Aitebar-Vital Signs

Song : Tere bina besuadi | Kamaj Medley 
Singer : Hussain Raza
Produced by : Hasil Kureshi 
Post : Hk Studios

Besuadi | kamaj Medley

Dhaani was the fourth album by the Pakistani pop band Strings, released in 2003. Singles from the album were "Mera Bichara Yaar", "Soniyae", "Chaaye Chaaye", "Pal", "Bolo Bolo", "Dhaani", "Najane Kyun", "Hai Koi Hum Jaisa" and "Kahani Mohabbat Ki".

Dhaani by Strings was Pakistan's 1st Record-Breaking Album with 8 Videos And 5 Awards.

Kahani Mohabbat Ki

Emptiness + Aitebaar (Live Cover) - Abdullah Qureshi

Aankhen Teri - MTV Unplugged - Mithoon

Ajeeb Dastaan - Jimmy Khan (&TBE) feat. Rahma Ali

Kanza Munir | Qaraar | Walnut Sessions

Mein Yaad Aaonga

Chalay thay sath sath cover by Farhan Saeed, Bass played by Aamir Aly... - YouTube

'Awari' Audio Download Link: http://www.pakmediarevolution.net/2012/10/nescafe-basement-soch-awari-download-audio-video/

Soch - Awari (NescafeBasement'12)

Vocals: Adnan
Backing Vocals: Asfar
Acoustic Guitars: Rabi & Fawad
Electic Guitar: Shahrukh
Drums: Mansoor
Bass Guitar: Haider
Keyboars: Hamza
COmposed by: Adnan & Rabi
Lyrics: Adnan & Rabi
Song by Soch Band

All Music Arranged, Mixed, Mastered & Produced by Xulfi

‘Awari’ is based on the deepest and the most sensitive theme of adultery that is ignored, but not unexposed in our society. ‘Awari’ depicts the emotional trauma lived by the girl forced in this gruesome, deadly unchosen profession. ‘Awari’ is infact a bold step taken, to convey the terribly difficult painful life the girls in this profession get to live. ‘Awari’ goes on to explain how there are so many secrets in the life if these girls, how secrets about their relationships devastate them and how secrets in and around them force them to drown in the fear of loneliness and depression. ‘Awari’ further elaborates how escape is not an option, especially without the help of other people, is also nearly impossible.
‘Awari’ further compels the listener to think how without the support of law enforcement officials, these girls have little or no hope of ever freeing themselves from their work.

“Our heart goes out to the many who are actually trapped between the past of the ‘yesterday’ that would never come again and the future of the ‘tomorrow’ that they may never see!” – Soch

Kanza Munir | Qaraar | Walnut Sessions

NOOR | Telefilm | Asim Azhar & Noor Khan

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