Red Bugatti

Available on Spotify: https://open.spotify.com/track/2qfzuQsO5I3B1rmIkjXFQV?si=m08LJNloTPeubCPnYaWLIA&context=spotify%3Aalbum%3A0iVkqdqyntFdlupmVw9mVg

Empire

Help!

Introduction in English

Sometimes I have to smile a little when I think about the fact that John Lennon was only 24 years old when he wrote these lyrics. 
He certainly didn't know about the cries for help that come with ageing from 60 plus. The experience of gradual physical decline and the increasing dependence on the support of other people. The gradual loss of autonomy, which is so important for one's own dignity. And the subliminal threat of retirement and nursing homes approaching, which then temporarily pulls you out of your increasing mental derangement by singing old Beatles songs.
But apart from that, he certainly already knew a lot about the hardships of being different, of not belonging; the longing to experience something like love in the worldwide recognition and at the same time having to suffocate and drown in this wave of adoration. 
In the pop era of the time, his desperate cry for help was reduced to a tolerable two minutes
I turned it into a leisurely three-minute waltz. And tried to express my increasing need for help in certain areas of life in different ways: shy and fragile, desperate and humble, angry and almost accusatory. 
And towards the end, I find myself in an almost otherworldly limbo in which a part of me comes to peace with the cry for help and finds its own new dignity in it.

Einführung auf Deutsch
Manchmal muß ich ein wenig schmunzeln, wenn ich daran denke, dass John Lennon erst 24 Jahre alt war, als er diesen Songtext schrieb. 
Da wusste er mit Sicherheit noch nichts von den Hilferufen, die mit dem Älterwerden ab 60 plus einhergehen. Die Erfahrung des allmählichen körperlichen Zerfalls und die sich zunehmend anschleichende Angewiesenheit auf die Unterstützung von anderen Menschen. Der allmähliche Verlust von Autonomie, der für die eigene Würde so wichtig ist. Und das unterschwellig drohende Herannahen von Senioren- und Pflegeheimen, die einem dann mit dem Singen von alten Beatles-Songs vorübergehend aus der zunehmenden geistigen Umnachtung herausreißen.
Aber abgesehen davon wußte er sicher schon viel von den Nöten des Andersseins, des nicht dazu gehörens; der Sehnsucht, in der weltweiten Anerkennung so etwas wie Liebe zu erfahren und zugleich in dieser Verehrungswelle geradezu ersticken und ertrinken zu müssen. 
In der damaligen Pop-Zeit wurde sein verzweifelter Hilferuf auf allseits erträgliche gut zwei Minuten eingedampft.
Ich habe daraus einen gut dreiminütigen gemächlichen Walzer gemacht. Und dabei versucht, meine in gewissen Lebensbereichen zunehmende Hilfsbedürftigkeit auf verschiedene Weise auszudrücken: Scheu und zerbrechlich, verzweifelt und demütig, wütend und beinahe anklagend. 
Und zum Ende hin befinde ich mich in einer fast schon jenseitigen Zwischenwelt, in der ein Teil in mir mit dem Hilferuf in Frieden kommt und darin eine eigene neue Würde findet.

Help!

Help! (Lennon/Mccartney)

This mini album is about feelings. Some things I been through. Let it out to move on. Start a new chapter. Emotional tracks. About fears and things that know one else knows. About listen. To have someone to rely on. Someone who listens and understands.

Scared Of The Water

Start To Move

Strangely Familiar

King of Nothing

Hunter

Even today, modern politicians are educated by what's been dubbed a "manual of statecraft", penned by the so-called Father of Modern Political Philosophy and Political Science, the 16th century Venetian, Niccolò Machiavelli. 

In Machiavelli's book, The Prince, they are taught that no matter how evil the means that they employ are, to achieve victory, the ends will justify those means. Then as the victors, all they have to do is to rewrite the history, to present themselves as the good guys. 

I'm very grateful to Mark Combstead for providing such great rock music for this poem. You can find him here: https://soundcloud.com/markcombs-928282858

Words:

Last night, I dreamed of Machiavelli,
 Who, it seems, hasn’t learned much since the days of the Medici. 
 His pretext of seizing power for the ‘good of God’,
 Was straight out of the playbook of Cesar Borgia....
 So it seemed from my talk with poor, deluded Niccolo.
 
 Looking into my eyes and holding my hands
 He plied me with cunning plots and plans,
 Dripping in evil criminality, and base intent
 To create chaos for the existing world order
 No means was too foul, not even murder.
 
 The end will justify the means, my dear,
 Don’t worry your pretty head. 
 He said. 
 I wasn’t buying it, though, 
And so I said:	
 
 All around us in the world today that we see,
 Has been caused by those with such a strategy.
 The end doesn’t justify the means, at all.
 It is the means themselves which create the evil
 Of famine, pollution and perpetual war,
 Driven by madness, greed and holy preachings;
 This is the end created by your teachings. 
 We now have nation pitted against nation,
 Because the way, the means, IS the destination.
 

Words and vocals by Annie Dieu-Le-Veut
© Annie Dieu-Le-Veut, April 2024 

Music by Combstead
© Mark Combstead, April 2024 

Cover Art by by pizarro2021 at DeviantArt.

Machiavelli (ft. Combstead)

The spirit of my drum "asked me" to heal the pain of betrayal in all those who wished to attune to it, and so I used my breath and intention while drumming between 4 and 7 beats per second, the rhythm most conducive for going into shamanic trance.

Andreas (APi_ZZ) found that the resonance of my drumming was of the frequency 109 Hz, close to the 108 Hz which is the sound tuning used to heal the sacral chakra, the Svadhishthana. So he fine tuned the drumming frequencies to that exact 108 Hz. 

The sacral chakra governs the reproductive region and when it has been knocked out of balance, it can block our fertility in all aspects of our lives, such as our joy and enthusiasm that gives rise to our creativity. And so I added in the Adi Shakti mantra, the prayer to the Great Mother, who is associated with the Svadhishthana. The Adi Shakti mantra tunes us into Her and into Her mantle of protective, generating energy that gently dissolves our fear blocks. 

Andreas then put the whole thing to music, using flute and Tibetan sound bowls attuned to the frequency of 432 Hz. He also added a bowl drone sound (again at 432 Hz), augmented by bells chiming in deeply associated frequencies of  (again) 108 Hz, 162 Hz, and 243 Hz and a second bowl at 364.5 Hz. These frequencies relate to the sacral, solar, heart and throat chakras.

The whole track has been carefully developed to enrich (self) healing ideas and offers a deep listening experience as well. 

The Cover Art, by APi_ZZ, incorporates the Svadhishthana yantra, the visual, symbolic interpretation of the Svadhishthana mantra.

Drumming and vocals by Annie Dieu-Le-Veut
Copyright © Annie Dieu-Le-Veut, April 2024, all rights reserved

Music by APi_ZZ
Copyright © APi_ZZ (Andreas Pirner) April 2024, all rights reserved
You can find APi_ZZ here: https://soundcloud.com/api_zz

Svadhishthana - shamanic healing for betrayal

one of my fav jordan ward tunes, enjoy <3

this edit is a part of "These Are Not Originals - Volume 2".

These Are Not Originals Volume 2

free download

Lil Baby Crush (Ellaime Edit)

Music is immaterial but priceless. I hope my tracks can add value to your audio universe.

I started producing music in April 2023 and posted tracks on SoundCloud since July 2023. 

Before that, I was an academic. I recently stopped that to follow my passion for music.

I like making ambiguous, divergent and atypical music. I'm inspired by loved ones, music, technology, fantasy, cities, films, art, and spiritual and societal development.

Inspired by Techno, House, Electro, Synthwave, Dub, IDM, Funk, Hip-hop, Trance, Progressive, Trip-hop, Wave, NuDisco, EDM, Ambient, Glitch, Acid, Melodic, Darkwave and Experimental.

My music is made using hardware synthesizers and occasionally soft synths. Sometimes, vocal and/or other samples are used. Vocals are mostly mine unless otherwise specified. I write all the tracks. Future collaborations will be listed and credited.

Because of my recent career change, I do not yet have appropriate social media links. I will provide these to you shortly.

Instagram: https://rb.gy/e1lzhd

YouTube: https://www.youtube.com/@WALLMUSICNOW

Thanks for checking out my SoundCloud page.

Hunter

WALL

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