"Everybody's got a different idea o' why they call the place Mer Rouge--you know, "Red Sea" in French--when they ain't even any ocean around. Hell, we 200 miles from the Gulf!

"The one that's right, I think, is the story 'bout folks livin' up on Red Hill, lookin' down on the flat Delta, all covered in red clover in the Spring...that sounds like a Red Sea, don't it?" (Uncle Hassell, taped interview, May, 1989)

For this piece, Hassell used tape loops ("some of 'em was so worn out, you couldn't tell what it was") and synthesizers to evoke the sight of Prairie Mer Rouge in the early days of settlement, as a warm breeze created waves on a sea of red clover.

Prairie Mer Rouge

Explorer

Pig Tape/豚のテープ

Heavy Metal Rain On Venus (Atomic Weight Breakbeat Mix)

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Flying Dreams

Flying Dreams by Carlos Vivanco & Jason Mowry

Sanctumble

Clickclick

Uploaded with AudioShare app - http://kymatica.com/audioshare

Mermaid

Reigo Kei's Album "Grind and Glitch" re-arranged and produced the song announced on SoundCloud etc.
Two new songs are also added.
The genres are Experimental,ambient, glitch, noise, drone and so on.
It is a Album of edged origin regression. 
Please listen by all means.

Grind and Glitch

20190418f001

Performed & Recorded by Matteo Mariano in 2004. http://macrogramma.com
Original cover art by Pietro Puccio (2019). http://www.pietropuccio.it

Terminoid & Risaia in salita / Terminoid & Uphill Paddy

Also Terminoid and Uphill Paddy share the same origin: they are both guitar improvisations with electronics and real-time looping, recorded as they came out of a multi-effect processor by the sound card of an already old Mac G3. In both the sensation is better than the technique. The first darker and looming, the second a continuous luminous crescendo.
***

Anche Terminoid e Risaia in Salita condividono la stessa origine: sono entrambe delle improvvisazioni di chitarra con elettronica e looping in tempo reale, registrate così come uscivano da un multi-effetto con la scheda audio di un già allora vecchio Mac G3. In entrambi la sensazione è migliore della tecnica. Il primo più cupo e incombente, il secondo un continuo crescendo luminoso.

from macrogramma volume 2, released September 5, 2019
Performed & Recorded by Matteo Mariano in 2004

macrogramma volume 2

Risaia In Salita

ORAN

Electronic Visionary Music. Collaboration are most welcome.
Contact: wa.fini@me.com

Explorer

Walter Fini

Recent comments

Related tracks