Woohoo fantastic kare!! Beautiful harmonies xx

groovy funk oasis 2 - 8:4:21, 11.39 AM (snippet)shhhhh

12 aug
a memory
a boundary
a touchstone, for what I will never compromise again

LYRICS:
i think its crazy
you just met me
and you wanna get lost?
I think you're tryna get by
but you dont know how to blush
I think you've missed me
but you're thinking 
you're just figuring out
you wanna try something sweet
nothing better than me

I think its kinda weird 
you think its kinda neat
think you'd try complete
make this better side of me
but maybe you're just sad
I cant be only glad
you shouldn't so excited
to see
this me

Its kind of weird
you try complete
this better side
this side of me

Do think its crazy
you just met me
got my drink right here thanks
you spot I like my things sweet
there's nothing sweeter than me

Its kind of weird
you try complete
this better side
this side of me

BV's
Crazy You Just Met

Sweeter than Me


COVER ART: HOLLIE COHEN @ holliemakes via instagram
SONG: WAITAHI ANIWANIWA MCGEE @ waitahi.aniwaniwa via instagram

12 aug

12 aug demo

09 I Hate You - RB MIX 082221

A new work form Mo H. Zahreei.

"More than a decade ago, I made a piece of beat-based electronic music and titled it "Middle Eastern IDM" for a course assignment. After listening to it in class, my professor asked what was Middle Eastern about it. It was only a year after I had left Iran to study in the US, and I didn't know that I could say "I am. I made the piece". So I went back and superimposed a sample of Egyptian protest chants on top of the piece, to make it "sufficiently Middle Eastern".

What prejudiced conservatism and performative liberalism share are gatekeeping practices that box one in a preconceived state of otherness. While the former overtly regards that otherness as inferior, the latter exoticises it through patronising paternalism. To me, it is especially troubling when exclusionary practices are driven by some form of overzealous "diversity and inclusion" agenda. If you don't fit the diversity box they've made for you, too bad. It's your fault for being "insufficiently diverse". "Poor thing, you've been colonised!", they tell you, as they claim ownership over a collection of frequencies and rhythms. When you look at who gets to decide if something's indigenous enough, you see how decolonisation itself has been colonised.

When you listen to this piece, I'm very happy for you to keep in mind that it was made by someone from Iran. But I might need to clarify that this piece has nothing to do with sufism and the whirling dervishes, the interweaving patterns of the Persian carpet, the poetry of Rumi, or Islamic architecture. And if you hear those moments of "non-western" sonorities, that is because I have constructed this piece from samples of a piece of Iranian traditional music – an overplayed piece that was all over TV and radio while I was growing up Iran, one that I never found particularly inspiring or interesting. Here, I have tried to make it more interesting by completely taking it apart and reconstructing it through my personal compositional techniques, aesthetic preferences, and a wide range of musical influences. So in short, while this piece might not sound like your archetypical Iranian music, I assure you that it is Iranian enough."

Mo H. Zareei aka mHz is an Iranian sound artist and electronic musician based in Wellington, New Zealand. Using custom-built hardware and software, his artistic practice aims to highlight the beauty in the basics of sound and light production and reductionist audiovisual elements that draw inspiration from physical and architectural principles. He has exhibited his work at international venues such as ISEA (Montreal/Vancouver/Dubai), SETxCTM festival (Tehran), NIME (London), Modern Body Festival (The Hague), ICAD (New York), and NZ Festival (Wellington), to name a few. His installation “Rasping Music" was the recipient of the 1st prize for Sound Art at the last iteration of the international Sonic Arts Award in 2015 (Italy). 

Under the moniker mHz, Zareei’s electronic music projects have been published via LINE (US), Important Records (US), leerraum (CH), and Kasuga Records (DE).
-------

head to www.pyramidclub.org.nz for more.

Made with the support of Creative New Zealand

Proof Of Identity - MHz

The beyond talented Benny Salvador hitting record and letting the movements flow on a 6 hour extend triiip. Effortlessly moving between hip hop, modern soul & funk to house, techno, broken beat and mind expanding percussive melters. Suitable for long drives, long walks or long kick ons. 

Much Love Benny!

1800 triiip - Benny Salvador - Mix 043

:)
shoutout to noah (@sun_leong_ on instagram) for those strings

just because

0ur monthly series where we travel to the outer limits of music and find out how it’s created through the ears and minds of musicians. Featuring our resident esoteric music specialists, Dan and Nell, with a broad range of guests; this episode’s guest is the extraordinary musician Isaac Smith.

For more episode info visit: https://www.pyramidclub.org.nz/podcasts
All episodes of Dancing in Your Head were produced for Paekakariki FM: https://paekakariki.fm/dancing-in-your-head/

12 aug demo

aniwaniwa

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