Pretty audacious - like it much, especially that piano motif that starts it off and returns - thanks!

This song can be understood by me. You can see the composition and sound selection.

para oboe, contrabajo y medios electroacústicos

óntico

Quarkstrangenesscharm has yet again used his unique and wonderful talents on my words. I am grateful for that and hope you will be too.

Please take the time to enjoy his other signature works. https://soundcloud.com/quarkstrangesscharm

Fruitless Love music by Quarkstrangenesscharm

PYREXIA

Marco Lucchi : one hand piano and synthesizer

27 gennaio 2022

L'uomo che cammina

Nerkstura

21 5 10

YOU USED TO LOVE ME (Feat Denitia) by SUBSONIC DISSIDENCE (2022)
Album "WOKE SMEED" (2022)

You used to love me

YOU USED TO LOVE ME (Feat Denitia)

Tone poem of that constantly blossoming, sacred eternal moment; the glory of the moonrise, on the beach in Tulum - in deep love.

Moon Over Tulum

Disquiet Junto Project 0581: Helsinki Downspout

The Assignment: Use a rhythmic field recording as the foundation for a new track.

Step 1: This is a shared sample project, one in which all the participants will utilize the same provided recording, about a minute and a half long, as the rhythmic element for their own music. Access the track, originally recorded by Scott Fletcher and used with his permission, here:

https://soundcloud.com/disquiet/helsinki-downspout 30

Step 2: Listen to the provided track several times. Think about ways to map its content, perhaps making notations about when certain unique, momentary aspects surface.

Step 3: Record an original piece of music for which the provided music is the underlying rhythm. You might take this quite literally, using the source as it is, resulting in a track that is precisely 1:35 long. Alternately, you might elect to sample and rework the source material. If you go the latter route, make certain that the original sound is, at least at some point in the finished track, recognizable.

Step 4: Because this is a Creative Commons resource, be sure to identify Scott Fletcher as the original recorder of the source material, and include a link to the source track. Identify the license as: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0).

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0581” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0581” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How long did the rain last?

Deadline: Deadline: This project’s deadline is the end of the day Monday, February 20, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, February 16, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).


Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/ 30

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Like a butterfly caught inside - disquiet0581

amazon

Wave motion （Inari's Crossroads）

Appears on the album "A Dream Unfolds"
https://silentloverecords.bandcamp.com/track/when-all-seems-lost

Photo by wonderful Elseh
https://www.flickr.com/photos/187686180@N02

When All Seems Lost

Features elements from the open collab https://soundcloud.com/mynocturnaltwin/high-strung

String Repair

String Repair, feat. My Nocturnal Twin

I work as a scientist for a living & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

21 5 10

WalkingEars

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ARTSAVA / АРЦАВА

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