To Reach the Surface

El Conocido

In Limbos

Belief I Single
'Without Doubt'
thanks to Carlos and Armando, the serious mariachi players.

Without Doubt

Original version on the album Morning/Evening released on Text Records in 2015.

Evening Side (Oneohtrix Point Never edit)

LR081 Carlos Niño & Friends - Flutes, Echoes, It's All Happening!
Out April 22nd, 2016 LEAVING RECORDS
pre-order iTunes: http://apple.co/1S56iIW
cover art: Jesse Moretti

Flutes, Echoes, It's All Happening! is the fourth in an ongoing series of highly collaborative records by Carlos Niño & Friends, and features Madlib, Kamasi Washington, Miguel Atwood-Ferguson, Iasos, Luis Pérez Ixoneztli, Dexter Story, and more!

Los Angeles’ Carlos Niño is the exalted producer, composer, percussionist, DJ, ensemble orchestrator, and mentor who has traversed the multitude of music scenes the city has birthed within the last two decades. Host of the influential Spaceways Radio (1995-2015) on KPFK LA, his curation of playlists run in complete parallel to his original compositions and collaborations collected on this album: “Psychedelic Love Music and classic, obscure and experimental recordings from around the world!”. This is Space Collage Hybrid music!

FEIAH was recorded in California - mostly in the greater Los Angeles are, with Iasos' contributions coming from up North in Marin County. The material spans a number of years, through to March 2015.  Carlos remarks on the material, “I rarely throw anything away, and in this case, a few pieces I'd started and archived were brought back to the forefront as they vibrationally matched with the project. There is overlap in space, time, and sound with these records”. A standout in the FEIAH album arch is from The Cosmic Band and Kamasi Washington, a one-of-a-kind orchestration by Niño as a final send-off performance captured live on his Spaceways Radio show March 22nd 2015. “It was a wonderful night! We opened with an improvisation where I read the names of almost everyone that had ever been on the show with me including Pharoah Sanders, Yusef Lateef, and Donovan. We played a few classics, then ended with a 30 minute guided improvisation that the bonus Kamasi track "On Into Rise" was excerpted from.”

VINYL NOW

Carlos Niño & Friends - It's All Happening! (w. Madlib, strings by Miguel Atwood - Ferguson)

Pre-order 'Day To Day' -
Ninjashop: http://found.ee/daytoday
iTunes: http://found.ee/daytoday-it
Bandcamp: http://found.ee/daytoday-bc
Spotify: http://found.ee/iltr-sp

Taken from 'Day To Day' released 8th July 2016 on Ninja Tune.

The extraordinary debut album from percussionist and producer Sarathy Korwar – “Day To Day” – fuses traditional folk music of the Sidi community in India with jazz and electronics. It’s a collaborative release by Ninja Tune with The Steve Reid Foundation – a charitable trust established by Brownswood / Gilles Peterson with the dual objective of helping musicians in crisis and also supporting emerging talent. Sarathy is an alumnus of the Foundation’s development program, mentored by Four Tet, Emanative, Floating Points, Koreless and Gilles Peterson – all trustees of the foundation.

“Sarathy instantly caught my attention when he said he wanted to make an album that embraced both Indian folk music and jazz - two worlds that have had a big influence on me. His album succeeds in bringing these things together in an elegant way, but it’s his own style and ideas that come through the most in the music. Refreshingly different, this is a deep and powerful listening experience.”
Four Tet

The musical roots and routes of the Black Atlantic have been discussed and documented extensively, but Sarathy is highlighting a different dispersal of people in the other direction, from East Africa to India. The Sidis travelled to India from Africa as merchants, sailors, indentured servants and mercenaries from as far back as 628 AD and have settled in India ever since. Conceived on an extended trip to rural Gujarat, followed by sessions in Pune, Sarathy made field recordings of The Sidi Troupe of Ratanpur whose vocals and percussion form the backbone of “Day To Day”. 

Born in the US, Sarathy Korwar grew up in Ahmedabad and Chennai in India. Finishing his studies, Sarathy began to think about pursuing a career in music and moved to London, where he trained as a classical tabla player under the guidance of Sanju Sahai and graduated with a MMus in Performance from SOAS (School of Oriental and African Studies) focusing on the adaptation of Indian classical rhythmic material to non-Indian percussion instruments. 

Working the angles in London’s jazz scene, Sarathy connected with Shabaka Hutchings , Cara Stacey and played with clarinettist Arun Ghosh. He was, however, itching to create under his own name and he started formulating the concept for “Day To Day” and planning a trip to India to record the Sidis. It was late in 2014 when Sarathy heard about the Steve Reid Foundation. He applied and was accepted onto the project.

“’Day To Day’ is an exceptional debut by this multi-percussive artist fusing jazz, electronic and Indian harmonics.”
Gilles Peterson 

Follow Sarathy Korwar -
Facebook: http://found.ee/sarathy-fb
Twitter: http://found.ee/sarathy-tw
Spotify: http://found.ee/sarathy-sp

Day To Day

Indefinite Leave To Remain

Pre-order

Sarathy Korwar - 'Indefinite Leave To Remain'

Diamond Rings

Release date April 24, 2012
on Epic Records

http://thirdworlds.net

PUNK WEIGHT
hot shit, cold shit
ok muthafucka lets do this
came ta make it band sawed off razor edge maintained looseness
comin through, again and again conduit
why dem hands wave to 
high to it
wild fire through your city
wild fire through your whip me
into lightning two 
k'nt hit three
strikes dug out dated 
fools no dig me
end beat limbo, baba spitting
blood in slow mo, la la chimney

warholian nightmare
storm the gates
25 8, twelve gauge pun2k weight

(25 8 pun2k weight out yo flesh)

stick and move, leave no proof
discard directly after use
forensics on that wild goose
follow my footprints into loops

cuz im too high, too high
feel like im never ever 
gonna come down
scale richtor pun2k weight 
of dis sound

down break dead space 
and make it drop
ta da street beneath 
your ghetto box
slap da beat till the 
floor boards crack
neath da weight of dis lic, step back

off in the rhythm like 
beta in the bong
got ta givem makem 
sway like palms
in da wind my lip blow 
mic spray kyrlon
25 8 til da break of dawn

(war war)

guerilla bass, straight from the trenches, posers impaled on picket fences... how ta rest your head in roach infested basements and smoke pun2k weight for breakfast... 
chop shop lifted bump til da tape deck break, ask samo how he flipped that material girls pancakes.. as zydeco copper kettles

liquor sto, sellin singles
mug shots out, to my people
rollin i double l spread eagle
hear flow dan spit EVIL

(25 8 pun2k weight out yo flesh)

Punk Weight

Death Grips - Punk Weight

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