Awsome track my friend, cool futuristic vibe to it!! 👌

Created from tracks found at @re-ex

Repost Exchange link
repostexchange.com/users/doug-stoothoff

DistroKid Slaps forum page
slaps.com/dougstoothoff

itch.io profile page:
https://exedexes1.itch.io/


Douglas P Stoothoff main site:
https://exedexes1.com/
https://exedexes1.godaddysites.com/

Youtube subscribe:
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag?sub_confirmation=1
https://www.youtube.com/channel/UCL0BaYj4gcMibSa0gVS8WeQ?sub_confirmation=1

itch.io profile link:
https://exedexes1.itch.io/

Feature.fm overall Artist Bio link:
https://ffm.bio/douglas-p-stoothoff

Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

Artist page on Spotify:
https://open.spotify.com/artist/7EuvIQRQESX9WFtwI6GqWB
https://open.spotify.com/artist/4aN8I7Zl7HuhQQC0txGPYC

Artist page on Apple:
https://music.apple.com/us/artist/doug-stoothoff/1687430940

Artist page on Amazon:
https://music.amazon.com/artists/B0C4YK678Y/douglas-p-stoothoff

Youtube Artist Topic Channel (autogenerated):
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag

Artist page on Bandcamp:
https://dougstoothoff.bandcamp.com/

Artist page on Tidal:
https://tidal.com/browse/artist/39485859

Artist page on Beatport:
https://www.beatport.com/artist/douglas-p-stoothoff/1155579

Artist page on Boomplay:
https://www.boomplay.com/artists/70114948

Artist page on Pandora:
https://www.pandora.com/artist/douglas-p-stoothoff/ARjZ7nth7x9xvpg

Artist page on Qobuz:
https://www.qobuz.com/us-en/interpreter/douglas-p-stoothoff/18758728

Artist page on iHeart Radio:
https://www.iheart.com/artist/douglas-p-stoothoff-40424070/

Electronic Mix of Mine Plus Re-Ex 55

Where u been.mp3

From the EP EmBrAcE ThE MaChInE

Released in 2023

Lyrics: Brieuc Bohu
Music: Brieuc Bohu / Fred Offret
Vocals & Electro arrangement: Fred Offret

© all rights reserved

VOo DOo LOve Kult - What Have I Done?

Win (2024)

theres so much to see

VIDEO: https://youtu.be/vs6gr7DKFjg
https://linktr.ee/wallmusic

"Ghost of Love" is a haunting exploration of how the memories of past loves can unexpectedly resurface, lingering like shadows that never truly fade. It delves into the emotional experience of being haunted by moments long gone—old relationships, places, and the sounds of different eras—reappearing as vivid, almost hallucinatory visions.

The song revolves around the simple yet powerful refrain, "I hate that ghost of love," capturing the frustration of reliving old emotions that were once joyful but now bring an aching reminder of what has been lost. These memories become ghosts, drifting through your mind, stirring up nostalgia and heartache, leaving you longing for release from their grip.

Through the echoes of old songs, the glow of fading technologies, and the atmospheres of forgotten places, Ghost of Love creates a soundscape that’s both intimate and eerie. It’s a reflection on how love, no matter how far in the past, can still shape the present, as the heart remains haunted by the memories in that refuse to disappear.

Ghost of Love

Let The Bass Kick

From the upcoming Release "Red" available on all platforms 7/26/24
mswmusic.com

Control

https://distrokid.com/hyperfollow/djlucky3/back-when-i-feel-like

Feel Like [Vampyr Club Mix]

ich dreh die mtze wieder um

ich dreh die mütze wieder um

UnBoxed July 2024
Original song written by Yip Harburg & Harold Arlen (1939)
Vocal performance by the wonderful @orieliel-watcher
Reimagined and embellished by Out of the Box
Judy Garland as Dorothy Gale
[this track not intended for download or sale by us, original song and movie copyrights protected]
Cover image : Orieliel Watcher

OUT OF THE BOX / ORIELIEL WATCHER - We’re Off To See The Wizard / Yellow Brick Road

Rafa Molina AKA House Lawyer B2B Jorge Valero Aka Monsieur Valero @ Oven Club 13/07/24

VIDEO: https://youtu.be/CvhWvJ89xsY
https://linktr.ee/wallmusic

Drawing on themes from my PhD research, "Netscape: Cities and Global Corporate Networks" https://repub.eur.nl/pub/16013/ , the song "Network Inequality" emerges as a powerful sonic exploration of the disparities within global economic systems. The track uses an AI voice as a detached narrator, delivering terms like "asymmetric system," "network of a network," and "inequality of the economic network," among others. These terms are interspersed with graph theory measures such as "indegree," "outdegree," and "centrality," effectively mapping the intricate flows of capital and power as if in real time.

The song's progression mirrors the ebb and flow of financial markets, with the music intensifying to represent the volatile dynamics of economic systems. A poignant moment arrives during the bridge when a deep male voice cuts through the mix, intoning "Babylon lovers are Babylon lovers"—a direct invocation of the Rastafarian concept of Babylon. This oppressive system symbolizes economic exploitation and inequality, contrasting starkly with the cold, mechanical voice of the AI. This human element, raw and soulful, underscores the human cost hidden beneath economic abstractions.

Female voices whisper chants that grow increasingly louder and impassioned, intertwining with the AI’s stark recitations. The culmination is a crescendo where detached technological articulations and defiant human responses clash, plunging the listener into the chaotic soundscape that represents the network itself.

Beyond its lyrical depth, "Network Inequality" is a testament to the innovation in contemporary electronic music, blending psytrance, experimental electronic, retrosynth, and nudisco. The track channels the energetic, modernized psytrance reminiscent of Vini Vici, enriched by the melodic layers akin to Astrix, and pulsates with a rhythmic base that propels it forward. Cosmic synths and expansive soundscapes, influenced by Electric Universe, give the track a celestial quality.

Retrosynth elements recall the nostalgic vibes of Klopfgeister, merging a retro aesthetic with modern sensibilities. The inclusion of nudisco adds a groovy, danceable dimension that mirrors the lighter, playful elements found in Neelix’s genre-blending productions. "Network Inequality" is not just a musical piece but a narrative collage, paying homage to avant-garde influences like Shpongle and Ritmo, who push the boundaries of their genres.

This track is not merely a collection of influences but a cohesive narrative that challenges listeners to question the underpinnings of our global economy. It is a compelling encounter for both psytrance aficionados and those new to the genre, drawn by its eclectic and innovative appeal. The repeating mantra, "Babylon lovers, are Babylon lovers," inspired by The Slits’ "Love Und Romance," serves as a resonant reminder of the ongoing struggle against systemic economic inequalities.

Network Inequality

VIDEO: https://youtu.be/vkJ8YT1l-Gk
https://linktr.ee/wallmusic

The song Void describes life and death as eternal parts of a cosmic symphony, where the universe is understood as a continuum of shifting sonic frequencies, rather than physical matter. The track describes reality as an intricate interplay of non-random vibrations, where dissonant noise and organized harmonies generate the laws of nature, particles, and waves. These frequencies continuously entangle, creating and reshaping the universe, while death represents the absence of frequency—a state of complete silence. The song suggests that existence is a cosmic orchestration, where everything is born from the interaction of these frequencies. Written for my late father George Wall, a physicist.

Lyrics:

No material universe exists, but a continuum of shifting frequencies, colliding at infinite speeds. 
It is a domain of eternal coordinates, where most of its substance is dissonant noise, and the remainder evolving harmonies of organized complexity and structure. 
Unlike chaos, it is an orchestra of non-random frequencies, that intersect to create the myriads of cosmic notes and rhythms we perceive as matter and its laws. 
Laws that are materializations of clustered or linear coordinates, that enable the emergence of particles and waves. 
Moreover, it is from the destructive and constructive entanglements of these entities, that our physical universes are born and reborn, endlessly performed by the conductors of time. 
From these entanglements, existence is protected from the void, where death is the absence of all frequencies, a perpetual silence where creative symphonies cannot be composed nor performed. 

Come fly with me to my existence. 
Free yourself from your body. 
Come fly with me into tomorrow. 
Fill yourself with brilliant light. 
Death is the absence of all frequency.
That's what attracts love to the void. 
Come fly with me to our existence. 
Fill yourself with brilliant life. 
Come fly with me to my existence. 
Free yourself from your body. 
Come fly with me into tomorrow. 
Fill yourself with brilliant light. 
Death is the absence of all frequency. 
That's what attracts love to the void. 
Come fly with me to our existence. 
Fill yourself with brilliant life.

Void

Dreamstate of Tech - (Music is true emotion, Remake)

Ed Sheeran x Stormzy - Take me back to London (ONEMORE Remix)

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

LINKTREE https://linktr.ee/wallmusic

WALL is a musician and urbanist who started making music in 2023. Blending genres such as Synthwave, Electronica, Techno, House, Trance, Dub, Disco, Acid, and IDM, WALL’s sound explores themes of urban life and social change. Combining academic insights with diverse electronic styles, WALL creates a distinctive and thought-provoking musical experience.



Void

WALL

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