اصطباحة مزّيكا

SUBMIT YOUR MUSIC HERE:
bit.ly/SUBMITEDMNations

Support EDM Nations here:
www.youtube.com/EDMNations
facebook.com/edmnations
twitter.com/edmnations
@edmnationsnetwork
google.com/+Edmnations
http://edmnations.com

Support the artists here:
https://soundcloud.com/welldomusic  
https://soundcloud.com/dj_minim
https://twitter.com/WellDoOfficial
https://twitter.com/DJ_MiniM
https://web.facebook.com/Well.DoMusic/?fref=ts
                                  https://web.facebook.com/MiniM-1396652320646937/?ref=hl


FREE DOWNLOAD

Well.Do & MiniM - A trip to Egypt (Original Mix)[Free Download]

Wael ElSayed's new track one of his best accordion tracks
with Mohammed Antar " ney" 
Edit by : Mohamed Sokar
شكر خاص لـ
هيثم عبيد
ميشيل عبد الملاك
Fan page:
https://www.facebook.com/wl.elsayed

Exclusive

TootArd: Laissez Passer
Order here: https://goo.gl/JUD97v
www.glitterbeat.com

I do not exist on an ID card
A string and a piece of wood are my gunpowder

A Laissez Passer. Let him pass. That’s the document the stateless carry. It’s all that those from the occupied Golan Heights possess. Since 1967 the area has been part of Israel, but the inhabitants aren’t Israelis. They don’t have any citizenship. They don’t have passports. Just a Laissez Passer. And for the members of TootArd who all grew up in the village of Majdal Shams in the Golan, it’s a very apt name for their new album.

“Laissez passers are special situation papers,” explains singer and guitarist Hasan Nakhleh. “It took us a while to realise the effect. We’re permanent residents in Israel, but not citizens. We have no travel documents. When we travel we need the laissez passer. With no nationality, we’re officially ‘undefined.’”

But in statelessness, the five-piece has discovered musical freedom. TootArd grew up understanding that borders are something imposed by governments, lines that only exist on a map. On a disc, in concert, they can go wherever their imagination carries them. They carry their citizenship inside.

“What we do now is the result of everything we’ve ever done and heard,” Nakhleh says. “We began listening to Tuareg music and we fell in love with it. It resonated with us. North African music is something we’ve heard since we were children. We all grew up with classical Arab music. In finding our own sound, we’ve discovered things from all over.” With Laissez Passer, the past has helped create the future.

On the title cut, Nakhleh notes, “the first verse is the reality, the second is our solution. Our people are stateless. We have no flag, no sense of belonging. It also reflects our emotions. We feel undefined, we don’t know where we belong, when everything in the world tells us we should belong. People always want you to say who you are.”

With its insistent riff that evokes the space of the desert, glorious driving, funky percussion, and an electric guitar that Nakhleh modified with extra frets to sound like an oud, the song builds a manifesto that bonds West Africa and the Maghreb to the Levant. It’s a thrilling opener; more than that, it’s a very catchy one, with the subtle reggae flourishes adding a very organic, international feel. But those were a natural touch for the band, a nod towards their musical beginnings.

Laissez Passer is the sound of a band that’s found its voice. The songs seemed to be pulled from the air, to have found them, whether it’s the catchy optimism that transports “A’sfur,” the biting groove that propels “Oya Marhaba,” or the flickering shadows-and-light shifting guitarscape of “Sahra.”
The album closes with the yearning “Syrian Blues,” a gaze across the Golan Heights into the distance and history of another country.

“It’s something calm to finish, a very emotional quality. Our region used to be a part of Syria. Historically we’re Syrians, but I’ve never been to there. I feel the music has an emotional quality, and sadness in the harmonies. I even wrote it in the Rast scale, the one that’s most used in Arabic music. I thought it would evoke Syria.”

The result is an Arabic blues, the quiet, sad music of people who have a home but no nationality.

With music I become a flying bird
I change my feathers, I change my strings.

TootArd are not ‘undefined’; they’ve fashioned their own identity in their music, creating a bond of the stateless that reaches from the Levant to the Tuareg – another people without a real home - and reaches out far beyond. Let them pass.

Laissez Passer

TootArd - Oya Marhaba

أهداء إلى بلد تحالف أهلها على ضياع الحق
لما قامت الثورة ظنيت إن الأغنية دى أنتهت للأبد
وأدينا بعد سنه مش بس بسمعها أنا كمان بسمعهالكوا

كلمات: عبد الرحيم يوسف 
غناء : محمد متولى 
عود: محمد شحاته 
بايز جيتار: أحمد فهيم 
تسجيل: أحمد أبو النصر 
لحن: وائل السيد

Lyrics: Abd El Rheem Yousef 
Vocale: Mohamed Metwaly 
Oud: Mohamed Shehata 
Bass Guitar: Ahmed Faheem 
Recorded by: Ahmed Abu El Nasser 
Music by: Wael ElSayed

Fan Page
https://www.facebook.com/wl.elsayed

Khaief أنا خايف

هارمونیکا:مقداد گوهرنیا.Harmonica:Meghdad Goharnia
انگار همین دیروز بود... چقدر زود گذشت.این آهنگ رو 10 سال پیش زدیم.پیر شدیم دیگه :)

HOTEL California

صفحتي على الفيس بوك :
*

Ḍifferent | مُخْتَلِفْ

https://www.facebook.com/daleun

Fatma 2 | عُمر خَيرت

I'm from Gaza , Support Me Please🙏🏻
USDT : 
TBzeYFxE1ZsnNc37yfyAC1toatHiWRWqhj

Richard Cleyderman - Classique Sonata.mp3

Weld Michel | Ena Ra7el  [New 2013]

I voice act and I host "Al-Rehla Podcast"

Accordion and Percussion player from Alexandria

Exclusive

Wael ElSayed

Recent comments

Masreya abd el aziz

Ahmed_Hashad

Ahmed_Hashad

Ahmed_Hashad

Related tracks