New music to uplift and make you smile : )

"Singing to the Clouds" - excerpts

Northern Arizona University, Symphonic Band
World Premiere-April 25, 2023
Ezekiel Q. Webber, guest conductor
Contact for score/parts: eqwebber2@gmail.com

TranscenDance for winds & percussion (World Premiere Performance)

Tokyo Kosei Wind Orchestra's performance from April 24th, 2009, Ray Cramer, conductor.
More information: http://stevenbryant.com/firstlight.php


First Light (Tokyo Kosei)

An Odyssey and meditation for unaccompanied chorus on the New Testament scripture Philipians 4:8. I pray this blesses you in a different way.

"These Things" Philippians 4:8 - For A Cappella Chorus

Slapstick!

Ragae Mix Sr4

Debussy: what more is there to say? Here is one of the most beloved and recognizable works from one of music's absolute masters, arranged here for one of the most unlikely of ensembles, the clarinet quartet. The results here may surprise you...please take a listen!!

Are you a clarinetist, or is someone you know interested in performing this music? Please visit my site: williammay-warmwelcome.com. 

"Clair De Lune" For Clarinet Quartet

McAllister - "Black Dog" (LIVE with the Northwestern University Symphonic Wind Ensemble)

As the son of a preacher, I grew up hearing and learning about the mystic and
powerful stories of the bible. The story of the ten plagues of Egypt was one particular
story that created compelling imagery. This fascinating account of the Jewish people
overcoming years of bondage has been told for thousands of years and is known by many
people from all walks of life. I have decided to retell the story through music. “The
Plagues of Egypt” is the first of several pieces that will be part of a larger work entitled,
Bible Stories.
Though the horrific plagues that swept across Egypt effected thousands, the focus of
this piece is from the perspective of the stubborn Pharaoh who unwillingly loosens his
grip on the enslaved Jews. Pharaoh’s hardened heart is conveyed through two accented
chords which recurs throughout the piece as a motif. With the entrance of each plague,
light, heavenly, metallic sounds from the harp, celeste, and percussion section coupled
with static strings are used to depict the spirit of God. Dark, brooding harmonies
represent the “Angel of Death” which takes the life of Pharaoh’s first born child. Musical
tension builds to a climax to depict the emotional despair of the stubborn leader. After
the torment of the loss of his first born, Pharaoh’s hardened heart is broken.This is
expressed by the once fullness of accented chords to a thinner texture of single
instruments as Pharaoh grieves in despair.
~Carlos Oliver Simon, Jr. (2015)


Recorded live at Underwood New Music Readings, June 14, 2016  

www.americancomposers.org 

Plagues of Egypt - Excerpt

Aaron Davison from http://www.howtolicenseyourmusic.com/ interviews Aaron Bethune of Play It Loud Music about music licensing and how to get music in TV, Films, Video Games and Advertisements.

An Interview With Aaron Bethune Of Play It Loud Music

My thoughts on this present time...
Romans 8:18

"Clair De Lune" For Clarinet Quartet

WARMay

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