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Invisible Monsters

Beck - Think I'm In Love (Ray Mang Remix)

recorded live at Maida Vale studios for Zane Lowe BBC Radio 1

original version on WONDER WHERE WE LAND



NEW DORP NEW YORK with EZRA KOENIG - LIVE AT BBC MAIDA VALE

Comfort Fit - Lucifer  (Laurent Garnier remix) -Tokyodawn Rec

Maggot Brain - Funkadelic

A Record Store Day exclusive, Dark Jovian incorporates 2 single-sided heavyweight 180g white vinyl 12”s with etched markings, encased in a white, branded, rubber wheel and housed in a transparent plastic box. Designed by Alexander Brown http://brownboy.co.uk/. 

More info at http://found.ee/am-darkjovian

Dark Jovian

from the forthcoming G-Stone compilation "16 f***ing years"
out in May 2010
music by makossa & megablast
lyrics by hubert tubbs & megablast
percussion adds by Stephan Maass

LYRICS:

Changing my ways
Counting the days
I’m so messed up
Running a way
Starting to fade
Cuz I know the truth
Got me slipping

Back on the road
I didn’t know
Where the bus would stop
Out of control
How could I know
That I’d be with you

Wasting my time
Cheating and lying
I’m so screwed up
Losing my mind
Bitter, unkind
I’m black and blue
Just existing

Flying away
Nowhere to stay
No place too far
Into the sun
To overcome
I’m coming home
Where I belong 

Whoa
Whoa oh oh oh ho

Back on the scene
Loaded and clean
Already drunk
Angry and mad
Bitter and sad
I’m black and blue
Guess I’m slipping




The finest of girls
Had the whole world
I was on top
No place to run
I’ve come undone
Don’t know what to do 
Something’s missing

Breaking the rules
Playing it cool
It’s getting tough
Finding your way
Ain’t easy these days
And I’m here with you
Just existing

This trouble I’m in
Started with sins
There’s so much stuff
Didn’t think through
What I had to do
I blew my cool
Hope you’re listening

Whoa
Whoa oh oh oh ho


Makossa & Megablast - Coming Home feat. Hubert Tubbs

These three tracks are the reworked and mastered versions of the sketches I posted last summer and fall.  The label MakeMine from London is releasing them as a limited edition 7" vinyl in January 2012.  They will also appear on the upcoming full length record on the American label Temporary Residence this spring.  You can order the EP here, only 500 copies, hurry up, they'll go fast.  http://makemine.bandcamp.com/album/idiom-wind-single

Crabbing - F U C-3PO - Album Version

Label: Kommunikation Records 
Catalog: KMMNKTN19D 
Format: Digital 
Date: Mar 29, 2013

Buy:
https://www.beatport.com/release/interaction-pt-15/1057812
https://itunes.apple.com/us/album/interaction-pt-15-single/id621998624
https://letkolben.bandcamp.com/album/interaction-pt-15

Listen full tracks:
https://open.spotify.com/album/0K2OpEPOIXOfCysSbAq0xW

Official Artist pages:
http://www.letkolben.com
http://facebook.com/LetKolbenOfficial
https://soundcloud.com/letkolben
http://www.residentadvisor.net/dj/letkolben

Official Label pages:
http://www.kommunikation-records.com
https://www.facebook.com/KommunikationRecords
https://soundcloud.com/kommunikation-records
https://twitter.com/KMMNKTN

Interaction Pt.15

Download

LetKolben - Just the Truth Feat. Mike Anderson (Original Mix)

PK 12" for Macro B-Side
Out now available at:
http://www.beatport.com/release/chordal-law-of-return/177130
https://itunes.apple.com/at/album/chordal-law-of-return-single/id444139987

The Law Of Return

From the upcoming release 'Beams,' out August 27th. 
Release info:  http://ghostly.com/releases/beams

Beams

Matthew Dear - Her Fantasy

Fortunately, three guys hailing from New Weird Bavaria are on a musical mission to fight the ever-advancing forces of entropy and monotony: Calling themselves Aloa Input for a reason – it’s also the band’s collective motto –, Cico Beck (aka Joasihno), Marcus Grassl (formerly part of Missent To Denmark) and Florian Kreier (aka Angela Aux) obviously love all kinds of input; the further apart the sources and inspirations, the better. Always on point when it comes to picking the best bits and pieces of so much input, Anysome, the band’s debut full-length, essentially resembles a huge map that covers most of the musical worlds and sonic landscapes we know. Make no mistake: Borges might claim a map of that size is useless, it’s nevertheless a hell of a ride.
Drawing from a long list of influences all three members agree upon (e.g. Animal Collective, Eno, Beck, Beatles, Morricone, Why?, Can, The Notwist), Aloa Input are well aware of the album’s world-spanning approach, mentioning “guitars from Cape Town to Portland, beats from Berlin to Chicago, and vocals from NYC to Düsseldorf”. And yet there’s more to Anysome: the exotic detours, the band’s willingness to experiment and to go that extra mile for a good hook, the hypnotic singing and electrified horizons, all neatly placed on top of minimalist basslines. Another important skill mastered by Aloa Input: Though certainly not content with doing just one thing, the resulting itinerary never resembles a zigzag line.
With the album’s “Prelude” we enter a world that in fact seems to be coming at us, rolling up like the flickering images of a Laterna Magica: mellow birdsong, paired with hazy strawberry field sounds, at least for now, and we’re already pushed on into “Another Green World”, a place that’s pure exuberance and bliss. That second track alone, stomping ahead, makes it blatantly clear that Aloa Input love to run riot with styles and approaches, and yet they never leave the rails: Diversity or switching gears, for them, is never an invitation to let chaos reign supreme – instead it’s just more fuel for a mind-blowing ride. Some of the stops: world pop in search of greater truths (“Prblms”), burning bushes (and Kraut references) in Africa (“Rubbish”), a mirage reminiscent of cLOUDDEAD (“Clouds So Far”), all kinds of euphoric choruses with melancholy hatches underneath, plus the recurring sense that people get older, we all do, yet the ride can be fun, especially when it has a new soundtrack every four minutes, so it’s all good as long as there’s enough input to have fun with.
The “final trilogy” – that’s how the band refers to the last three tracks –, is basically a prolonged good-bye: “Going Home” (getting up, only to sit down again), “Someday Morning” (spelled “radio-friendly” backwards), and “Zweiklang”, somewhat longer, because it’s just too early to stop. Unpacking and looking back, we realize: Anysome is all over the place.

Cat.no.: MORR125
Format: CD/LP

Release Dates:
Oct 18, 2013 (Worldwide)
Nov 05, 2013 (US) 

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