Drive Away

Debut Self Titled EP.

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BASECAMP - "Emmanuel"

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Lyrics: http://genius.com/Rkcb-comatose-lyrics

Free Download

Comatose

Like the track? Help by voting for on HypeMachine
>> hypem.com/track/27gfx/LA+MAR+-+Anchor <<

La Mar are a Sydney based, two piece electronic project who’s music hinges on the relationship between singer Dylan Wright, and keyboardist / producer, Andrew Grant.

The duo spent a large part of this year writing and finding the foundation for their music and collecting sounds, such as Grant’s dusty old FenderRhodes that kicks off their debut single, “Anchor.” The mixdown on “Anchor,” was delicately handled by producer Craig Wilson (Flume, New Navy, LDRU, Yahtzel), at the legendary, REC studios.

The EP finishes off with Mazde’s tasteful spin on “Anchor,”
in what sounds less like a remix, and more of an interpretation of sounds. Following “Shifted Thoughts,” Mazde carefully creates a unique track, appealing to only the most cultured of ears.

Seeing through the creative process right to the end, Jack Vanzet aka Thrupence (Future Classic) did the stunning oceanic cover art.

@la-mar-music @mazde

Anchor

Download on iTunes: http://smarturl.it/TheFool?IQid=rynsc
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lost in the cracks of the landslide
you saw me slipping on my blind side
i'm feeling lost, feeling tongue-tied
and now i'm frozen in your headlights

deep in the haze of your love high
i used to soar on the live wire
i'm coming down from your supply
and i don't know if you can make right

I can't take it
from the day i saw my heart start breaking
no one saved me
I can't take it
can't believe I went and lost you baby
earth keeps shaking
all around,
oh, you let me down and
I can't take it
from the day i saw my heart start breaking
no one saved me

shot through the cracks of the earthquake
my body's moving into retrograde
i'm feeling loose, feeling untamed...
and you're the dynamite in my chains

deep in the trench of the crossfire 
you shot me down from the live wire
tossed to the loss in your love game
you beat me cheating, and now I can't play

I can't take it
from the day i saw my heart start breaking
no one saved me
I can't take it
can't believe I went and lost you baby
earth keeps shaking
all around,
oh, you let me down and
I can't take it
from the day i saw my heart start breaking
no one saved me

hit the ground running up from you
baby you know I don't want to, no I want you
but there's nothing left to say
lost in the riddle you gave me
caught in the middle, you played me; see so plainly
but there's nothing left to say... I should've known. I should've known

I can't take it
from the day i saw my heart start breaking
no one saved me
I can't take it
can't believe I went and lost you baby
earth keeps shaking
all around,
oh, you let me down and
I can't take it
from the day i saw my heart start breaking
no one saved me

Buy on iTunes

OctaHate

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Produced by Jack Vanzet - @Thrupence
Mixed & Mastered by Andrei Eremin

Originally performed by Mario
Written by Ne-Yo

Video

Let Me Love You

Creazy

‘It won’t take long for B.Miles’ incredibly genuine vocal range to impress you, and for that reason, we believe she could become widely acclaimed very quickly’ – Hilly Dilly

Following on from ‘Nine Matches’, her acclaimed debut of earlier this year, dark pop artist B. Miles announces the release of her sophomore single, ‘Shaking Hands’ on 13th July.

The L.A.-based singer has described her latest track as ‘a twisted version of "The Boy Who Cried Wolf"’: a more complex take on the classic fable that’s perfectly in keeping with her atmospheric sound. Miles’ lyrical inspiration comes from the likes of Nick Cave and Tom Waits, and this is evident throughout. 

The track’s production certainly matches her songwriting too, opening with distorted bass, minimal percussion and stuttering guitar lines. As the sound on the chorus opens up, B. Miles artfully demonstrates the impact of her soulful vocal in its higher range – a talent that was already abundantly clear on ‘Nine Matches’ and prompted praise from Q Magazine.

The young artist first crafted her songwriting in Miami, attempting to forge an identity which captured ‘the essence of melancholy and yearning, while finding beauty in the sadness and pain that all of us carry inside’. 

Though also striving to remain true to a pop aesthetic, she is determined to succeed on her own terms, having spent years gigging mercilessly up and down L.A.’s Sunset Strip in order to refine her sound.

The recent charting of ‘Nine Matches’ on The Hype Machine saw this sound compared to the likes of London Grammar and Banks, inspiring a solid foundation of fans. And in gaining the support of production duo Noise Club, best known for their work with Wild Belle and the Spin Magazine-approved Quigley, B. Miles seems to have struck on a sound that promises much for the future.

Spotify

Shaking Hands

Insane

download for free here: http://bit.ly/1QWuU6u

take all the quarters from my drawer
hang my pride up on your door
I've grown tired of being ignored

I'm not painting any fence for someone else
I'm not climbing to get stuck up on your shelf

where do I start
can barely speak
cause you kept my voice living on its knees
but I'm in reverse now
don't follow me
cause I loved you most when you loved me least
no more

dead broke but I refuse to beg
break I'm breaking these chains right off my legs
keep all the words you ever said

I'm not painting any fence for someone else
I'm not climbing to be stuck up on your shelf

where do I start
can barely speak
cause you kept my voice living on its knees
but I'm in reverse now
don't follow me
cause I loved you most when  you loved me least
no more


gtrs by adam agati

SPOTIFY

When You Loved Me Least

From the XXIX EP, out now via Future Classic -- 
iTunes : smarturl.it/WafiaiTunes
Apple Music : smarturl.it/XXIXAppleMusic
Spotify : smarturl.it/XXIXSpotify
BandCamp : smarturl.it/WafiaBandCamp

II. The Raid
Written by W. Al-Rikabi
Produced by J. Vanzet AKA @Thrupence
Mixed & Mastered by A. Eremin
Artwork by Nobody & Co


XXIX

The Raid

XXIX EP

soundcloud.com/wafia

i call you names inside my head
but i tell you it’s okay
and when i meet you in that place we know 
i lose everything i should say 

give me a window seat i know the glass can keep me safe
you missed your window when you promised you would change 
give me a window seat and i’ll watch you as i drive away 
i want to see your face when you beg for me to stay
 
boy you got me paralysed from the waist up
got so much to say but it’s better to run 
coz all the words wouldn’t be enough
you always liked to speak for both of us

i carved your name beside my bed 
because i don’t like it when you are far
but how can you make this all about yourself 
when you’re so comfortable where you are  

gave you a window seat i knew the glass would keep you safe
i missed my window when i promised i would change 
gave you a window seat and i’ll watch you as you drive away 
tell me you’ll face me when i beg for you to stay 


Thomston x Wafia // Window Seat

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on tour
4/6 boston - brighton music hall
4/7 philly - milkboy
4/8 dc - jammin java
4/9 brooklyn - knitting factory

Sick

Out August 3 worldwide ahead of the (m)edian EP release on August 5, 2016. 

Pre-order the whole EP here: futr.cl/TakuWafiaMedianEP

@takugotbeats
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(m)edian EP

Ta-ku & Wafia - Love Somebody

LIBRA YEAR EP OUT NOVEMBER 11th

BEACHSEASON SOCIAL
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Stream/Buy

Tribes

Written by Wafia Al-Rikabi, Ben Abraham, Bram Inscore & Dan Omelio
Produced by Robopop
Mixed by Eric J Dubowsky
Mastered by Matt Colton at Alchemy Mastering

VIII

Bodies

Stream / buy

MGMT --
Eric Kellogg | management@lolagrand.com

The Raid

WAFIA

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