Just takes you away from your everyday worries. What a talent.

Beautiful and melancholy! Very soulful composition

@angel-angel-sin-s-ortiz: Thank you very much :)

such a beautiful, haunting melody. really lovely, Sander. Hope you're well : )

Vol. 3

I had the absolute pleasure of collaborating again with the greatly talented David De Michele who has created an incredibly enchanting cinematic soundscape for my piano composition "Up". 

Please listen to more of David’s beautiful music here: @user-92820487

Sincere thanks for your attention to this work. We do hope it brings you some joy and comfort!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Up (Ft. David De Michele)

An experiment with homemade percussion instruments. An old pickle jar and an oven pipe covered with fur, drums made of spruce wood, a bamboo tube as a rattle that wanders throughout the entire piece along with the bass. There are also grungy guitars and drums.

The Will

Cuidame los Gatos

Image: Coles Bay, Freycinet National Park, Tasmania, Photo Amanda O'Shea, thank you Hilary for sharing your magical space with us.
Music: jigs trippin with SeaShea deep strings & guitar accompany.

Iris (ft.SeaShea)

Dedicated to my great musical friend Atla who passed away some years ago 🙏.

Original Music by Charles Chambaz 
All instruments are performed by myself.
Vocals and lyrics by Atla Daga (RIP my dear)
 For more information, see my public Profile 
All rights reserved.  


The Last Sin - Charles Chambaz ft. Atla Daga (RIP)

written by silent current ,Luana Del Maro
produced by Silent current 
Lyrics by Luana Del Maro
Voice by Caught in a Moment
Many thanks goes too Caught  in a Moment,Luana Del Maro,Ilona Deutsch and Serg Reger

Landscape (with Caught in a Moment)

Let me know what genre this is.

Cover art created with https://www.canva.com/

RiZLiX - Guzheng Dreams

Fighters is an epic cinematic work that transforms intensity, inner struggle, and the power of rising again into sound. The track begins with a dark foundation and gradually builds to monumental climaxes, carrying both hope and determination.

To create this atmosphere, I combined several orchestral libraries:

Spitfire Audio Abbey Road One – providing the orchestral foundation, recorded at the legendary Abbey Road Studios in London. Long notes, staccatos, and orchestral swells are featured here.

Spitfire Originals Epic Choir – with soprano and alto voices delivering long “Ahh” phrases that heighten the epic and hymn-like moments.

Spitfire LABS (BBC Symphony Orchestra) – delivering warm, soft viola layers that add emotional depth and a classical foundation.

EastWest Hollywood Orchestrator – bringing in powerful brass sections, driving percussion, and orchestral unison parts that push the track forward cinematically.

Each library contributes its own character:
The Abbey Road Strings add vastness and a majestic tone.
The Epic Choir creates spine-tingling moments, reaching beyond the fight into the spiritual.
The BBC violins & violas bring warmth and melancholy into the heart of the piece.
The Hollywood Orchestrator Brass & Percussion release raw, combative energy.

The result is a composition that feels like the soundtrack to an epic movie – a musical companion for battles fought both within and without. Fighters is not just a track, but an experience: dark, powerful, vulnerable, yet full of hope.

Fighters ist ein episch-cineastisches Werk, das die Intensität des Kampfes, die innere Zerrissenheit und die Kraft des Aufstehens in Klang verwandelt. Der Track beginnt mit einem düsteren Fundament und steigert sich stetig zu monumentalen Höhepunkten, die Hoffnung und Entschlossenheit gleichermaßen transportieren.

Um diese Atmosphäre zu erschaffen, habe ich verschiedene Orchester-Libraries kombiniert:

Spitfire Audio Abbey Road One – für die große orchestrale Basis, aufgenommen in den legendären Abbey Road Studios in London. Hier kommen vor allem die langen und staccato gespielten Streicher sowie die orchestralen Swells zum Einsatz.

Spitfire Originals Epic Choir – Sopran- und Altstimmen, die mit langgezogenen „Ahh“-Phrasen die epischen und hymnischen Passagen verstärken.

Spitfire LABS (BBC Symphony Orchestra) – für warme und weiche Violaklänge, die dem Track emotionale Tiefe und ein klassisches Fundament verleihen.

EastWest Hollywood Orchestrator – für kraftvolle Brass-Sektionen, markante Percussion-Elemente und orchestrale Unisono-Parts, die den Track filmisch vorantreiben.

Jede dieser Libraries trägt ihren eigenen Charakter bei:
Die Abbey Road Strings verleihen Weite und majestätische Klangräume.
Der Epic Choir schafft Gänsehaut-Momente, die über den Kampf hinaus in das Spirituelle reichen.
Die BBC Violinen & Violas bringen Wärme und Melancholie ins Zentrum des Stückes.
Die Hollywood Orchestrator Brass & Percussion setzen die kämpferische, rohe Energie frei.

So entsteht eine Komposition, die sich wie ein Soundtrack zu einem epischen Film anfühlt – ein musikalischer Begleiter für innere und äußere Schlachten. Fighters ist damit nicht nur ein Track, sondern ein Erlebnis: dunkel, mächtig, verletzlich und dennoch voller Hoffnung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Fighters

Undeclared War - Ακήρυκτος Πόλεμος

La Course

Music Composed, Arranged, Performed & Produced by Liam Boyle
Vocals & Lyrics by Carmen Belle White

Higher

Unseen

Alive

Never was there brazen ever more craven
Having to give up and go.

Building like a mason travesty wasted
the curtain raised for the show

Having and asking another is masking
power abused to grow.

Hopeful, a diner by himself a boozer on the shelf.

Dilute, imprisoned systematically, forever old and caustically.

Never can you listen as rain water glistens
Hoping for an execution stay.

Having people lined up and thrown in the trash heap 
of life as if any old day.

Making mistakes but reforming their way as they list ‘felon’ on a resume’

Hey no one! Locked away; 18 years to rot, racist jury swayed.

Hey no one! We’re still here; hope outwilled our carcinogenic fear.

Never was their brazen ever more craven
Having to give up and go.

Building like a mason travesty wasted
the curtain raised for the show

Having and asking another is masking
power abused to grow.

Maybe it’s a willingness to recognize the hideous for seeds of justice to sow
   
Insane by the game of feeling the shame judged by a jury of peers

Prison guard punches doesn’t give reason doesn’t understand his way.

Hoping for umbrellas while rain falls harder as one more you have to save.


What is the calling to get us all roaring a travesty of justice on display

Rain of Justice

My Friends - I wrote this about eleven months ago in the aftermath of a friend's suicide. This is dedicated to my group of close friends "The Ducks".

My Friends

Call To The River

Mostly I make ambient/melancholic electronic music. Or I play the piano. 
Sometimes there will be faster songs. And sporadically I will do something different. 

Thanks to everyone who takes time to listen to my tracks, or likes them, or reposts them... much appreciated <3

Also check out my synth pop project with the lovely @annie-smart-1: 
Passion Arcade - https://soundcloud.com/user-949559825

I keep bees and write music
Big thanks for your support!!! You find my music also on Drooble https://drooble.com/sergey.chuprikov and Hearthis https://hearthis.at/sergey-chuprikov/

Alive

Wane of Summer

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