Name: audios minima unidad by minimaunidad
Duration: 27 min 37 s
Description: maruki nowacki, mercedes villalba, diana drake, klara walzack, matias tomas, cris nunclares, aniela condori y santiago nerone, octavio bramajo

Thank you for inviting me to be a part of this @ednamartinezdj . Made a mix with songs that say more than anything I could write really.....Going to play two songs I wrote a while ago, one which I performed live in January 2020 at the Museum of Memory & Human Rights in Santiago and another which was made shortly after, they're both influenced by what was taking place in Chile at the time which mirrors in some ways what we are seeing in Colombia now. As some of you may know, since the end of april in Colombia there have been more than 2,000 cases of police violence against protesters, 33 victims of eye injuries and more than 40 civilians killed by the police. Since the beginning of the year more than 60 rights defenders have been assasinated, and among them 20 were indigenous leaders. Since 2016, over 400 human rights defenders have been killed. In all this darkness, there may be some hope that the protests can create meaningful change. Last Sunday, Chileans elected a new group of citizens who will write a new constitution for the country. This was one of the core demands of the huge protests of 2019/2020.  It will be the first anywhere in the world to be written by an equal number of men and women and it will replace the constitution that has been in place since the years of the military dictatorship.  The only reason this moment of hope is possible in Chile is because of the incredible social movements that rose up to demand change. As I've said elsewhere, the courage and determination of Chilean students, activists, protesters, writers, artists has been astounding and they have/are shifted/shifting the political landscape and will continue to do so. In the past month I've heard stories of Colombian protesters taking cues from Chilean protesters and beautiful solidarity between Colombians and Palestinians also. We have so much to learn from each other. May this solidarity and interconnectedness bring us better days and in the meantime may music sustain us and nourish us. Much love to you all ♡♡♡♡ - May 22nd 2021

Nicolás Jaar - Radio Alhara Sonic Liberation Front curated by Edna Martinez

A live premiere of 'Greatest Hits ’88 - ’16' by WENCH, a new project by Arca and Shayne Oliver. Thanks to ANONYMOUS CLUB.

https://www.nts.live/shows/guests/episodes/wench-16th-august-2022

WENCH (ARCA & SHAYNE OLIVER) - GREATEST HITS '88 - '16 - 120822

ESTOY LLORANDO X TI

MIX CUMBIA ARGENTINA HITS (Ke Personajes, B-rlin, Maria Becerra, Valentino Merlo y Más) DJ MITCHELL

...#03 : D̫͇r̝͔͖i̪̫a͚͙̪d̠͕̞o͕̪͕ @driado (Ig @driado)

"Driado (de Cartagena de Indias, Colombia, reside en Buenos Aires, Argentina), es un artista multimedia que nos presenta un universo cargado de colores alegres y una fauna de personajes que incluyen animales tropicales, una estética similar a la de su música que invita a la des-inhibición y en apariencia simula el caos, pero que encierra un trasfondo optimista y lleno de vida. " El Heraldo, 2017.

Es co-fundadora del sello Mosquitos y Ogros (@mosquitosyogros / Ig: @mosquitos.y.ogros) y del colectivo / meta-fiesta CeZaBe (Ig. @cezabe). 

El set es una evocación del sonido picotero pero  a su estilo, recreando esa conexión entre África y el Caribe llevada a diferentes yuxtaposiciones, tiene elementos de Bongo, Dancehall, Soukus, Amapiano, Guarapo y Socca.

artworks x @kristalmiau (Ig @akamikasaka)

... 𝟐𝟐 𝐀𝐌𝐎𝐑𝐄 ...
2̲2̲ m̲i̲n̲i̲m̲i̲x̲X̲x̲e̲$̲ d̲e̲ 2̲2̲ m̲i̲n̲u̲t̲o̲$̲.̲
$̲a̲l̲e̲n̲ e̲l̲ 2̲2̲ d̲ k̲d̲a̲ m̲e̲s̲ a̲ l̲a̲s̲ 2̲2̲:̲2̲2̲ h̲s̲.̲

E̲l̲e̲c̲t̲r̲ó̲n̲i̲k̲a̲ A̲g̲é̲n̲e̲r̲o̲ ̲A̲l̲o̲k̲a̲2̲2̲ D̲e̲l̲ F̲i̲n̲ d̲e̲l̲ M̲u̲n̲2̲
P̲a̲r̲a̲ l̲a̲s̲ k̲o̲l̲a̲$̲ d̲í̲s̲k̲o̲L̲a̲$̲ y̲ d̲i̲s̲k̲o̲n̲f̲o̲r̲m̲e̲$̲ d̲e̲l̲ k̲l̲u̲B̲ g̲l̲o̲B̲a̲L̲ .̲.̲.̲ .̲ .̲ .̲

т ѫѳLё$т4?

22 AMORE... #03 : Driado

Xylem Tube EP

Polynomial-C

Aphex Twin - Polynomial-C

Vai Passar Mal

Pabllo Vittar   Corpo Sensual (feat Mateus Carrilho)

Lexa e Mc Lan - Sapequinha :: (Coreografia Oficial)

Dj Sonic Lexa e Mc Lan - Sapequinha

1. 
[they say:]

savior come down savior come down savior come down savior come down savior come down 

2. 
[they hum…]

3.

En las cenizas 
Vamos a armar 
No saber nada 
Es mejor

Ya no cabe nada 
Pero estamos juntos 
Sin noticias 
Del otro mundo 

Y cada día
Nuestro mundo
Se achica 
O se derrumba 

Y lo único que 
Me han dicho sobre el tema
Es que es el sentido común de una flecha

Y lo único que 
Me han dicho 
Es que es el sentido común de una flecha 

Y porque no responde
El sentido común 
No puedo utilizar su lenguaje 

Su lenguaje 

(TRANSLATION)= =

In the ashes,
we will form
knowing nothing now is better

there’s no space for anything
but we are together
without news of another world

and everyday,
our world, 
shrinks
or crumbles.

and the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

but why doesn’t common sense respond?
I can no longer use its language. 

4. [instrumental]

5. [instrumental]

6. mud

come in, 
don’t leave.

grown man:
can’t see.

figures out 
he can’t be
sunken with the crown

old man
i can’t see
you’re in the way
i can’t see me,

we must confess:

illusions number time

…

a drunk man’s on the lead
skies and all bleed
and no one can hear
the cry from the ground

it’s something to dig

there’s something in the mud
there’s something in the mud
there’s something in the mud

7. [instrumental]

8. sunder

Vapor’s forming,

And now I see right behind my eyes.

If the old you could tell me 
if the old you could tell me:

a win is a win 
but a loss is the death of a twin and we borrow

And we borrow.

Forming vapors,

behind my eyes,

And now I see right behind my eyes.


In the words of a prophet 
Sunder,
In the shape of the first and last
Sunder,
In the springs of the church of sin
Sunder,
In the blood of the hands that last,
Sunder,


Does a lock seek erosion?
Does a loss seek revenge of sin?

Right behind my eye,


We borrowed from the page of saint maurice
Named the mountain an egyptian saint
Drank the water from the church of springs
Does a loss seek revenge of sin?

Right behind my eye,

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion?

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
do we need to be still? 

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion? 

9. hello, chain

won't you change, nature?
along me?
carry on your chain,
hell of chain.

we will now wait,
patience is our virtue,
NOW JUST WAIT.

10. [instrumental]

11. [instrumental]

12. 

[I hum]

13. 

carried by a force until a certain peak
there, all you could see,
is swayed by the wind
like the locks in your hair
coloring your eyes
that look nowhere

like a faith made of silk

look around not ahead

a peak is just the way towards 
a descent

look around not ahead

(you have nowhere to look)

look around not ahead

a peak is just the way towards 
a descent

the forces on the hill
manifested by what you perceive as wind

look around not ahead.

Nicolás Jaar - Cenizas

maruki nowacki, mercedes villalba, diana drake, klara walzack, matias tomas, cris nunclares, aniela condori y santiago nerone, octavio bramajo

audios minima unidad

minimaunidad

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