Lucky

Panda Bear - Venom's In (Jaime Rosso Siren Dub)

Composer, producer and Buchla enthusiast Kaitlyn Aurelia Smith joins William J. Stokes to discuss her latest album Gush. She also treats listeners to a live set, performed on a carefully curated selection of Buchla 200e modules.

Chapters
00:00 - Introduction
01:10 - Peacock Moments
06:24 - Working With Suzanne Ciani
10:54 - Discovering Buchla And Eurorack
16:40 - Blending Sensibilities
23:21 - Buchla 200e Modular System And 223e Input
28:48 - 259e and 261e Waveform Generators
36:58 - 296e Spectral Processor
43:37 - 227e System Interface
51:25 - The Performance

#buchla200e #buchla223e #buchla259e #buchla #261e #buchla296e #buchla227e

Kaitlyn Aurelia Smith Biog
Kaitlyn Aurelia Smith is a classically trained American composer, producer and performer originally from the Pacific Northwest who now lives in Los Angeles. Drawing upon her formal training in composition and sound engineering from Berklee College of Music, she initially explored vocal performance, classical guitar and piano before her creative trajectory shifted when a neighbour lent her a Buchla 100 modular synthesizer. Her music combines the use of modular, analogue and rare synthesizers, orchestral textures and voice.

Her early self-released works, including Cows Will Eat the Weeds and Tides: Music for Meditation and Yoga (2014), were followed by Euclid (2015), her first official album with Western Vinyl, which combined structured songwriting with ambient exploration. This was succeeded by EARS (2016), which critics praised for its seamless layering of organic instrumentation and analogue synthesis to evoke feelings of awe and disorientation. Her 2017 release, The Kid, marked a conceptual leap, tracing stages of human development through richly textured, emotionally resonant compositions that bolstered her status among experimental music audiences.

Kaitlyn has performed alongside artists like Hot Chip, Glass Beams, RY X, Caribou and Four Tet, composed original works for Apple, BBC Orchestra, Adult Swim, MoMA, Red Bull and others, plus her song “Stratus” was also synced in the 2023 film Priscilla Motion Picture Soundtrack. She has also collaborated with longtime inspiration Suzanne Ciani and other artists like Emile Mosseri, while exploring multidisciplinary projects through her label, Touchtheplants. On her latest album, GUSH, Kaitlyn sets her sights on aesthetics, focusing on the heightened awareness of and presence in the world where every interaction, whether with people, objects or nature, has the potential to become a moment of connection and personification.

https://kaitlynaureliasmith.com/
https://www.instagram.com/kaitlynaurelia/
https://www.facebook.com/kaitlynaurelia/
https://x.com/kaitlynaurelia

William J. Stokes Biog
William J. Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. 

As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. 

Full biog at https://www.soundonsound.com/people/kaitlyn-aurelia-smith-talks-buchla-sos-podcast

https://www.vokagentle.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Electronic Music

Kaitlyn Aurelia Smith - My Life In Modules

Show Notes

Kaitlyn Aurelia Smith - My Life In Modules | Podcast

Audio example to accompany the October 2025 Sound On Sound magazine article.

Cubase 1025 Ducked Effects Audio Example 01

Audio example to accompany the October 2025 Sound On Sound magazine article.
'A New Sun' demo track composed by Tom Bellingham for Fracture Sounds Orchestral Atmospheres software.

A New Sun - Orchestral Atmospheres

Audio example to accompany the October 2025 Sound On Sound magazine article.
The track relates to the SOS For Artist article.

Nu Disco Project - DEMO MIX

Audio example to accompany the October 2025 Sound On Sound magazine article.

Ultimate Plosive Control.
The first third of this demo is the raw, untreated track. In the next part you can hear that the pops have been cancelled, while in the final third I’ve adjusted the blend of the pops for a more natural result.

Pop Cancellation Demo

Eddie Bazil explores advanced vocal processing techniques to achieve a clean, professional vocal track. He demonstrates how to control sibilance, tame resonances and apply quick corrective steps that enhance vocal clarity and ensure the performance sits perfectly in the track.

Chapters
00:00 - Introduction
00:30 - Common Vocal Track Issues
01:04 - Example 1: De-essing Sibilance
08:57 - Example 2: Taming Resonance With EQ
16:13 - Example 3: Reverb Ducking
25:22 - Example 4: Frequency Ducking

Track Credits
Example 1 - written and performed by David Plummer and Becky Bremner - https://www.smokinggoats.co.uk
Examples 2, 3 and 4 - ‘Puppet’ written, performed and recorded by John Walden, vocals by Yvonne McKeown

#SSLVocalStrip #FabFilterProDS #FabFilterProQ3 #FabFilterMBC #FabFilterProC #UnfilteredAudioTails #TokyoDawnNovaGE

Eddie Bazil Biog
Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.
During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.
Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.
https://eddiebazil.co.uk/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

About The Recording & Mixing Podcast Channel
On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process.
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