Trancey

Vortex Mix ✻ Solar Suite

Here's a short promo mix I did for my forthcoming gig at Manchester's Islington Mills with Craig Bratley. Should be a corker.

http://www.cowbellradio.co.uk/event/cowbell-presents-ewan-pearsoncraig-bratleywolfson-winterschinny/

here's a tracklisting:

1.  Holden "Renata" (Steve Moore remix)  [Border Community]
2.  Suitdancer "Wireworld"  [Tone Control]
3.  Black Body "The Ride"  [OCD Records]
4.  In Fields "Light Fingers"  [I'm a Cliché]
5.  Bob Moses "Winters Song"  [Scissor and Thread]
6.  Simplicity Is Beauty "Fragments 2"  [Wulfskull Ltd.]
7.  Stefan Z "Love Tonight"  [My Favourite Robot]
8.  Anaxander "My Aniseed Lollipop"  [Local Talk]
9.  Depeche Mode "Never Let Me Down" (Aggro Mix)  [Mute]

Islington Mills, Manchester October 4, Mini Mix

One the many treasures of the UK underground, Jane Fitz has long given her life to music and the sharing of all the many gems that she finds on her travels. And travel she does. Any selector centric festival, event or club night and there is a high chance that Jane has either played there, or is due to take her place on the stage. While her own musical output is sparse what she does share with the world is uniquely Jane Fitz, full of soul, meaning and backed by many years of experience. [continue reading at...https://trommelmusic.com/music/podcast/trommel-158-jane-fitz/]

Trommel.158 - Jane Fitz

Here’s Kantocast Kantocast021 blue Dietrich - “Sketches Of Latin America”

Changing the codes of electronic music, blue Dietrich is an alternative project driven by musician and sound engineer Felipe Paiva. From its conception in 2019, his unique way of producing electronic music has opened the doors to iconic independent labels like Bar25 and Café de Anatolia, as well as festivals like Burning Man and Chateau Perché.

*What pushed you towards music production? Where did the inspiration come from?
I’ve always had this inner need to express my creativity, and it could be in any domain. For me, music was the “tool” that was most adapted (it fits my geek side, it has a certain technicity for instrument learning, it has an incredible power on people), and so it was a perfect match to me. 
When producing, my inspiration comes from the music I hear around me, independently of the style. I actually don’t listen much to electronic music! Instead, I’m more into world music, rock,  jazz, pop, and then I feel the need of “changing” something, adding a certain flavor to something I’ve heard somewhere. What I love in electronic music is this DIY simplicity; you don’t need a full band, a studio and money, everything can be done with few things, and really quickly.

* Do you think music interconnects with culture? How does the environment you live in affect your music?
Music as an expression of culture. The harmonies, scales, instruments, rhythms, everything in music is materializing certain aspects of a culture. Maybe the composer / interpreter doesn’t even know it consciously, but it’s there.
For blue Dietrich, I try to make the people “travel” between different cultures and vibes. To be able to create a certain vibe with the audience, it is really important that I “deconstruct” the music I hear, so that I can “pick” different elements which I’ll then use to create the “flavours” of a certain culture and/or mood. In my point of view, the best way of doing this is to listen to music and travel, “live” things with my own eyes and ears, so that I can better “feel” things, capture them, and then add my “signature” elements, which keep an overall coherence of my work. 

* Do you get inspired by any other form of art?
Yes, mainly cinema. It helps a lot to “dive” into a vibe and get the music out of it.

* What makes a set a good one?
In my point of view, the capacity to take the audience into a trip, through different cultures and emotions. But this is a personal choice; sometimes people just want to dance to the beat and decompress…that’s fine for me too :)

* What’s the process you follow when bringing tunes together? Is it instinctive only or do you plan ahead?
I’ve been mainly playing only live sets since 2 years now, so I tend to compose music oriented to this. I let go of this constraint of making “songs”; I write music which are sometimes just interludes, or themes which are not even electronic music at all. 
Then the process of playing live to me is to define a “plot”, a “script” of where I’m going to take the public to. A “desert” vibe? A “latin” vibe? a “city nights” vibe? Then which moods, “ironic”, “playful”, “sensual”, etc. Once I have this in mind, the choice of the music to be used flows easily, and most of the time I compose some new music for each set, which I “test” to see how the public (and me!) feel it

* What would you like to say about your podcast?
(check the description in the comments!)

Kantocast 021: blue Dietrich - “Sketches Of Latin America”

INTERVIEW + MIX > https://inverted-audio.com/mix/sam-goku

Years on the rise, @samgoku distinctive style has attracted a strong following on the dancefloor. Much like his club deliveries, with IA MIX 378, he instils a playful extension to the imagination. Euphoric micro-rhythms dart through light and shadow territories, and dark ambience meets rays of spring yellow light, echoing his signature sound of tight basslines on glistening buoyant club jams.

IA MIX SERIES

READ

IA MIX 378 Sam Goku

Recording of Jane Fitz's set at Dekmantel Ten

Pre-register for Dekmantel Festival 2025 here: bit.ly/4fyWKXc

Jane Fitz at Dekmantel Ten

Next up on the GROOVE Podcast is Maayan Nidam (@maayan). For interview and track list, check bit.ly/MaaPod

GROOVE Podcast 442 – Maayan Nidam

Andrew Weatherall (1963-2020) was a highly influential British DJ, producer, and remixer, renowned for his eclectic taste and innovative approach to music. Emerging from the vibrant London music scene in the late 1980s, Weatherall became a pivotal figure in the development of the acid house and electronic music genres. He gained widespread recognition for his remix of the track "Loaded" by Primal Scream, which helped define the sound of the early '90s and contributed to the rise of the Madchester scene.

Weatherall's work was characterized by a unique blend of genres, seamlessly fusing elements of house, techno, rock, and post-punk. His productions often featured a raw, gritty aesthetic, reflecting his deep understanding of both the dancefloor and the underground music culture. As a DJ, he was known for his captivating sets that traversed a wide range of styles, captivating audiences with his ability to create a hypnotic atmosphere.

Beyond his work as a DJ and producer, Weatherall was also a respected label owner and a key figure in the independent music scene. His label, Rotters Golf Club, showcased a diverse array of artists and sounds, further cementing his legacy as a champion of innovative music.

Weatherall's impact on the music world is profound, and his contributions continue to resonate with artists and fans alike. His passing in 2020 was a significant loss to the music community, but his spirit and influence live on through his extensive body of work and the countless artists he inspired. 

As we publish this mix, it serves as a tribute to his enduring legacy and the inerasable mark he left on the world of music. Rest in peace!

Artist: @andrew-weatherall
Location: 10 Days Off, Ghent
Date: 27.07.2009

If you enjoy the content make sure to check out other work by the artist:
https://rottersgolfclub.com/
https://www.discogs.com/artist/2657-Andrew-Weatherall

Any content on this channel has been previously available online. If the artists or other copyright holders do not permit the upload, please email us at: shubinproject@gmail.com

Subscribe to our YouTube channel:
www.youtube.com/channel/UClaPJFaH2F6dl7iMd6N55ew

Andrew Weatherall - 10 Days Off, Ghent (27.07.2009)

2 hours in the lovely surroundings of Veniceberg club in Verona, kindly invited by Edwin Europe to celebrate the launch of their collaborative tshirt with the club.

Old tracks and some new tracks....It was a rowdy one!

2 HOURS IN VERONA - LUCA LOZANO

A predecessor to the esteemed Robert Johnson and a stepping stone for Panorama Bar’s very own nd_baumecker.

Founded by Playhouse masterminds Ata and the late Heiko M/S/O it was a Thursday club night that heavily featured house music as a prescription to the ongoing techno fever. Enamored with the US-American roots of it and all things deep, it not only presented the right records, but also their creators and protagonists. 

https://runningbackrecords.bandcamp.com/album/running-back-mastermix-wild-pitch-club-by-ata-nd-baumecker

https://runningbackrecords.bandcamp.com/merch/wild-pitch-club-white-t-shirt

https://runningbackrecords.bandcamp.com/merch/wild-pitch-club-long-sleeve-shirt-black

https://runningbackrecords.bandcamp.com/merch/wild-pitch-club-long-sleeve-shirt-green

Ata & ND Baumecker at Wild Pitch Club Feb 1997 pt2

Buy on Bandcamp

Red Richards - Kyoto's Angels

Sitar Trek

The Panorama Bar resident shows her chops.

RA.461 Tama Sumo

Soaring rhythms from a Panorama Bar resident.

@massimilianopagliara

Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=678

Resident Advisor podcast

RA.678 Massimiliano Pagliara

@mgmldrm & @nenaghnenagh
vortexmelbourne@gmail.com
✻✻✻✻✻

✻ art by Selena Repanis

Vortex Mix ✻ Solar Suite

Vortex

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