Random 12 (2016)

Trueloves recognize each other
When one leaves and the other stays

L'un Part L'autre Reste - Charlotte Gainsbourg

Alexandria - Alkistis Protopsalti

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Ochi Chernye (Dark Eyes) - From Chocolat Soundtrack

 مَــغَــاوِيْــــــرْ

أَوَّلاََ سَـنَـة حُلْـوَة يَا جَمِيـلْ     ثَانِياً الِلّيـلْ حَيْكُـون طَوِيـل 

ْقْـوْلْ لَإِمَّـكْــ مَـاَ تْخَـافْـ     الْمَلْهَــي عَلَي بُعْـدِ رْصَــاص

ْثَالِثـاً إِلْبُـسْ الأَسْـوَدْ وِانْـزَلْ     عَـالِمـاً بَـسْ تِثْلُــجْ فُـوقِ التْـلاَل

ْبِيصِيُــرُوا الصِّبْيَـانْ رْجَــالْ      مَـغَـاوِيْـرْ بْعَـاصْـمِـةِ الِلِّيْــل

ْعَــلَّمُوْنَـا عَــلَي المَـلْعَبـــ     نلْعَـبْـــ عصَــاْبَـات

ْشُـوبـْــ شُـوبـْــ قَـوَّصُـوكـْـ     شُـوبـْــ شُـوبـْــ قَـوَّصُـوك

ْكِنَّـا سَـــوَا عَـمْ نِتْسَـلَّـي      وَيْنَــكِ اخْتَـفَيْـــت

ْشُـوبـْــ شُـوبـْــ قَـوَّصُـوكـْـ     شُـوبـْــ شُـوبـْــ قَـوَّصُـوك

ْرَابِعـاً مَا تِحْكِـي مَعْ نِسْـوَانْ     عَلَشَـانْـ مَـا نِسْهَــرْ عَلَـي الجِثمَـان

ْهُــوْنْ الـسِّتْـــ بَـسْ مِقْيَـاسْ      لكْـرَاَمْتُـه قِّـدَّاَمِ النَــاس

غَـالِبـاً فِـيْ طَبَنْـجَـة بِجْيَـابُـه     عَلَـشَـانْ الصَبــيِّ إِبِـنْ بَـيُّــه

ْوْهُـونْ مَـا حَــدَا بْيِـنْطَـالْ     أدُونِـيـسْ ضَحِـيِّـة الأَدْغَـــال

MAGHAWIR

Number one, happy birthday beautiful.
Number two, you’re in for a long night;
Tell your mother to chill:
The club’s a bullet’s throw away.
Number three, wear your black suit and come down,
Bearing that when snow caps the hills
All the boys become men:
Soldiers in the capital of the night.

And on the playground, 
They always taught us
To gang-play-pretend.
Shoop shoop shot you down.
Shoop shoop shot you down.
We were just all together,
Painting the town.
Where’d you disappear?
Shoop shoop shot you down.
Shoop shoop shot you down.

Number four, quit chatting up the misses, 
Before the night turns into a wake.
Here women are but emblems of men’s influence.
Yes, that is a gun in his pocket,
Because the boy’s his fathers son.
Where the arm of the law can’t reach, adonis falls victim.

And on the playground, 
They always taught us
To gang-play-pretend.
Shoop shoop shot you down.
Shoop shoop shot you down.
We were just all together,
Painting the town.
Where’d you disappear?
Shoop shoop shot you down.
Shoop shoop shot you down.


Mashrou' Leila - Maghawir El Leil ( IBN EL LEIL ) | مشروع ليلي - مغاوير الليل

أصنــام

كانت الدفاتر بيضاء وحياتنا ما بتتغنى،
والراديو يذيع مللنا يا أما خمسة أو خمسين مرة.
لمرّة سمعنا فارس قال لنا نردم معابدنا.
رحنا وعمّرنا له معبد ثاني بمحلّها.

سلّطنا الضوء على وجهه لما طلع حتى يمكسج.
ما شفنا غير خياله إختفى وجهه تحت الوهج،
ويطلع يعزف ليتخيّل حاله بالأفلام،
وإحنا نصدّق حكيُه حتى نبرّر الأصنام.

ْحَـرَفُـوْهْ و رَدَدُوهْ ، قَدَسُـوُهْ ورَتَّـلـُوه

طربنا بحفلاته لما بلش يلعبلنا
الأسرار اللي خربشناها على الحيط بحمّاماتنا.
فسّر الأغنية فصلبناه بخشب المسرح.
كان يكتب من الجوع وما في أكل على المذبح. 

ْحَـرَفُـوْه و رَدَدُوه ، قَدَسُـوُه ورَتَّـلـُوه

ASNAM (IDOLS)

Our notebooks lay bare when being didn’t merit a song,
And the radio blared ennui five or fifty times a day.
Till once we heard a DJ who said ‘go destroy your temples’
But in their place we built anew, temples in his name.

All we saw were shadows, when he’d mount the stage to play
We shone a light too bright, and blurred his face away
And he’d play dubious tunes, telling lies from film.
But we believed every word to justify the idols we built for him.

They distorted him, to echo him. 
They sanctified him, to chant him.

He thrilled us at his shows when he started to perform
The secrets that we’d scribbled upon the bathroom walls
We nailed him to a stage-wood cross when he explained his lyrics
He too wrote out of hunger, but the altar was always fruitless.

They distorted him, to echo him. 
They sanctified him, to chant him.





Mashrou' Leila - ASNAM/IDOLS ( IBN EL LEIL ) | ( مشروع ليلي - أصنام ( ابن الليل

طــيف

غنيت
مع كورس أشباح تحت رصاص مدينتي
والدّبكات
رقصتها تحِت ضوء إشارة السير 
لانتَشيت 
عالكهربا من نخاع العامود 
وصبّيت 
دموع النيون ع سواد العيون
والطرابيش خذونا، عالحبوس عشان يخصونا، ويعملوا أوسام
خيّطنا لهم أعلامنا من أكفان جثث الأصحاب، اللّي كانوا عالإعدام
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
وقضّيت
عمري مع حقّي مرْهون لأّحاسيسك (آه يا نوسك)
وانمحيت
من كِتب التاريخ كأنها تاريخك (وهويتك)
بأوراكنا ترجمنالهم أبيات سافو وأبو نوّاس بلْسان الآهات
على شراشف طرّزناها بالآهات الّي نشدناها بالمظاهرات
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
علّيلِي كعبك بالغنا
بعدها الأغاني ممكنة

TAYF (GHOST)

Showered with this city’s bullets, I chorused with ghosts
Bathed by traffic lights, I danced our dabkeh
Till i was high on the the marrow of the electric pole,
And i poured tears - neon - on swollen pupils.
Till the fezzes came to take us, to prisons, to castrate us, to make medallions.
But we sewed flags from funeral shrouds (from friends on death row).

The mushrooms have started to grow
Tomorrow we inherit the earth
The mushrooms have started to grow
Tomorrow we inherit the earth

My life spent; with rights mortgaged off to your sentiments 
My history erased from our books like they were yours to claim 
Our hips translated Sappho and Abu Nuwas in the tongue of oohs and aahs
On bed sheets embroidered with the same oohs and aahs we chanted at the picket line.

The mushrooms have started to grow
Tomorrow we inherit the earth
The mushrooms have started to grow
Tomorrow we inherit the earth

For now we still have songs;
Sing with your highest heels on

Mashrou' Leila - TAYF/Ghost ( IBN EL LEIL ) | ( مشروع ليلي - طيف ( ابن الليل

Mashrou' Leila - SAAD ALSUUD ( IBN EL LEIL ) | مشروع ليلي - سعد السعود

Jalouse'e - Latin Tango

Music by : M.Ragab & A.Hefny.
Voice : Ghalia BenAli
Recorded @ RadioAcid studio & Ganoub studio.
Mixed @ Ganoub Studio.
2015

سيد الكونين "ج٢

Cafe Accordion Orchestra performs L'Indifference from their album Le Disque Francais.


L'Indifference - Cafe Accordion Orchestra

Flores del alma - Gato Negro

أهداء إلى بلد تحالف أهلها على ضياع الحق
لما قامت الثورة ظنيت إن الأغنية دى أنتهت للأبد
وأدينا بعد سنه مش بس بسمعها أنا كمان بسمعهالكوا

كلمات: عبد الرحيم يوسف 
غناء : محمد متولى 
عود: محمد شحاته 
بايز جيتار: أحمد فهيم 
تسجيل: أحمد أبو النصر 
لحن: وائل السيد

Lyrics: Abd El Rheem Yousef 
Vocale: Mohamed Metwaly 
Oud: Mohamed Shehata 
Bass Guitar: Ahmed Faheem 
Recorded by: Ahmed Abu El Nasser 
Music by: Wael ElSayed

Fan Page
https://www.facebook.com/wl.elsayed

Khaief أنا خايف

"Meraviglioso" interpretata da Patrizia Laquidara 

Meraviglioso (Domenico Modugno)

Charlotte Gainsbourg - L'un part l'autre reste

Pre-order "Little French Songs" Now at Amazon http://smarturl.it/LittleFrenchSngsAmzn 

Carla Bruni’s fourth album, Little French Songs, will be released on April 16th 2013 via Verve Records. The first single from the album, “Chez Keith et Anita,” will be released digitally in the US on February 26th.  PRESS HERE to stream the song at soundcloud now. Little French Songs, written and performed in French, English and Italian, is the follow up to Carla’s 2008 critically acclaimed Comme si de rien n’etait (As if Nothing Had Happened) which debuted at #1 in both the Billboard European Top 100 Albums Charts and the French Album Charts. Bruni’s touch is immediately apparent in these new compositions that once again focus on raw emotions and love.
 
Little French Songs was recorded by Bénédicte Schmitt at Labomatic Studios in Paris and it features eight original compositions by Carla Bruni. Album track, “Priere” was co-written by Carla and longtime friend and collaborator Julien Clerc.“Dolce Francia” is an Italian adaptation of Charles Trenet’s “Douce France” and “Valse Posthume” is written by Chopin, with lyrics written by Carla Bruni.  
 
Carla Bruni has been writing and performing music since 1997. In the late 1990s, Bruni changed direction when she decided to launch a music career, first as a songwriter for Julien Clerc, for whom she wrote several songs for his album Si j’étais elle (If I Were Her), then as a singer-songwriter-for her first album, Quelqu’un m’a dit (Someone Told Me), released in 2002. Composed with the help of Louis Bertignac, who also produced the album, Quelqu’un m’a dit was an instant hit. Acclaimed by critics, the album sold two million copies. In 2003, Bruni won the Prix Raoul Breton, awarded by SACEM (French association of songwriters and composers) to recognize and encourage an up-and-coming songwriter or composer. She was awarded the Victoire de la Musique for Best Female Artist the same year. In  January 2007, Bruni released her second album, No Promises, which set English poems to music. Among the poets she selected were Yeats, Auden, Emily Dickinson, Christina Rossetti, Walter de la Mare and Dorothy Parker. This second work, which sold more than 400,000 copies worldwide, shot to the top of the charts in both France and Europe. Her third album was released 2008 and was entitled Comme si de rien n’était (As If Nothing Happened), the title of a photographic work by her brother Virginio Bruni Tedeschi that appears in the album’s booklet.
 
In April 2009, she launched the Fondation Carla Bruni-Sarkozy, to promote access to culture and knowledge for all. http://www.carlabrunisarkozy.org/fr/fondation-carla-bruni-sarkozy/

01 J'arrive à toi

Accordion and Percussion player from Alexandria

Khaief أنا خايف

Wael ElSayed

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Wael ElSayed

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