Wandt (percussion), as well as Nicola Hein (guitar) from Cologne. The result of these four musicians’ encounter — outside their regular navigation of the relatively safe waters of new Music — is always an energetic explosion of fragmentary interlacings, an apparent chaos of improvisation, which has already been recorded on a studio LP.

Blemishes - How Does It Feel Now That Love Is Within You

The LP 'Code 17 Abstraction' will be released on October 17th via Ana Ott on 12" vinyl.
This is a foretaste.

Video made by artists Daria Jelonek and Julia Schwarz.

www.anaott.com

www.dariajelonek.com
www.julia-schwarz.tumblr.com

LP Preorder:
www.anaott.bandcamp.com/album/code-17-abstraction

Michael Valentine West - Kim M.

Blutiger Jupiter - Europa

Blutiger Jupiter paaren Free Jazz, Kraut und Noise zu einem psychedelischen Sound, der weder Zerfallserscheinungen noch kosmische Momente scheut und sich auch wenig Mühe gibt, stubenrein daherzukommen.

www.blutigerjupiter.wordpress.com
www.anaott.de

Blutiger Jupiter - 4th Movement

Between Blue and summer fruits, from fragility to ecstasy: Feigen Feigen is the third album by Léonore Boulanger. It is released on September 12 on Ana Ott (vinyl) and Le Saule (CD).

Feigen Feigen

Léonore Boulanger - Le Signal

In cooperation with SHINY TOYS Festival 2016, we are released FORM FOAM by Sculpture, the opto-musical agglomerate made up of Dan Hayhurst (music), and Reuben Sutherland (animation).

Buy: www.anaott.bandcamp.com

FORM FOAM isn’t only a record with music on it, it’s also a movie on your turntable. It’s simple: To see the video content, direct a bright lamp at the record as it plays and then film the surface of the record as it spins. The camera will need to shoot progressively at a very high shutter speed with a frame rate of 25fps. Alternatively, view the disc under a strobe flashing 25 times per second.

This makes listening to FORM FOAM on headphones something like watching a 3D movie without the glasses on. But even without Sutherland’s visual input, the record has an immersive feel. Their performances are an amalgam of electronic music, kinetic art, comic strips, abstract animation, audiovisual cut-ups – a mix of analog and digital practices – tape manipulation, samples, found sounds, aleatoric and algorithmic programming and live improvisation. Dan plays media devices and electronic instruments. Reuben plays video zoetrope turntable.

Form Foam EP

Sculpture - Craft

In cooperation with SHINY TOYS Festival 2016, we released FORM FOAM by Sculpture, the opto-musical agglomerate made up of Dan Hayhurst (music), and Reuben Sutherland (animation).

Buy: www.anaott.bandcamp.com

FORM FOAM isn’t only a record with music on it, it’s also a movie on your turntable. It’s simple: To see the video content, direct a bright lamp at the record as it plays and then film the surface of the record as it spins. The camera will need to shoot progressively at a very high shutter speed with a frame rate of 25fps. Alternatively, view the disc under a strobe flashing 25 times per second.

This makes listening to FORM FOAM on headphones something like watching a 3D movie without the glasses on. But even without Sutherland’s visual input, the record has an immersive feel. Their performances are an amalgam of electronic music, kinetic art, comic strips, abstract animation, audiovisual cut-ups – a mix of analog and digital practices – tape manipulation, samples, found sounds, aleatoric and algorithmic programming and live improvisation. Dan plays media devices and electronic instruments. Reuben plays video zoetrope turntable.

Sculpture - Artefact Recovery Team

Available on cassette and digital at www.anaott.bandcamp.com.

The modular synthesizer offers an inexhaustible variety of possible interconnections. Amongst gate and trigger, inbetween 0 and 5 volt, Kai Niggemann and Nils Quak did experiment with their instruments in may 2016 at Makroscope. This recording is a documentation of their individual approach to the modular sound. Kai played his Buchla 200e Electric Music Box, while Nils utilized a Eurorack Modular System, a Ciat Lonbarde Plumbutter as well as Native Instruments Reaktor. Kai Niggemann performed first, followed by Nils Quaks concert.

The artwork of the tape incorporates copy art by Gabriele Klages that arose from the Makroscope. The Makroscope in Mülheim an der Ruhr is a multidisciplinary hub for art and technology, as well as Ana Ott’s yearslong main venue for leftfield music.

Ein Abend am modularen Synthesizer: Kai Niggemann (excerpt)

Ein Abend am modularen Synthesizer: Nils Quak (excerpt)

Hot Sun

I did a cover version of Arthur's "That's Us" without the "Wild Combination" part.
This section of the whole thing displays one of my favorite melodies from Arthur.

free download enabled

Lyrics:

that's us before we got there
that's morning time, before we got there
that's you, me, on self-timer
we're leaving at five in the morning
we could get better mileage
that's you in the pool, swimming
what a winner, you peek out

That's Us (written by Arthur Russell)

Vomit Heat // Ωracles // Transport // Skuffface // GRAS // Nasssau // Open Ticket

That's Us (written by Arthur Russell)

Vomit Heat

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ARTHUR'S LANDING

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