very two door cinema club esque boys, I like!

http://indietector.blogspot.de/2013/09/waiting-for-go-wait.html

love the intro! blogged @ http://indie-music-choice.tumblr.com/post/63440581098/waiting-for-go-wait-playlist-jdk-39-november

The intro sounds like what you know by tdcc 

Wait

PLAY DUMB, the first single from The Crookes 3rd album SOAPBOX.



The Crookes - Play Dumb

Released 09 June 2014  

All songs written by Tom Skelton & Michael Rendall  
Produced by Michael Rendall

Tom Skelton - Ld Vox, Guitars  
Michael Rendall - Bass, Keys, BV's 
 Russ Cragg - Guitars, BVs  
Timmy Rickard - Drums, BVs

Design by Andy German, agerman.co.uk

www.theshallows.co hello@theshallows.co
www.facebook.com/theshallowsuk www.twitter.com/theshallowsuk

The Shallows | Come My Way

All For You

sorry i killed her cover (SOUNDCLOUD BONUS)

Drop Your Sword

City Girl

‘honeymoon’ by ghost orchard

from the upcoming album ‘bunny’ out august 23rd, 2019 on orchid tapes

pre-order the 12" vinyl / stream here: smarturl.it/ghostorchardbunny

*~*~*~*~*

Find Ghost Orchard on:
Twitter - twitter.com/ghostorchard
Instagram - www.instagram.com/ghostorchard/
Facebook - www.facebook.com/ghostorchard

© 2019 Orchid Tapes, all rights reserved orchidtapes.com

Ghost Orchard - honeymoon

YELLOWBIRDS
Songs From The Vanished Frontier

Available May 28, 2013 from The Royal Potato Family

http://yellowbirdsmusic.com/

'Songs from the Vanished Frontier,' the second album from New York’s Yellowbirds, includes love songs and breakup songs, happy numbers and sad numbers, tunes about not believing in the truth and, alternately, tunes about delivering it. There’s bracing rock ’n’ roll and bubbling folk, drifting jangle and swiveling R&B. But the thread that unites these nine instantly affecting songs is their search to find the signal amid the noise—that is, to understand the world and its whirlwind and to deliver just a little bit of clarity every three or four minutes. “What have I believed in?” Sam Cohen sings toward the end of the title track, his voice a near-murmur that peeks out from beneath the ashes of a smoldering empire. “How will I deceive me now?”

That quest for answers and assurance suits Cohen’s backstory: After the 2009 end of his longtime vehicle for wild, radiant anthems and experiments, Apollo Sunshine, Cohen thought his musical career might be over. But a clutch of songs he wrote in his bedroom soon found currency with a few New York musicians, and they started developing and playing them under the name Yellowbirds. The band’s 2011 debut, 'The Color,' received favorable reviews, with Pitchfork Media noting that the record espoused “an endearing raggedness … as though Cohen invited you into his living room.”

'Vanished Frontier' hinges on the same intimacy, but you’d never mistake it for a living room project. Indeed, for the first time, Cohen and his now full-time band (drummer Brian Kantor, singer/bassist Annie Nero, her husband and multi-instrumentalist Josh Kaufman) had their own studio in which to build the new songs and sounds.

“I knew the sonic possibilities were broader than ever before, so I made a point to write the entire album on an acoustic guitar before delving into recording,” says Cohen. “I wanted to believe in the songs in their rawest form.”
	
Again, he wanted to keep the signal clear from the noise, and that’s precisely what Vanished Frontier achieves. It’s not a fussy album, overpopulated by a load of special guests and strange accessories. And Cohen’s brilliant guitar playing is never flashy so much as it is functional, sending simple lines through a web of carefully chosen effects to help illustrate the stories he sings. On “Vanished Frontier,” for instance, the arid guitar seems to be shaking its world-weary head every time Cohen uncovers another lie; during the lovelorn equivocation of “Mean Maybe,” the six-string solo warps the blues into a pattern that’s as fractured as Cohen’s feelings. 

That’s not to say, of course, that these songs are spare or stripped in any way. This is still Sam Cohen, of course, draping and dressing these tunes with spectral harmonies and backmasked voices, decorative percussion and interwoven textures. It’s just that these songs now stand on their own and then glow in the presence of the band and the studio. In the end, then, the noise supports the signal.

Yellowbirds | "Young Men Of Promise"

Lyrics:
I want something to die for
Somewhere where I can be
Stupid & careless with you
Maybe you're not even waiting
I should be there
Nothing's changing
hesitating on what to do

Please don't believe what they say
I just want you to stay
I just want you to stay
I just want you to
Please don't believe what they say
I just want you to stay
I just want you to stay
I just want you to stay

Remember when we talked on home phones
Asking if I could come over
Now we're older
And those days are gone
Sometimes I wish I was younger
Spring still reminds me of summer
At your parents house
When it was easy to have fun

Please don't believe what they say
I just want you to stay
I just want you to stay
I just want you to
Please don't believe what they say
I just want you to stay
I just want you to stay
I just want you to 
Please don't believe what they say
I just want you to stay
I just want you to stay
I just want you to
Please don't believe what they say
I just want you to stay
I just want you to stay
I just want you to stay

Seattle

W A I T I N G F O R G O 

We are a 5 piece band from Glasgow.

Indie / Pop / Dance / Trance 

April 2012 - now 

x  


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waitingforgo

Recent comments

Craiggg

ck :-(

Indie●Music●Choice

ZONE EBM/Electro Magazine

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