Aquest mix és jalea real, et desitjo el millor

Live Dj set by @youngneska @ Dublab.es Session X Prinzedom - 01.05.21

Design by Miguel Carbajal

Neska @ Dublab Sessions X Prinzedom

Hice esta tape durante la cuarentena de 10 días por dar positivo en Covid. Cada canción está hecha en un día y está en orden de creación.

La portada está hecha a partir de una foto que hice con mi olympus mju-II (ahora rota :c) y un edit del logo de Cobi, la mascota de los JJOO de Barcelona '92.

Prod, mix y master: JUAN

Tot Al Seu Lloc

Robert Fränzel (Sopran Sax) Alaa Zouiten (Oud) . Paninski Productions Feb. 2014 Germany.

Manhã de Carnaval by Luis Bonfa

Out Now: 
https://orcd.co/CRMLP051B
https://orcd.co/CRMLP051 (Album)

Tibi Dabo drops his new single ‘Triple Frontier’ as he builds towards his much anticipated new album ‘Vista’  on Crosstown Rebels this September.  

Hailing from Barcelona but featuring as a globally touring artist within both electronic and non-electronic realms, Crosstown  Rebels favourite Tibi Dabo’s deep and wide-reaching sound palette sees the Spaniard sound palette reveal a collection of  gems spanning genres and styles. His longstanding passion for the electronic world is often supplemented by unorthodox and  obscure influences which see him journey deeper than most - something that was on show with the first snippet from his  forthcoming LP on recent single, ‘Licht’. Building upon that base and showcasing another side to his diverse sound, late July  brings the second single from the project as he reveals the tantalising sonics of ‘Triple Frontier’.  

“In the space where frontiers meet, Unrestrained, children play with boundless beat. Rules take flight, joy ignites. An ode to the kid’s table at the dinner” - Tibi Dabo.  

Offering up stylish, dynamic and direct house music, with pacy drums racing you along on a melodically rich bassline, ‘Triple  Frontier’ fuses balmy pads that swirl around you like a warm solar breeze with a futuristic sound world rich in neon colour and  effortlessly captivating grooves.

Tibi Dabo - Triple Frontier

The Attic Trax EP

Buy on Bandcamp

Serotone

Yay podcast #049 - Avos

MIX 1.0 - VONVON@VOL - FADOXNIXI

Tracklist:

Black Mighty Orchestra ~ Ocean Beach (Cybophonia Cinematic Remix)
9 Lazy 9 ~ Black Jesus
The Daniel Pemberton TV Orchestra ~ Pacific Drift
Tropical Rainstorm ~ Flying Bird
Cinematic Orchestra ~ Burn Out
40 Thieves ~ Yamobeecha
Francis Inferno Orchestra ~ Amber Express
D. Tiffany ~ Blue Dream
Eddie C ~ Now More Than Ever
DJ Slyngshot ~ Battlecat
Andrés ~ New For U
Metro Area ~ Miura

Sueño de una noche de verano

from the archives:

this was one for the books, our friend Tiago Walter invited Lorenzo & I to play at Silbergold (Frankfurt) in addition of our tour around Europe '19/'20..

Cozy spot, Funktion One sound..

here is the full recording of the whole night

2020

Pablo Romero, Tiago Walter, Lorenzo Slider live @ Silbergold (Frankfurt, Germany)

In his debut album Phil Evans is taking you on a ride over the S-Mile with 8 bouncy endorphine infused cuts brushing off that Highway to Hell sh**. 
Turn that frown upside down and Ssss-mile !

S-miling activates the release of neuropeptides that work toward fighting off stress. Neuropeptides are tiny molecules that allow neurons to communicate. They facilitate messaging to the whole body when we are happy, sad, angry, depressed, or excited. The feel-good neurotransmitters - dopamine, endorphins and serotonin - are all released when a s-mile flashes across your face as well. This not only relaxes your body, but it can also lower your heart rate and blood pressure. S-MILE!

PAGERLP01 - Phil Evans - S-Mile LP

a1 - 1 long sip
a2 - cloudy head
b1 - dat ting
b2 - keep it reel
c1 - skippy toes
c2 - tek cheez
d1 - s-mile
d2 - n8 ride

Release: April 2021
Cat No.: PAGERLP01
Format: 2x12" & Bandcamp
Distribution by Subwax

Mastered by Lopazz 
All rights reserved by Pager Records

Artwork by Martin Pierre Taylor
www.martin-taylor.com/

Offenbach | Germany 2021
info@pagerrecords.com

PAGERLP01 - Phil Evans - S-Mile

Release date : April 2021

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SAISEI is a Japanese label founded and curated by Junki Inoue. Known as an avid record enthusiast and for his impeccable dj sets, Junki Inoue brings a very carefully curated, idealised and conceptualised platform that marries his native Japan and his current London-base.

SAISEI is a Japanese word which means ‘reproduction’ and ‘to play’ (as in playing records).
Japanese culture is widely known for being traditional as much as it is known for being forward into the future and this label’s concept makes justice to exactly that. Having started to dig records as early as 16, Inoue delved into productions from 1990s Japan to feature native gems previously unreleased on vinyl. The idea is to recapture and reintroduce unique pieces of Japanese electronic music on a new (old) medium which is vinyl and, to an audience it never reached before as most of this music was only released in Japan.

As with most things Japanese, they are generally ahead of their time, in this case, it means this is music sounding so fresh now as it did when it came out, one that survived the test of time to, 30 years later, prove the true meaning of timeless, sublime, elegant and sophisticated music. With that said, it is no surprise this label will not limit itself to necessarily functional club music but way beyond.

The first EP on the label is by artists KINO-MODERNO formed by Dat Planet and Wah Wah Fuzzmaster and distributed by Berlin’s ‘Off the Grid’. This extraordinary acid house & techno music of Kino-Moderno that was originally created with the assistance of a powerful sound treatment of a 3D recording system called BMC that makes it sound so refreshingly retro-future but with an undoubtedly 2021 twist when listening to it. While incorporating a binaural recording technique via dummy head and given an improvised digital remix treatment via a classic synthesizer, Synclavia 2, you can enjoy these powerfully penetrating tracks that sought a 3D audio, trip-like feel throughout.

Kino-Moderno was experimenting very early on with emerging, different recording ideas such as rapping, poetry-reading and synthetic voicing. Their use of a 3D recording system called BMC added to the sound carrying over to today, paired with binaural recording technique via dummy head and an improvised digital remix treatment via the classic Synclavia 2 synthesizer. The album which featured ‘Into the Future’ and ‘The Glove’ was quite experimental in its time but very danceable as well.

Original release on VHS:
https://youtu.be/ukre8NXkw04
https://youtu.be/hXKwc-UmI7g

MIX 1.0 - VONVON@VOL - FADOXNIXI

VONVON

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