Circuitery 3.0

Youtube: www.youtube.com/@enfinnoir
Instagram: www.instagram.com/enfinnoir
Bandcamp: www.enfinnoir.bandcamp.com


Tiens-moi, hé.
tiens-moi!

Le lendemain,
tiens ma main,
je te tiens.

Tiens-moi, hé!
Tiens-moi, hé!

C’est la fin,
tu sais bien,
tiens-moi,
tiens moi!

Tiens-moi!
Hé.

Fait moi un café,
je vais te baiser,
je vais t`écouter et …
c’est passé, hé.

Tiens-moi,  
tiens moi,
tiens-moi,
hé!

Tiens-moi!

Intérieur vers l'extérieur,
drôle d’histoire,
qu’es qu’on a rigolé !
Tiens-moi,
tiens moi!

Certitudes et promesses,
processus ridicule,
allons rire et …
tout est passé!

Tiens-moi!

Tiens moi [04-2021]

https://ohmresistance.bandcamp.com/album/distortion

30K OHM April 16, 2021
Kool Keith + Scorn + Submerged - Distortion
12", Digital

Mixed by MJ Harris in the Lad’s Old Room B14
Vocals by Kool Keith Recorded at Studio G Brooklyn
Vocals Engineered by Tony Maimone, Assisted by Ross Colombo
Bass Guitar by Submerged at Blue Site I, Saaremaa
Mastered by Daniele Antezza for Dadub Mastering Studio
Artwork by Sagana Squale, Layout by Machine™

Distortion

Distortion - Scorn Remix

@user-935550296

https://open.spotify.com/track/5zTM7kELJ8cRPbTFantVMp?si=aed0d498c13f47f9

what2say (listen to timelines!)

World has slowed down. 
Hidden beneath a skin of fear.

All Silver was created during the first days of the Corona shutdown.
Made with passion and modular synths.

Sound and artwork by Thomas Breuer

All Silver

all silver

This piece plays with the listener’s sonic expectations of what is familiar by fusing sounds, which a person can easily recognize, with new previously unheard sounds generated by algorithmic processing. By using various sounds and sonic artifacts that are common to the human experience, the work directs the listener to draw upon his inner visual associations with specific sounds and paint a mental soundscape of the acoustic experience. The introduction of other, unfamiliar processed sounds into the composition, invites the listener to break away from this familiar associative chain of acoustic phenomena and push the boundaries of his perception, in the process forming new sonic combinations and auditory experiences.
The musical piece was fully recorded and compiled in the Tonshoom Studio in April 2020. Some sounds were recorded using musical instruments, sound props, and speech; others were synthesized with SuperCollider. The final track was mixed down in Pro Tools and WFSCollider.

03. hybrid by Ivan Yerofeyev

Elektronenvolt

A live jam. Guitar & beats.

Pictured: National Theatre, Southbank Centre, London Borough of Southwark, ca. 2012

Enjoy!

Width (Narrowed Version)

Download

Error

Video:
https://www.youtube.com/watch?v=7-dFW5QDmIM

VT012

803erlei

My track for the 4th annual Darksiders Playlist. I am very pleased to be part of the new Halloween Playlist. Many thanks for the great creativity of all Darksiders, guests and Mood Exhibit for providing it. Cheers for checking this out - all listeners.

More on this 463rd weekly Disquiet Junto project, Making the Gradient (The Assignment: Make a piece of music inspired by the concept of a gradient), at:

https://disquiet.com/0463/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0463-making-the-gradient/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

fading lather

halF gradienT [disquiet0463]

Transcend

Recurrence

Dusk at El-Mo’alla

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Transcend

Von Rausch

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