Vortex Count - Quoda Vhe

 MICROMODULE EP // VORTEX COUNT. 

you can get it for free download on:

http://www.sevenmoonsmusic.com/#!ref7m005-micromodule/c1yor

vortex count - micromodule Ep [7M_005] [excerpt]

album link > https://polygonnetwork.bandcamp.com/album/vortex-count-exposure-polygon-network-nw0017

02. vortex count - bheelhee | exposure | polygon network [NW0017]

A tribute to the director João César Monteiro, who in an interview carried out in 2000 uses the term 'Photophobia', as a possible explanation for his film Snow White.

After all, the fear of images may prompt us to explore other senses. The search for sound can take the place of the aversion to colors and create a new reality.

Produced, mixed and mastered by ZZY/MIASMA Studio
Artwork by José Veiga

Hardware gear used: Dave Smith Prophet Rev 2; Lyra-8; Elektron Analog Rytm MK2; Erica Synths LXR-02; Eurorack Modular System (Mutable Instruments Plaits, Mutable Instruments Beads, Mutable Instruments Tides, Befaco Synth Muxlicer, Joranalogue Contour 1, Malekko Varigate 4+).

Available for purchase on https://zzyprod.bandcamp.com/album/photophobia

In The Void

https://polygonnetwork.bandcamp.com/album/vortex-count-mensula-polygon-network-nw0025

02. vortex count - mensula | mensula | polygon network [NW0025]

01. vortex count - parallel | mensula | polygon network [NW0025]

Every day this month, for three minutes before midnight, some of the giant electronic billboards in Times Square flicker violently in rectangular sequences of black and white. This is not a glitch. It's test pattern [times square], an electronic piece by Paris-based Japanese artist Ryoji Ikeda, reworked for 47 screens across five blocks of one of the most iconic and irritating places in the world. This is the soundtrack that was played on October 16 as part of the installation.

Ryoji Ikeda - test pattern [times square]

Ryoji Ikeda - data.superhelix

Ryoji Ikeda  - Data.Vertex

Aural Research - Ishwara
1 - △
2 - ◎
3 - ●
4 - ● (Khymeia Remix)

Ishwara

Aural Research - Ishwara

Second Woman is the collaborative project featuring Turk Dietrich of Belong and Joshua Eustis of Telefon Tel Aviv. 

Josh and Turk have been friends for over 17 years, having met in New Orleans in the late ’90s through mutual friend and future collaborator, Charlie Cooper. The duo have been working on music together on and off since that time.

The concept of Second Woman began with the idea of taking tropes from footwork, dub, house, and techno, and twisting these ideas into something kaleidoscopically liberated from the grid. 
Their work first materialized with two LP’s and an EP on John Elliott and Peter Rehberg’s Spectrum Spools. 

Second Woman tweak the perception of time and space within the audio field into something ASMR-inducing and ultimately satisfying to listen to. Both Josh and Turk experience ASMR in response to certain rhythms and sounds, and effort was made to incorporate these triggers into the music, hopefully for other people to experience as well. 

With Instant / Apart, Second Woman present their complete signature sound as well as a new, more measured dimension to their work.

Instant / Apart

Second Woman - Instant I

available here > https://detund.bandcamp.com/album/plasmodesma

Plasmodesma (Pd) are units of co-axial membranous channels in the plant cell wall that in conjunction with associated phloem, form an intercellular communication network that supports the cell-to-cell and long-distance, providing a wide pathway spectrum of nutrients as endogenous proteins and complexes. The contribute of such macromolecules is of importance in the orchestration of non-cell autonomous developmental and physiological processes. 

In abstract terms, Plasmodesma represents an structure that allows the flow of different facts on each person daily life which provides essential nutrients, as hope, well being, sensation of peace an calmness .. esentially, parameters to convert negative situations into a positive situations, all under a dark threat context that life brings us on each moment. 

In Plasmodesma you will find mechanical rhythms, hypnotizing glitches and deep slow evolving textures, projected with a final purpose to represent the procedure. 

Dedicated to Jone and Eva [ plasmodesma 1 | 2 ]

vortex count - plasmodesma | detroit underground DU ™ [ detund CAT# DU-NTRL02  ] | [excerpt]

http://shop.raster-noton.net/?pid=275

with kuopio, we release the second full length album by vladislav delay aka sasu ripatti. the record features eight new songs which allow the listener to dive into delay’s cosmos of deep and likewise organic sounds. subtle yet complex electronic manipulations are used, resulting in a high degree of variation within every single track and a nearly imperceptible intensification of their density.

progressive and energetic rhythms play an important role as already indicated in his recent release espoo (r-n141), the EP which forms a bridge between his former album vantaa (r-n136) and kuopio, best illustrated by the track “kulkee”, meaning “to move forward”.

kuopio clearly represents a further attempt to depict the finnish landscape as well as its isolated charm, which is also obvious from its design and conceptional approach by referring to the city of kuopio.


vladislav delay. hitto (excerpt). taken from vladislav delay. kuopio

with RV8, the osaka-based producer and musician AOKI takamasa continues his long- term project that focuses on the modulation of rhythms and grooves. it began with his first ep ‚rhythm variations‘ in 2009, released as part three of the unun-series. besides his collaboration with raster-noton, he released records on several labels like commmons, progressive form and op.disc, produced remixes for well-known musicians like ryuichi sakamoto or yoshihiro hanno and played performances at, for example, elektra/montreal and club transmediale/ berlin, all in all making him a renowned producer in japan and beyond.

starting with a firework of bleeps and bops, already the very first minutes of his new record reveal aoki‘s preference for vibrating beats and likewise his playful approach to music, generating a sound that is aiming at the dance floor.

like the first ones, almost all tracks of the record are characterized by a constant modulation of chords and lines that sometimes appears somehow hyperactive, but nevertheless results in a natural flow that perfectly reflects AOKI‘s laid-back attitude combined with his will to produce danceable and funky music.

the fluent arrangement is only interrupted by the third track which forms a caesura by being more reduced and slower. in contrast to this, the following tracks present a faster tempo and an increased intensity; and whereas the first tracks reflect downbeat and r‘n‘b influences due to their broken beats and chunky sound, the later songs are characterized by a more sleek and technoid style, incorporating dribbling basses, clappy sounding snares and modulated voice snippets.

although all of the musical components are constantly broken down, modulated, and rearranged, the overall sound of the record is dense and compact, featuring a groove made up of numerous elements that are complexly intertwined. the eight tracks of the record fit seamlessly together and create a composition that nearly functions like a dj set.

the album was mastered by yoshinori sunahara. needless to say that RV8 will be released as cd and lp.

AOKI takamasa. rhythm variation 06 (excerpt). taken from AOKI takamasa. RV8

booking: polygonnetwork.media@gmail.com | vortexcount@gmail.com

vortex count - micromodule Ep [7M_005] [excerpt]

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