Asemix is the collaborative project of Mari Maurice (aka more eaze) and Nick Zanca (fka Mister Lies) exploring the blurry space between pop abstraction, electro-acoustic zones and sound collage. Their self-titled debut record is the culmination of a year of remote collaboration, stem-swapping, blind trust and an almost telepathic creative process. 

“I really had no idea what form it would take. It seemed equally likely to manifest itself through song-form or collage,” shares Mari Maurice about her (lack of) expectations at the beginning of the creative process. Nick Zanca continues: “…she sent over a few sketches with a few overdubbed layers of edited improvisations for me to work with, which quickly evolved into a reciprocal back-and-forth.” By the summer of 2020, the duo racked up quite a lot of material, a combination of heavily processed and treated acoustic performances, synth work, field recordings and found sounds. Over the next few months, this material was refined, spliced and moulded into the duo's debut album. Across five tracks and 41 minutes of we’re introduced to a sound world that feels granular yet fluid, and one that is somehow both half-awake and fully immersive. 

Whether it’s the mysterious atmospheres and deep bass rumblings of the opening “Phantom Lung”, the more noisy meanderings of “Rehearsal Earthquake” or the glitchy, fully fledged euphoria of the closing “Communal Nude”, 'Asemix' draws you in. There’s something very welcoming about these sounds, it’s like you’re on the verge of remembering them; a half-forgotten dream, a memory you only have an old image to thank for, in aural form. 

The kinship, shared artistic sensibility and chemistry between Maurice and Zanca is strikingly obvious. The latter calls Asemix “one of the most fruitful and careful collaborations” he’s ever been involved in and the former continues to be in awe of the results: “It still blows my mind how much these pieces feel like they're occupying the same physical space despite recording these tracks on opposite sides of the country.” If this is the spirit and energy they can create remotely, it’s very exciting to imagine what Asemix can make when they finally meet.  

Pre-order cassettes or digital files: https://asemix.bandcamp.com/album/asemix

Asemix - Phantom Lung

German-Icelandic electro-acoustic trio Minua’s new EP Simulacra explores just tuning systems and alternate temperaments. Utilising various instruments like woodwinds, a modular synthesizer, a Bavarian zither or electric bass, the trio stretch barely song-like structures to their limits; the four pieces here move with glacial grandeur, their movement barely perceptible. 

The first half of the record revolves around the element of air. The opening “Order of Instants” utilises layered woodwind instruments to create a harmonic space inspired by an 18th century temperament often used by organ tuners. “Final Service” is an ode to overtones and noise, fusing bass clarinets with modular synthesizer and processed electric bass to calming, slowly modulating effect. 

The second half of the record shifts the trio’s focus to plucked instruments, but the pieces retain their slow-moving, monolithic character. “Sixfold Wilted Rose” features a Bavarian zither, unravelling its shimmering beauty on the bedrock of drone sounds like a rose blooming in parched soil, while the closing “Ascension Point” continues in a similar mood, a droning calmness underpinning the gentle electric guitar plucks. 

Inspired by traditional musics, elements of jazz and contemporary drone, Minua have created a body of work that draws parallels between musical worlds. Simulacra is beautiful, patient music.

Released by Warm Winters Ltd. as WW012 

Fabian Willmann – woodwinds 
Kristinn Kristinsson – guitar, electronics 
Luka Aron – guitar, zither, modular synthesizer 

Tracks 1-3 written by Luka Aron 
Track 4 written by Kristinn Kristinsson 

Recorded by Daniel Nentwig at Butterama Recording Center 
Mixed by Luca Aaron and Kristinn Kristinsson 
Mastered by Rashad Becker at Clunk 
Cover artwork by Nat Marcus

Simulacra

Minua - Final Service

HMOT - 'This Music Greets Death'

Out October 8 on ltd 10" lathe cut vinyl & cassette

First-ever, wistfully playful full length by Stas Sharifullin with contributions by Rupert Clervaux, Perila, Zurkas Tepla, Julia Sharifullina and Nikolay Kozlov. 

Pre-order: https://hmotology.bandcamp.com/album/this-music-greets-death

This Music Greets Death

HMOT - Climb Higher (feat. Perila)

Polish artist Martyna Basta presents Making Eye Contact With Solitude, a suite of intimate, diaristic ambient pieces assembled over the past several months. Created using almost exclusively field recordings and her voice (alongside violin, zither and harpsichord), this collection meditates on domesticity, loneliness, repetitiveness, stubborn patterns of isolated minds and the sonic mysteries all around us. There’s a real gentleness to these spontaneous and confessional improvisations, despite that fact that making them was a way of “making peace with myself and the reality around me” for the Kraków-based artist. The artwork created by costume designer, sculptor and illustrator Julita Goździk and track titles also allude to an interest in rituality, repetitiveness and the cyclical nature of our existence.

Constant listening, instinct and intuition are key to Martyna Basta’s practice. Having studied classical guitar for many years as a child, Basta now focuses her energies on more abstract forms of art as a photographer, musician, member of the PROGREFONIK collective and Radio Kapitał resident. Making Eye Contact With Solitude follows a string of shorter self-releases and is her label debut, and a wonderful introduction to her back-catalogue for many. Slotting in somewhere between the vocal mantras of Cucina Povera, the emotional immediacy of Claire Rousay’s recordings and the carefully crafted sonic environs of Félicia Atkinson, Martyna Basta is carving out a unique corner of the ambient world for herself. 

Pre-order: https://martynabasta.bandcamp.com/album/making-eye-contact-with-solitude

Making Eye Contact With Solitude

Martyna Basta – Awakening

Nate Scheible's "work of gentle genius" – Fairfax – is arriving on vinyl & all digital services in February 2022. Remastered by Lawrence English and featuring brand new artwork, this edition uncovers a completely new side of the "dreamy and dramatic, meditative and somber" album by the American artist.

Pre-order vinyl: https://natescheible.bandcamp.com/album/fairfax

Nate Scheible - With Any Kind of Luck

The word "aurora" is derived from the name of the Roman goddess of the dawn, Aurora, who travelled from east to west announcing the coming of the sun. Vilhelm Bromander’s new suite titled aurora similarly signals the arrival of a new chapter in the Swedish bass player, composer and improviser’s creative endeavours.

aurora is an album of ten pieces written for an extended woodwind ensemble. The music has a gentle, fragile and somewhat naive sound – perhaps a result of half the ensemble exploring new instruments (Bromander himself plays soprano saxophone). The instrumental identities are blurred; reeds, bowed strings and organ form together a warm, inviting, collective sounding body.

The compositions themselves feel like glimpses of light, air and mystery. They are open-ended, floating, yet each composition still explores a specific theme, mood, or feeling – like trying to describe the scent of a flower, or the feeling of the wind gently caressing your neck. “I embraced trying to compose music as romantic and beautiful as I was able to” says Bromander” but contrasting this by playing it strictly, consciously not syncing breaths and phrasing. That tension, between the strict playing and the romantic compositions is for me a key to this music: like drone music cut up into smaller sections and pieces that when combined create melody.”

Vilhelm Bromander is an active member of the Stockholm experimental scene. His work explores sound, texture, intonation and timbre and he draws inspiration from a wide variety of influences. He’s a keen collaborator, a member of many ensembles (Christer Bothén 3 and a duo with Fredrik Rasten to name a few), and has contributed to albums by Kali Malone, Sean McCann, and Kajsa Lindgren. He also runs the label Differ Records.

Pre-order: https://vilhelmbromander.bandcamp.com/album/aurora-2

aurora

Vilhelm Bromander - Over the top and beyond

‘Light Colours In Jyderup’ is a trademark Marta Forsberg composition – in a relatively short space of time, the Swedish composer is able to transform the simplest of sonic materials into the most magical, transcendent experience. Using only vocals and some effects, she makes a handful of students from a tiny Danish town sound both alien and medieval; the way the piece unfolds is graceful, its tone and feeling is sacred yet warm, like a Christmas carol from an alternate, minimalist universe. “I still find these voices so close and vulnerable, it’s very touching,” shares Marta Forsberg, reflecting on this piece 4 years after it was written. Featuring the voices of a few young students from Jyderup imitating the sounds of a violin, ‘Light Colours In Jyderup’ marked the beginning of Marta Forsberg’s explorations of the voice as an instrument. We are thrilled to be sharing the newly mixed and mastered audio version of this piece (which was originally an installation) on a limited edition of 111 cassettes and all streaming platforms.

Buy: https://martaforsberg.bandcamp.com/album/light-colours-in-jyderup

Light Colours In Jyderup

Marta Forsberg - Light Colours In Jyderup

Bečva is a river located in the Eastern part of Czech Republic. In September 2020, several chemical leaks into the river caused the poisoning and subsequent death of 40 tons of wildlife in the waterway – an unprecedented catastrophe. Growing up in Přerov, Bečva was an ever-present part of Tomáš Niesner’s youth and this environmental disaster affected him deeply. In an effort to understand the river better and inspired by Werner Herzog’s ‘Of Walking in Ice’, Niesner set out on a journey from the spring of Bečva to its confluence with river Morava, a journey of over 100km. It was a romantic quest in wholly unromantic circumstances, an attempt to expiate the irreversible.

Bečvou, the album, is a travelogue of sorts, an aural chronicle of this journey. Arranged and composed around field recordings from the river banks, it also features Tomáš Niesner on guitar, zither and modular synthesizer, unlike many of his previous releases where he’d zero in on one instrument. Combining elements of fingerstyle guitar, musique concrete and drone, it’s an elemental tapestry of enveloping textures, shimmering guitar motifs and soaring synth sounds. At one moment reminiscent of the meandering improvisations of East of the Valley Blues, at others calling to mind the ecstatic minimalistic compositions of Caterina Barbieri and oscillating between moods like dread and hope thoughout, Bečvou is Tomáš Niesner’s most complete statement to date, fascinating in both concept and execution.

Pre-order (CS + digital): https://tomniesner.bandcamp.com/album/be-vou

Tomáš Niesner - Chladná Voda

Enigmatic musician David Wesley Sutton, better known under his LXV alias, joins Warm Winters Ltd. with a pair of process-oriented pieces. Both revolve around very short samples played through various different devices, which allowed Sutton to reconfigure them in a live “playing” kind of environment. Rather than endlessly repetitious, these loops are like amorphous forms, constantly shifting, evolving, always drawing your attention to a different moment within their short duration. The title “things that may not be connected” is in part a reference to these subtle changes in loops, as well as a reference to an ongoing interest of Sutton’s in high levels of pattern recognition in people. LXV continues to forge his own path, with work so understated and unassuming it’s impossible to look away.

things that may not be connected

LXV – things that may not be connected II

‘I dreamt we found a way’ is a documentation of Bristol-based artist Rob Winstone’s ongoing, almost spiritual practice of music-making. Titled as an expression of a deep yearning to overcome the alienating byproducts of capitalism and the subsequent dislocation of the human soul, this collection of pieces is a crystal-clear expression of the artist’s inner-most hopes and aspirations. The album takes different paths, showcasing the artist’s various approaches; longform minimalist ambient works, gentle, decaying neoclassical vignettes, diaristic sound entries, as well as more intensive dark ambient cuts sit side by side united in their purpose – to uplift, heal and alleviate suffering. A uniquely paced album, an understated jewel by an artist whose vision is sharpening day by day.

I dreamt we found a way

Rob Winstone – something about sadness

Polish composer Aleksandra Słyż joins Warm Winters Ltd. with A Vibrant Touch, her second full-length album. While her debut Human Glory released by Pointless Geometry explored two distinct approaches and techniques, here she finds her unique path forward: finding connections between acoustic and synthetic sounds, creating rich drone structures, slowly but intensely pulsing and resonating within the surrounding space and within each listener.

“I am very much fascinated by the processes related to the body sensations experienced through sound and its movement. I have always perceived sound as a physical phenomenon, travelling as waves of energy, as vibrations which we can literally feel and physically experience,” she shares. “Therefore, from the very beginning I wanted to use recordings of specific acoustic instruments, which in my opinion beautifully represent the motion itself.” Joining Słyż and her modular synthesizer on A Vibrant Touch is a quartet of musicians playing violin (Kosma Műller), viola (Kamil Babka), cello (Anna Szmatoła) and alto saxophone (Marcus Wärnheim).

The three pieces on the album explore the physicality of sound of these instruments – like the way a finger or bow presses down on the string of a cello, or the air pressure in the saxophone when someone blows inside it – as they intertwine with expert navigation of modular synthesizers by Słyż. Drawing on the work of 20th century spectral composers like Grisey or Scelsi, just intonation, drone music and microtonality for inspiration, the Polish composer uses dissonance, tension and pulse with incredible grace and power.

She opens the proceedings with the patient, gliding and stirring piece “Healing”. “The Ruthless Act” is slightly more ominous and grainy, as the cello and modular synthesizer mimic each other's movements to disorienting effect. The final piece “Softness, Flashes, Floating Rage” is a monumental composition lasting almost 26 minutes, a crowning jewel of the album. Słyż and the instrumentalists are exceedingly patient as the piece slowly unravels into a brutal, heart- and ear-shattering climax. It's a testament to her compositional prowess, that a piece of this length is imbued with so much weight and elegance.

A Vibrant Touch

Aleksandra Słyż – Healing

The latest release by Australian, Berlin-based artist Felicity Mangan collects a series of works created during 2020 and 2021 and reveals the artist’s fascination with all things water and other related phenomena. Featuring a wide scope of works – a recording of a performance utilising biorhythms and timbres collected from river banks sits next to a monophonic installation piece inspired by both amphibians and amphitheaters or recordings of a human-frog conversation – ‘Wet On Wet’ is fascinating both in concept and sonics, continuing to expand on Mangan’s previous interest in biophonic patterns, quasi-bioacoustics and aural illusions.

Wet On Wet

Felicity Mangan – Digging The Pedospheric Vibes I

Polyonymous Sheffield-based artist Jonathan George Fox (aka Sentry, Power Therapy, Foundling) joins the Warm Winters Ltd. roster with their new ambient moniker, Flight Coda. “a window at night the 27th” collects extracts from the artist’s archive, “intuitively chosen under the criteria of eliciting a special warmth… irresistible to hide away”. The 4 gliding, dreamy tracks ranging from 5 to almost 20 minutes are a reflection of the artist’s intention to create pieces which simulate dream-states, comforting conversations or staring at a night sky of diving comets… Nocturnal, celestial and mysterious, “a window at night the 27th” is the start of a new journey for Fox as Flight Coda, an introduction to an abundance of intuitive ambient textures.

a window at night the 27th

Flight Coda - a window at night the 27th

Tbilisi, Georgia-based artist Ani Zakareishvili joins the Warm Winters Ltd. roster with a hazy, phantasmic EP titled ‘Fallin’. Centred around crackling piano loops and edited snippets of Eartha Kitt’s interview from 1982, Zakareishvili ponders on the meaning of “falling in love” and reveals a deeply resonant layer of her work. This is hypnagogic, hushed music, untroubled yet profound, which somehow waltzes past you in the blink of an eye. Unhurried, it blooms with grace and fades with equal ease. A wonderful introduction to the work of Ani Zakareishvili, who will share more of her work via the label in 2023.

Ani Zakareishvili (b 1996) is a Georgian, Tbilisi-based electronic music producer and DJ born into a musical family. She is particularly interested in acoustic and sample-based music, and producing original sounds and textures using a variety of sampling and digital techniques. Her debut album ‘Mtirala’ was released in 2021 by CES Records.

Ani Zakareishvili - At First

Polish composer Martyna Basta returns to Warm Winters Ltd. with her new album ‘Slowly Forgetting, Barely Remembering’, arriving on April 28, vinyl + digital

Today, we are proud to present the first single, which is available on all streaming platforms and online stores.

We also opened the pre-orders for the full album on our Bandcamp, where you can order your copy of the opaque white vinyl edition (ltd. to 300 copies)

Martyna Basta Album - Slowly Forgetting, Barely Remembering

Nate Scheible - 'plume'

Out May 26, ltd edition cassette + digital

A new album by Nate Scheible, where his work retains its trademark spectral atmosphere, but more than ever before depicts a restlessness, instability, and constant movement. 

Pre-order your copy: https://natescheible.bandcamp.com/album/plume

plume

Nate Scheible - plume07

Chantal Michelle continues her sound explorations with 66 Rue L, a fascinating composition for piano, field recordings, saxophones and tin drum, collaborating closely with legendary Mexican instrumentalist and improviser Germán Bringas. Split into three movements, 66 Rue L traces a sonic pathway on which reverberant piano, Bringas’s saxophone and resonant field recordings intertwine to soporific, transportive effect. Close to 30 minutes in length, the composition traverses between calming and unsettling passages, as Michelle toys with the listeners’ perceptions and expectations, expertly steering the piece into unexpected territories. 66 Rue L follows Chantal Michelle’s solo releases for Quiet Time, Dinzu Artefacts and Somewhere Press and an album made with Brian Allen Simon as Pétra for Injazero Records.

66 Rue L

Chantal Michelle - Line of Drift

A year and a half has passed since Slovak-Hungarian artist Adela Mede self-released her debut album ‘Szabadság’. Its liner notes described it as “a navigation”, a search through “the personal, familial, cultural, folkloric and geographic of her past and present.” Her second album, ‘Ne Lépj a Virágra’ no longer searches; here, she puts down roots and delves deeper into the earthy reality of her home, Central Europe. Mede sings in three languages with newfound conviction and grace – this is an album of profound faith and confidence in the potential of this fertile soil.

Ne Lépj a Virágra

Adela Mede - Nestoj Nado Mnou (ft. Wojciech Rusin)

The opposite of closure is opening. The album CLOSURES fractionally links back to Konspekt by mapping the condition of perception and feeling after the closure (of a certain) phase of life. Even though we’re talking about a concrete phase – the most painful loss so far – the pieces don’t revolve around it at all. What is taking place in the pieces is everything after June 2023.

– “a lively joy (from life)”
– “perceiving the environment”
– “the world is a beautiful place”
– “you are an angel, and angels are not from this world”
– “bridges, layers”
– “connections / circles”

With love,
Richard Hronský

CLOSURES

Richard Hronský - pásmo (ft. Ema Mihálová)

Infant joins Warm Winters Ltd. with “sigla, sone”, an album of strikingly personal and diaristic sound postcards. It’s an album conveying the most intimate of moments and memories, encapsulating the feelings of entanglement and interdependence. The Michigan-based producer utilises various field recordings from his personal archives (sounds of a burning garage, conversations, Lake Michigan waves, crunching beach shells, starlings nesting in a bathroom vent…) alongside various treatments of the human voice and reworked/resampled work of his to create music that’s both tender and unassuming, as well as fascinating and complex. The whimsical and the deeply touching sit side by side on an album that exhibits the magic of what ambient music can mean in 2023.

sigla, sone

Infant - Pebble

‘Sjunger För Varandra’ (which translates to “Singing for each other”) is a brilliant new work by Swedish composer Marta Forsberg, and her third release on Warm Winters Ltd. Originally commissioned by Nymus, a local association for contemporary experimental music in Marta Forsberg’s hometown Härnösand in Northern Sweden, the piece is both an exploration of her roots and memories, as well a work which perhaps opens a new chapter in the composer’s remarkable creative practice.

The piece – presented as an intro, outro and 4 parts – is built around recordings of Marta Forsberg’s brother Tomasz singing in a tunnel underneath train tracks in central Härnösand. These tunnel recordings of a melody for five male voices (all sung by him), combined with studio recordings of his voice, as well as voice snippets of various conversations, electronics and strings by Marta Forsberg and percussions by Bex Burch are moulded into a characteristically compelling and powerful composition. Like Forsberg’s previous works on Warm Winters Ltd., ‘Sjunger För Varandra’ is impactful and striking, positioned somewhere between choral music, contemporary minimalism and electronic music.

Sjunger För Varandra

Marta Forsberg - Part 1: Echo

‘Quintela’, the debut album by Carme López, a performer, teacher and researcher of traditional oral music from Galicia, is the first experimental work for Galician bagpipe. Influenced by the approach of composers like Éliane Radigue or Pauline Oliveros, the Spanish composer creates slowly modulating sound environments, and stretches the sonic the possibilities of the bagpipe to its absolute limit. ‘Quintela’ is structured in four movements, plus a prologue and an epilogue, which serve as a link to the contemporary language of the instrument.

The bagpipe is strongly tied to traditional musics; its use in different genres and musical contexts is extremely limited and unimaginative. ‘Quintela’ brings it to a wholly unknown field, decontextualising the bagpipe in order to elevate a personal approach, and leaving behind its male-dominated past (in which it relates to ideas of prestige, dominance or carries even sexual connotations). López expertly demonstrates its grandeur and breadth; the music on ‘Quintela’ ranges from barely audible sounds of air passing through the hide bag through rhythmical use of its reeds to all-encompassing drones with complex harmonic structures and vibrant overtones.

The narrative arc focuses on the composer’s past, its people and places, and could be conceived as a journey in and of itself. A homage to those in our memories, but also a step into the unknown, ‘Quintela’ is an ambitious, graceful and captivating debut.

Quintela

Carme López - I: QUÉ? A Betty Chaos

At the core of 'Everyone is here' lies Kajsa Lindgren's usual process, defined by one simple question: “How can you make something of your own by manipulating time and space?” The Swedish composer joins Warm Winters Ltd. after recent releases with Hyperdelia (WOMB, 2018) and Longform Editions (Undercurrents, 2019). 

This album's 20 tracks are based around archival recordings that Kajsa stumbled upon in her grandfather's old basement and around memories of places or sounds from her childhood. Slowly, the album moves through time, at first reinterpreting recordings from the 60s and 70s, eventually showcasing some of Kajsa's latest compositions for voice and field recordings. Some pieces utilise very specific recordings - “Trio for cello, piano and violin” is based on an audio snippet of Kajsa's “mother, uncle and grandfather making an appearance as a trio in Swedish radio sometime during the 70's” - while others - “Anna”, inspired by memories of the Lindgrens' family boat called Anna and the sensation of being rocked to sleep by the Baltic sea waves - are more related to memories, places or objects. 

But 'Everyone is here' isn't a mere timeline of sounds or melancholic dive into previous decades. The album is a meditation on themes of inheritance, family and closeness. The composer describes the process of collecting old sonic material as “comforting”, especially in relation to her relationship with her grandparents, parents and family friends. “[The process] has given me an intimate understanding of them as human beings. We’ve all been kids, becoming adults. Trying to figure out who we are, what we want, what makes us happy and sad in life. There’s a great sense of connection and humility in that.” 
credits

Full release arriving on November 15, 2019 

Composed and mixed by Kajsa Lindgren (@kajsalindgren)
Mastered by Sean McCann 
Painting by Jörgen Lindgren 
Cover artwork design by Richard Greenan 
CD and cassette design by Anne Lippert, David Stichling 
Photography by Hampus Andersson & from family archives

Everyone is here

Kajsa Lindgren - How it sounded in my mind

Warm Winters Ltd. is pleased to announce JC Leisure’s (@jcleisure) latest solo release, 'Mutations For'. The album is built from the artist's collection of mixtapes from circa 1992 onwards that distil the counterculture of rave, free parties and pirate radio broadcasts. 

For the last couple of years this archive has formed the basis for JC Leisure’s hybrid DJ cassette sets, a handful of which are archived on Bandcamp. Aware of each cassette's cultural legacy, with 'Mutations For' JC Leisure sets out to give the archive a higher form of autonomy. Similar to the audio-to-midi processes he developed with his band Raft of Trash (where they use the world-building game Simcity3000 as raw material) the cassette tapes are sampled live and fed to synthesizers, software patches and samplers; allowing them to write their own melodies and rhythms. Leisure has worked with and alongside these results and offers them up on 'Mutations For' as an alternative future to a counterculture's unstable history. 

These ideas are explored further in collaboration with designer Afonso de Matos on the poster that forms the physical realization of this work.

Full release coming March 20, 2020.

Mutations For

JC Leisure - Soft-Paste Porcelain (ft. Dialect)

'Embraced and Reassured' is a compilation of field recordings and sound collages. It offers 10 unique sound documents by recordists from around the globe. Recordings of frogs in Eastern Europe sit alongside conversations about riots in a small town in Southern Chile; the sound of a kettle boiling in a home follows recordings of wind making charango strings vibrate in Morocco.

The full compilation will be released on Bandcamp on May 1, 2020. All proceeds from this compilation will be donated to Hackney Foodbank, an organisation helping local people in crisis.

https://warmwintersltd.bandcamp.com/album/embraced-and-reassured-a-compilation-of-field-recordings

10 recordists contributed a piece:
@jonas-gruska
@kajsalindgren
@hacohacodotnet
Olli Aarni
@katecarr
Tomás Tello (@yanaquilla)
@cucinapovera
@jake-muir
@soundsofmelquiades
@clairerousay

VA - Embraced and Reassured (A Compilation of Field Recordings) [Sampler]

The work of the Danketsu group - formerly 9, now 10 - has always revolved around ideas of unity, inclusion and equality. Their latest, completely improvised album titled 'From a distance, everything shines' embodies these ideals; in the subtlety of each contribution, the gentleness of each performer, the willingness to contribute to something greater than each member on their own. The music here is largely graceful, sublime, almost peaceful, and even the more harrowing moments dissolve into a conclusion that's uplifting. The title of the track “ชั่วเจ็ดทีดีเจ็ดหน” is a Thai Buddhist proverb which translates to “Bad seven times, good seven times”. Patrick Shiroishi, the leader of the group, explains that to him this means that “there is something good even in a bad situation.” 

The audio above is an excerpt from the piece which is almost 32 minutes long. It will be released by Warm Winters Ltd. in full on cassette and on digital formats/platforms on August 21. 

Danketsu 10 is Jason Adams (cello), Kelly Coats (flute), Dylan Fujioka (accordion & percussion), Noah Guevara (guitar), Pauline Lay (violin), Ken Moore (double bass), Amber Navran (clarinet & tenor saxophone), Patrick Shiroishi (suona & alto saxophone), Mallory Soto (voice), Ang Wilson (flute)

https://warmwintersltd.bandcamp.com/
https://warmwinters.ltd/

Danketsu 10 - ชั่วเจ็ดทีดีเจ็ดหน (Excerpt)

'New Love Music' is Marta Forsberg’s newest work, a composition for sine waves, zither and a choir. Originally written and performed as an installation piece for electronics and LED lights (with performances across Europe and in Japan), Marta Forsberg reworked the piece and is now sharing it on Warm Winters Ltd., divided into three movements - New/Love/Music. 

Composed using sine waves, sampled zither and recordings of a choir, 'New Love Music' is an exploration of the absence of sound, the simple nature of sine waves, the fullness of the zither, and the warmth of human voices. It unravels slowly, and is “a practice of waiting and listening” even for Marta Forsberg. 

Releasing in full on October 16 2020 on ltd edition cassette tapes and digital files. 

Pre-order on Bandcamp: https://martaforsberg.bandcamp.com/album/new-love-music

New Love Music

Marta Forsberg - Love

Raft of Trash is a generative music project exploring the sounds of systems using the natural rhythms of environmental dialogue in the world-building game SimCity 3000. It is a collaboration between sound artists/musicians Andrew PM Hunt (aka Dialect) and JC Leisure, and designer Thom Isom.  

Like the group’s early EPs, their debut album Likeness on the Edge of Town showcases the breadth of possibilities emerging from their unique process. Whilst playing SimCity 3000, the in-built sound effects of the game are converted and repurposed into MIDI data which is then fed to Hunt and Leisure's synths and samplers in real time. The resulting soundscape, imprinted with the dynamics of a simulated environment, is then augmented with live guitar, spoken word and field recordings to create an uncanny collage of wild synthesis, experimental narrative and bending, viscous guitar.  

Inspired by Fluxus artist Alison Knowles, the spoken word passages sprinkled across the record act as part travel journal, part system theory field guide as “someone guiding you through the simulated desert landscape, and through some kind of inner journey”. Exploring for instance the connections between the irregularities we discover in our functioning bodies and the impact of environmental influences or describing the fullness of the reality of stopping at a truck stop, these passages are an illuminating exploration of the complexity of living systems and real-life situations. Subtle musical references to Americana and sounds sourced from the desert around Joshua Tree contribute to a journey-like mood throughout the record. 

Musically, the record remains in largely abstract territory. Synths sprawl, crawl and fly above a sonic bed of creaks, ripples and bleeps; nothing is at it seems. This ambiguous relationship between the organic and the synthetic further highlights the themes explored by the group.  

Releasing in full on November 20 2020, as a limited edition poster and as digital files. 

Purchase on Bandcamp: https://raftoftrash.bandcamp.com/album/likeness-on-the-edge-of-town

Raft of Trash - Sans Sherif at the Painted Oasis

Record label and music studio based in Bratislava, Slovakia

contact [at] warmwinters [dot] ltd

SoundCloud doesn't feature the full catalogue, only the latest selected tracks. Please visit Bandcamp for the full discography
https://warmwintersltd.bandcamp.com

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