Your probably one of the only country singer I listen to

smooth

If Anything's Left

Big, Big Plans

Where It All Began

Nothin' Like You

"High Lonesome County Line" is the sound of a man standing on the edge of who he was and who he’s trying to be. Vince Brooks takes that gravel stretch of Oklahoma road and turns it into a confession — headlights, dust, memories that won’t quit following, and a future that never quite outruns the past.

It’s a quiet reckoning… and a truth only Vince can carry.

Vince Brooks is an AI creation of Brook Stanley, and for this album both the lyrics and the music on this track were created using AI tools.

HASHTAGS:
#VinceBrooks #HighLonesomeCountyLine #CountryRock #HeartlandCountry #Americana #StorySongs #Oklahoma #AIArtist #BrookStanley

READ-ALONG LYRICS:

[Intro]
[Instrumental Break]

[Verse 1]
Headlights crawl across a gravel stretch,
Radio hummin’ like a memory I can’t forget.
County line sign in my high beams glowin’,
Feels like every mile knows where I’m goin’.

[Verse 2]
One side’s home where the wheat fields sway,
Other side’s the life I keep chasin’ away.
I pull over, kill the lights, let the night get still,
Wonderin’ which version of me this road wants to kill.

[Chorus]
I’m on the high lonesome county line,
Where the past and the future intertwine.
Heart’s in the dust, wheels on the tar,
Home ain’t close but it ain’t that far.
Every time I try to leave it behind,
I end up here… on the high lonesome county line.

[Verse 3]
Got a job that pays, but it drains me thin,
Sellin’ iron to the men I grew up knowin’ back then.
Sometimes their stories sound just like mine,
Different names, same damn bind.

[Chorus]
I’m on the high lonesome county line,
Where the past and the future intertwine.
Heart’s in the dust, wheels on the tar,
Home ain’t close but it ain’t that far.
Every time I try to leave it behind,
I end up here… on the high lonesome county line.

[Bridge]
Maybe life ain’t meant to be outrun,
Maybe every man circles back where he begun.
And maybe the boy I used to be
Ain’t gone, he’s just waitin’ right here on the edge of me.

[Final Chorus]
I’m on the high lonesome county line,
Where the old and the new both tug on my spine.
Dreams in the cab, roots in the ground,
Livin’ between lost and found.
I can roam these roads till the end of time,
But I’ll always drift… to the high lonesome county line.

[Outro]
[Instrumental Break – slow fade]

PRODUCTION BLOCK:
tempo 76 bpm
style country rock ballad with open-road atmosphere
instruments acoustic guitar, electric guitar, upright bass, drums, harmonica, organ
electric guitar light reverb and soft overdrive in choruses
harmonica featured in intro, turnarounds, and outro
acoustic guitar steady strum pattern throughout
vocals warm, gritty, intimate
background vocals minimal, low-mixed in final chorus
mix wide, airy, cinematic, evoking long highways and prairie night air

High Lonesome County Line

Damn Country Music

Humble And Kind

Tangled Up

Die A Happy Man

Feels Like Today

Fast Cars And Freedom

Bruises

Breach

Someone You Loved

Hold Me While You Wait

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Music video by DJ Regard performing Ride It (Official Audio). 
(C) 2019 Ministry of Sound Recordings


Management:
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Ride It

Cool Anymore

Cool Anymore (feat. Julia Michaels)

Jana Kramer

Why Ya Wanna

Almost Maybes

I Hope You Miss Me

Inspired by music from all genres, Walker Hayes seamlessly blends elements of pop, rock, rap and country together, creating a fresh sound firmly rooted in his southern perspective.
 
Born in Mobile, Alabama, Hayes grew up in a large blended family. Basketball, track and piano were his childhood passions, the latter being an interest that would turn from a hobby into his primary pursuit when he earned a music degree at Alabama’s Birmingham-Southern College. He finished his degree at the University of North Carolina in Chapel Hill. 
 
After discovering songwriting and penning a few songs himself, Hayes moved to Nashville eager to pursue a career in music. Within a year he had a record deal with a Nashville label and released music tailored for the popular tastes at the time.  Shortly after a label merger he was released from his deal and was able to pursue his own unique sound.
 
With no pressure, no demands, and nothing to lose, Hayes began developing his signature style.  Lyric heavy and groove based, Hayes hunkered down in his writing "shack" at new publisher RareSpark Media Group and recorded hundreds of songs himself.  These recordings caught the ear of Nashville hit maker, Shane McAnally, who immediately signed Hayes to his SMACK Publishing/Production house. 
    
Hayes released his first batch of work tapes entitled 8Tracks (Vol I) in May 2016. “Say Sober”, one of the 8Tracks, was featured on Spotify's New Music Friday Playlist and immediately charted on Spotify's Viral Chart.   Another track, “Shades” was heavily featured on the nationally syndicated Bobby Bones Radio Show and proclaimed an early contender for Song of the Summer by Bobby himself.
 
The 8Tracks are a collection of early worktapes that Hayes produced by himself in his shack while experimenting with sounds and lyrics.   The idea of the release of this music was to make the 8Track collections free and easily accessible to new listeners.   8Tracks (Vol II) is currently in development for a late summer release.    Concurrently, Hayes is in the studio with McAnally working on his first full studio album that will incorporate fully produced songs from the 8Tracks as well as unreleased original material.


I Hope You Miss Me

Walker Hayes

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