My Collaborations

Fan Page 
https://www.facebook.com/wl.elsayed

Shams in Cairo 3-12-2008

special thanks to Wael elsaid (Occordion)

Wasla - أيام وبتعدي   Ayam We Bet3ady ( Full Video )

Lyrics:	

The earth..it is big..and I wonder
if I'm going to go ...from where to start?
I get up from my ashes surrounded by the world
and the faults of the past that I have to forget
love and dreams fleeing , small stupid mistakes that destroy us
troubles of life..make our steps heavy and difficult
like a child who rises after he falls.. I get up
I look ahead  I get up..I push my legs I get up
I get up I get up
I feel tired.. of running of searching..between my future and my memories
I see the time passing..moments ..years
without the slightest desire nor the slightest smile
love and dreams fleeing , small stupid mistakes that destroy us
troubles of life..make our steps heavy and difficult
like a sun that rises after a night that ends
bringing a life and a dream
my faded body rises..I get up..I get up
The earth..it is round 
and I wonder if I'll find me..in each other side..

الارض..هي كبيرة وأنا أتساءل
إذا أنا ذاهب ... من أين أبدأ؟
أنهض من رمادي محاطا بهذا العالم
و غلطات الماضي التي يجب أن أنساها
الحب والأحلام الهاربة.. الأخطاء الغبية الصغيرة التي تدمرنا
متاعب الحياة تجعل خطواتنا ثقيلة وصعبة
مثل الطفل الذي ينهض بعد أن يقع أنهض
أنظر إلى الأمام أنهض أدفع ساقي أنهض
أنهض أنهض
أشعر بالتعب من الجري من البحث
بين مستقبلي وذكرياتي
أرى الوقت يمر لحظات سنوات
دون أدنى رغبة ولا أدنى ابتسامة
الحب والأحلام الهاربة.. الأخطاء الغبية الصغيرة التي تدمرنا
متاعب الحياة تجعل خطواتنا ثقيلة وصعبة
مثل شمس تشرق اثر ليل ينتهي
حاملة حياة وحلم
 يرتفع جسدي الذابل 
أنهض أنهض
الارض..هي كروية
 وأنا أتساءل عما إذا كنت سأجدني
على كل جانب آخر

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Hela Belhadj - La terre est ronde

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Well.Do & MiniM - A trip to Egypt (Original Mix)[Free Download]

TootArd: Laissez Passer
Order here: https://goo.gl/JUD97v
www.glitterbeat.com

I do not exist on an ID card
A string and a piece of wood are my gunpowder

A Laissez Passer. Let him pass. That’s the document the stateless carry. It’s all that those from the occupied Golan Heights possess. Since 1967 the area has been part of Israel, but the inhabitants aren’t Israelis. They don’t have any citizenship. They don’t have passports. Just a Laissez Passer. And for the members of TootArd who all grew up in the village of Majdal Shams in the Golan, it’s a very apt name for their new album.

“Laissez passers are special situation papers,” explains singer and guitarist Hasan Nakhleh. “It took us a while to realise the effect. We’re permanent residents in Israel, but not citizens. We have no travel documents. When we travel we need the laissez passer. With no nationality, we’re officially ‘undefined.’”

But in statelessness, the five-piece has discovered musical freedom. TootArd grew up understanding that borders are something imposed by governments, lines that only exist on a map. On a disc, in concert, they can go wherever their imagination carries them. They carry their citizenship inside.

“What we do now is the result of everything we’ve ever done and heard,” Nakhleh says. “We began listening to Tuareg music and we fell in love with it. It resonated with us. North African music is something we’ve heard since we were children. We all grew up with classical Arab music. In finding our own sound, we’ve discovered things from all over.” With Laissez Passer, the past has helped create the future.

On the title cut, Nakhleh notes, “the first verse is the reality, the second is our solution. Our people are stateless. We have no flag, no sense of belonging. It also reflects our emotions. We feel undefined, we don’t know where we belong, when everything in the world tells us we should belong. People always want you to say who you are.”

With its insistent riff that evokes the space of the desert, glorious driving, funky percussion, and an electric guitar that Nakhleh modified with extra frets to sound like an oud, the song builds a manifesto that bonds West Africa and the Maghreb to the Levant. It’s a thrilling opener; more than that, it’s a very catchy one, with the subtle reggae flourishes adding a very organic, international feel. But those were a natural touch for the band, a nod towards their musical beginnings.

Laissez Passer is the sound of a band that’s found its voice. The songs seemed to be pulled from the air, to have found them, whether it’s the catchy optimism that transports “A’sfur,” the biting groove that propels “Oya Marhaba,” or the flickering shadows-and-light shifting guitarscape of “Sahra.”
The album closes with the yearning “Syrian Blues,” a gaze across the Golan Heights into the distance and history of another country.

“It’s something calm to finish, a very emotional quality. Our region used to be a part of Syria. Historically we’re Syrians, but I’ve never been to there. I feel the music has an emotional quality, and sadness in the harmonies. I even wrote it in the Rast scale, the one that’s most used in Arabic music. I thought it would evoke Syria.”

The result is an Arabic blues, the quiet, sad music of people who have a home but no nationality.

With music I become a flying bird
I change my feathers, I change my strings.

TootArd are not ‘undefined’; they’ve fashioned their own identity in their music, creating a bond of the stateless that reaches from the Levant to the Tuareg – another people without a real home - and reaches out far beyond. Let them pass.

Laissez Passer

TootArd - Oya Marhaba

أهداء إلى بلد تحالف أهلها على ضياع الحق
لما قامت الثورة ظنيت إن الأغنية دى أنتهت للأبد
وأدينا بعد سنه مش بس بسمعها أنا كمان بسمعهالكوا

كلمات: عبد الرحيم يوسف 
غناء : محمد متولى 
عود: محمد شحاته 
بايز جيتار: أحمد فهيم 
تسجيل: أحمد أبو النصر 
لحن: وائل السيد

Lyrics: Abd El Rheem Yousef 
Vocale: Mohamed Metwaly 
Oud: Mohamed Shehata 
Bass Guitar: Ahmed Faheem 
Recorded by: Ahmed Abu El Nasser 
Music by: Wael ElSayed

Fan Page
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Khaief أنا خايف

Nubian Groove 
Basem Darwisch ft. Ousso Lotfy at Cairo Opera House 

Basem Darwisch :  Composition & Oud &
Ousso Lotfy : e-Guitar /
Wolfgang Wittemann : Sopran Saxophone /
Wael El Sayed : Accordeon /
Max Klaas : Percussions /
Hani El Sawaf  : Duff /
Stefan Hergenröder : E- Bass /
Sebastian M. Schrobsdorff  :Piano /
Jan Boshra  : Strings Lead / Cello /
Emad Azmy  : Violin /
Shereen Azmy: Violin /
Ahmed Tarek  :Violin /
Ahmed Kamal: Violin /
Mahmoud Zakaria  :Viola /
* Mafdy Thabet   : Live recording and mixing /
Yasser Shalaan  : Lighting & Design /
Cairo Opera House / Main Hall  on 16 December 2018/
managed by Cairo Steps /
management@cairosteps.com
https://www.youtube.com/cairosteps

Nubian Groove ft. Ousso Lotfy LIVE at Cairo Opera House 2018

Khaliji Steps
خليجي ستبس   باسم درويش
وتريات جان بشري
Basem Darwisch : Composition & Oud 
Ragy Kamal : Kanoun 
Rageed William : Nay 
Stefan Hergenröder : E- Bass /
Wael El Sayed : Accordeon /
Max Klaas : Percussions /
Wolfgang Wittemann : Sopran Saxophone /
Hani El Sawaf : Duff /Riq
Sebastian M. Schrobsdorff : Piano /
Jan Boshra : Strings Lead / Cello /
Emad Azmy : Violin /
Shereen Azmy: Violin /
Ahmed Tarek :Violin /
Ahmed Kamal: Violin /
Mahmoud Zakaria :Viola /
* Mafdy Thabet : Live recording and mixing /
Yasser Shalaan : Lighting & Design /
Cairo Opera House / Main Hall on 16 December 2018/
managed by Cairo Steps /
management@cairosteps.com
www.youtube.com/cairosteps

Khaliji Steps LIVE at Cairo Opera House  خليجي ستبس

Never been

Accordion and Percussion player from Alexandria

Shams in Cairo 3-12-2008

Wael ElSayed

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