Interesting take on 4 on the floor, i can appreciate that its mostly a 4 beat still, im not a dub guy.  When it goes dub beat, not a fan of that part, but I like how you use the sticks as an offbeat on the 4 beat portions.

Taken from SBKT049: Osheyack - Intimate Publics
Release date: 8th June 2022

Intimate Publics, Osheyack’s second album, is an homage to Shanghai, the city he has called home since 2012. Over the past ten years the producer has evolved from an avid club-goer to a key member of the vital soundscape that emerged from ALL Club and its predecessor, the now defunct club The Shelter. As hinted by the title, which draws on American social theorist Michael Warner’s work on publics and counterpublics, the album expresses a commitment to mining the utopian potential of club music, forging new worlds and generating future social relations, just as the artist bids farewell to the city at a moment of uncertain transition. While tracks like 'Edging' and 'Thrall' continue to present his signature collage of harder club music, the rest of the record reveals a shift to synthetic approximations of acoustic instruments. 'Still', the central track of the album, is a piece composed almost entirely of samples found on Vocaloid (a vocal synthesizer developed by Yamaha, commonly used to give voice to Japanese virtual idols). While echoing themes explored in previous projects, like the nature of realism and authenticity in a techno-mediated landscape, Intimate Publics is charged with an unexpected emotional candor and vulnerability, unveiling a personal side Osheyack is only beginning to explore.

Words by Alvin Li
Artwork by Xiaofei Qiu
Design by Luke Griffiths
Mastered by Raphael Valensi

Intimate Publics

Osheyack - Usually Never

Musically, the style of CRISIS is easily identifiable. In most of his works we can find a raw, dry and forceful techno. It's unpretentious techno in terms of complexity of rhythms, dreamlike or ambient abstraction, but sometimes less is more and in the case of CRISIS it works perfectly round between House, Techno, Rave & Breakbeat, the only thing guaranteed: It will always burn the dancefloor.

BUY: https://cr1s1s666.bandcamp.com/releases

Created and mixed by: Tomás Urquieta, Practice and Imaabs.
Master: Imaabs

Filiae 2022

CRISIS

De Excesos

An old unreleased remix from RC boss himself, we're stoked to unleash this one years later on a pay what you want basis. Grab it for free if you'd like, but any money received for this release will go straight to Black Rainbow; an organisation doing work that we're very keen to support! This release also re-opens the downloads of 2 bootlegs from Aussie favourites Foura & Caitlin Medcalf that had previously capped out on our Soundcloud.

Recluse - Swords

Alien Posse (Anti VIP cut)

Combining technical rhythmic sequences and emotional soundscapes, the producer Somilat has announced his first club EP on the Contre Jour label.

Read more on CxC 🔗 couvrexchefs.com/en/somilat-the-reason-contre-jour-records

Article

PREMIERE: Somilat - The Reason (Contre Jour)

LIFESTYLE TRAIL - RICH GANG x RELJA REGIS

CUNT067

Release Date 15 Avril 2025

cojurue
Information Soon 🧐

Hxlkart
Information Soon 🧐

XKRA
Information Soon 🧐

cojurue, Hxlkart, XKRA - LIBERADO MARSHA [Slowed]

im honored to upload this remix made by Japanese producer @wrack90 , i love the way it came out and u can download it for free, Thanks Noboru 🙏  💖 ✨ !!!

Wasted Fates - Cut your tongue (WRACK Edit)

Download

Cut your tongue ( WRACK Edit )

buy: https://tomasurquieta.bandcamp.com/track/m-e-s-h-mimic-tom-s-urquieta-remix
Mastered by James Whipple

M.E.S.H. - Mimic (Tomás Urquieta Remix)

See here for more info: https://wp.me/pwcbn-kCX

Teardropz - EP

Siete Catorce & Amazondotcom, ‘A Party That Fits In Your Pocket’ (2018). Courtesy NHS, London.

@RedBullMusicAcademy Berlin2018

@ SONAR FESTIVAL BCN JULY 2019

Cut your tongue ( WRACK Edit )

Wasted Fates

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