This minimalist movement features the saw wave. I was at a bit of a loss of how to write this movement for a good long while; saw waves are inherently aggressive and can be tiring to listen to for extended periods of time. But I had been wanting to write some heavily-minimalistic music for a good while, so I decided to use this piece to that end. The interest of this piece comes from its polyrhythmic nature; after firmly establishing 3 as the primary rhythm at the beginning, a few minutes in, a new pattern comes in accenting 2. Next, a bass rhythm comes in accenting 4. Slowly the patterns expand; at one point the arpeggios grow to four note groups and everything lines up nicely with 4 and 2 rhythms, but then the arpeggios grow to five notes and we have 5 over 4. At the end, there is 2 over 6 over 7 over 16. The neat thing is that your ear can only really understand one rhythm at a time, so if you find yourself getting bored, trying latching your ear onto a different grouping, it’s fun! The name is a visual pun because of the way the URL prefix WWW resembles a saw wave.

Waves

WWW.

This joyful movement features the square wave. The piece is written in a large binary form with each A divided into three thematic sections. The tonality is very folk-based with lots of open chords, 4ths, and 5ths. Of the three, this piece was written with the least attention to style and is the most organically “Caleb” of the suite. The name of the movement is a pun: Felicity Squared

Felicity^2

This baroque-esque movement features the sine wave. Interestingly, I began this piece before college, but did not finish it till senior year. I have always thought that sine waves sounded similar to pipe organs; in that train of thought, this piece was written to mimic a baroque contrapuntal style. But since tuning is no issue with computer generated sound, the use of parallel perfect intervals is perfectly acceptable. The piece features a large ternary form (ABA) beginning with a theme, transitioning to a large development section, then recapping the main theme. Be sure to listen for the return of the A theme towards the end! Seeing as this movement is the most contrapuntal of the three, this movement is named after the style: ComputerPoint

ComputerPoint

Made on Day 60 of Producing Every Day for a Year to test out some new sample libraries. 

Watch the episode here -

Day 60 - A Foggy Dirt Road

An Adult Swim style beat I made in my YouTube series Producing Every Day for a Year, produced on days 74/75

SmørreBrød

Beat made as part of my Producing Every Day for a Year challenge on YouTube. Produced on days 66, 71, 73, 78, 79, 80, and 81. 

Youtube channel: https://www.youtube.com/@WavePunkMusic

Youtube Channel and Soundcloud are non-monetized.

Axe of Godrick [Feat. RJ Pasin]

DnB track made on my Youtube channel, Days 151-173

Geodesic

Stuck In Nostalgia [BeatBattle Entry]

Creation process documented on my YouTube channel Https://www.youtube.com/@WavePunkMusic

The Japanese House - Boyhood [WavePunk Remix]

Made as the final project of my 365 days of production. Daily progress recorded on YouTube. https://www.youtube.com/@WavePunkMusic

Baby Blue [Original Mix]

Drum and Bass Remix of Three Taylor Swift songs: All you had to do was stay, Clean, and Bad Blood. 

Taylor Swift - All You Had To Do Was Stay, Clean, Bad Blood [WavePunk Remix]

Roses - SAINt JHN (Imanbek) HYPERPOP [WavePunk REMIX]

Telepatia - Kali Uchis [WavePunk Remix]

Undress Your Mind  - May Zoean [WavePunk Remix]

Created on stream 3/15/17, I had a blast going for a chiptune vibe :)

See more music stuff over at twitch.tv/wavepunk

Inevitable

Track made on Stream on 03/16/2017
twitch.tv/wavepunk

Purple Vertigo

This embodies the thoughts and fantasies I had growing up in Japan when I thought of Texas and the Wild West. While Texas has taken on a different sound, the wild west is still the land of adventure.

The West

A celebration of tonic, I hope these make you smile :)

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